With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Ginger Wildheart – Fulford Arms, York – Friday August 26th 2022 September 3, 2022

Filed under: Review — justwilliam1959 @ 1:53 pm
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Regular readers will know that I left day 1 of the Leeds Festival early to come to this show, was it worth it? read on to find out! This was the last date in a four-date spin around the country titled “Ginger Wildheart Presents Summer Lovin'”. They also played Hastings, Birmingham, and Wigan. First to take the stage was one of York’s finest musical talents, Mr. Boss Caine, the Barry White of Country (thanks to Ginger for that description, yes Daniel Lucas! The new songs Dan played bode very well for his next release, there are some gems there. I would say the highlight for me, and there were plenty to choose from, was “Ghosts And Drunks”. It was also great to hear Dan dedicate a tune to “the pricks in Westminster”. This was a sublime solo acoustic set from Mr. Lucas which has made me look forward even more to the next Boss Caine (or solo?) release. Carol Hodge was up next and what a great performance it was. She has the voice of an angelic demon with the purity of tone of a Karen Carpenter for the 21st Century. It was like she was playing a small intimate show in your living room. This was the first time that I had seen Carol live and it definitely won’t be the last!

Ginger Wildheart was joined on stage by Jon Poole and the aforementioned Carol Hodge. There was some great delving into Ginger’s huge canon of stunningly good tunes, including some Wildhearts songs. “Boxes”, “Geordie In Wonderland” and “Why Aye (Oh You)” were superb, but the song that stood out in this marvellous set was “Paying It Forward” which is an absolute classic. But I can’t let this go without mentioning the beautifully eclectic range of cover versions performed. “Summer Nights” was there, but given the title of the mini tour/ 4 date extravaganza, I guess that was no surprise. “How I Survived The Punk Wars” (Hey! Hello!) was ace and “Run For Home” (Lindisfarne) gave us all the opportunity for a great singalong, as we did for the opening song which was a cover of the theme from Cheers a.k.a “Where Everybody Knows Your Name”. The most fascinating cover for me though was Focus’ “Hocus Pocus”, including the yodelling. Acoustic prog anyone? On paper that should not have worked, but on stage it certainly did! What I loved so much about this set was the intimacy, it was like we were all sat around a huge campfire (it certainly felt that hot!) listing to Ginger, Jon and Carol entertain us.

All pictures, except the gig poster, were taken by me using my very cheap Chinese Android phone. The videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

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Ginger Wildheart vs. Leeds Festival August 26, 2022

Filed under: Observation — justwilliam1959 @ 6:21 am
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A week ago I published a post called “Avalanche Party vs. Leeds Festival”. This was in relation to Rage Against The Machine cancelling their European tour including Leeds and Reading Festivals. For me, this left the Friday night lineup a bit weak. In fact, the headliners that were playing in York for Friday (tonight) are far stronger. Avalanche Party at the Crescent, Ginger Wildheart at the Fulford Arms, and even a great Motorhead tribute act, Motorheadache at the York Vaults. I had planned to leave the Leeds Festival early today to go and see Avalanche Party but unfortunately, the band has had to pull out of the gig due to unforeseen circumstances, I hope the AP boys are all ok. So now it is down to the 1975 at Leeds or Ginger Wildheart in York. No contest at all, see you later Ginger!

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Avalanche Party vs. Leeds Festival August 19, 2022


I am sure you know that Rage Against The Machine have cancelled all their current European dates, including the Reading and Leeds Festivals. The bad press that their replacement as headliners, the 1975, are getting is a little OTT and unfair in my opinion. However, this change does present me with a dilemma. If Rage Against The Machine were still on the bill it would be no contest. But one of my most favourite bands, a band that I have seen more times than any other act, Avalanche Party will be playing a headline set at the Crescent in York on Friday 26th August, which is the night the 1975 will be headlining the Leeds Festival. I am not camping at the Festival site, so I will be driving home to York each night. Also, I don’t have a press pass, I am a paying punter, so therefore beholden to no one. My problem is do I drive back to York for the Avalanche Party experience? I have already bought my ticket, which was just a quid in advance, how good a deal is that? If I do drive back I will definitely miss Beabadoobee and possibly Pale Waves, two of the bands I mentioned in my Leeds Festival preview a few days ago. Weighing it all up I have decided to drive back to York to see Avalanche Party on Friday night. It won’t change my mind, but I would love to know what you would do. On the same night, Ginger Wildheart is playing the Fulford Arms in York. So in fact York has a better set of headline acts on the Friday than the Leeds Festival does. So apologies to Beabadoobee and Pale Waves but there ain’t no party like an Avalanche Party, right?

Here is what you could have had

Here is what you have
Here is what you want, and what you will get!

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‘Savage Purge’ – Carol Hodge March 14, 2020

Filed under: Review — justwilliam1959 @ 10:33 am
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Huddersfield based UK singer-songwriter Carol Hodge is new to me but she has a classy and extensive musical pedigree. Many of you may know her for her work with Crass main man Steve Ignorant. Carol has provided keyboard and backing vocals on the tours for Steve’s acoustic project Slice Of Life for the past few years. She worked as a lead vocalist for Steve Ignorant’s Last Supper which saw her provide lead vocals on many Crass songs across the world. She is touring again with Mr. Ignorant this year too. Carol has been keyboard stalwart and ace backing vocalist touring with Texan rockers Ryan Hamilton And The Harlequin Ghosts (signed to Stevie Van Zandt’s Wicked Cool Records). She also makes occasional guest appearances on keys with The Membranes and The Ginger Wildheart Band.

Carol has recently finished recording her second album ‘Savage Purge’ a sophomore follow up to 2018’s ‘Hold On To That Flame’. It was produced by Dave Draper who has worked with Ginger Wildheart, Dodgy and The Professionals to name but a few. It hits the streets on 30th March, you can preorder it and get with the cool kids by clicking here. The album title was inspired partly by the Post World War II √©puration sauvage that took place in France, in which many innocent women were tortured. Until I prepared for reviewing this album I must confess that I knew nothing of this, I do now! Click here to read more about it. Carol’s songs appear to be deep and emotional yet very accessible. The songs cover subjects that range from mental health to domestic abuse and alcoholism. But despite those dark subjects it still feels like an uplifting album. Louder Than War described Carol as “The Adele for people into radical politics…a UK 2018 equivalent to the Tapestry-era Carole King”, I can see why. Carol has a powerful voice which is at times enchanting, enthralling and at times hypnotising. She has the clarity of Karen Carpenter and I can hear elements of Patti Smith’s softer moments and a dash of Marcella Detroit.

Album opener “Stop Worrying Baby” is about living life on your own and not worrying whether you have found “the one”. The clarity piano sound on the track is reminiscent of Bruce Hornsby. There is wonderful dark passion and emotion contained in “Waving Not Drowning” and Carol sounds similar to Chrissie Hynde in the early days of the Pretenders. I have always believed that the first person you should love is yourself, because without that how can you love anyone else or how can anyone else really love you? For me “I Still Love Me” is about that and maybe the importance of maintaining strong self-esteem. On top of that the song rocks from the kick-off. “In Case Of Emergency” is a gorgeous ballad about a failed and abusive relationship. But through it all, I can sense Carol’s inner strength, one of the most honest songs that I have heard in a while. I always loved Gene and I can really imagine Martin Rossiter covering “Send Me Someone”, which has one of the best lyrics on the album, although it is an extremely difficult choice. I love the 80’s synth sounds on “Stopped Believing In You” it adds a jaunty positive vibe to a song which is at times dark and the damage of alcoholism, but mostly positive. The double-tracked vocals and almost acapella moments on “Semi-Colon” made the hairs on the back of my neck stand on end, not many songs have done that to me, obviously, I mean that in a good way! The album closes with “Let Gravity Win” a song which is one of the best takes on getting older that I have ever heard. There are a couple of lines in there that sum up how I feel about aging; “I watch with clouded avarice as youth escapes my grip. But I won’t stop caring passionately for the young and hip”. That may have to become my new mantra! This is a great album with not a duff track in sight, click here to preorder, you need this album in your life!

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