With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

‘Loved By Trouble, Troubled By Love’ – Boss Caine March 10, 2018

It has been a long wait but finally we have a new album from the mighty Boss Caine. The album is called  ‘Loved By Trouble, Troubled By Love’, and oh boy has Boss Caine main man Dan Lucas shifted up the gears on this release. He has never released a dud album and this one takes the quality to a mountainous peak. The songwriting here is among the best you will find in the current generation of British musicians. If the previous albums built the foundations of the distinct and wonderful Boss Caine sound this album completes and finely decorates the first couple of floors.

The lyrics here are beyond just sharp and clever they are stories woven into song. “Champagne” and “Evidence” open the record and draw you deep into Boss Caine World where you will neither want or need to leave before the album finishes. For me”Champagne” evokes the very best of Dr John’s finest deep south cuts. If you want an inspiring and heart-felt love song then look no further than “Star Crossed Lovers”. It totally encapsulates what it feels like to have that special someone in your life. Of all the albums I have reviewed over the years this is the first that my wife has really loved from the first play. While the style here has some of the best ingredients of alt.country, Americana and electric folk it is still a very British sound. This is most notable on the title track “Loved By Trouble, Troubled By Love” where Lucas shares vocals with Edwina Hayes.

The words on “Where Good Things Go To Die” seem to be a reflection on life and experience and maybe how you have found your way in your life. It certainly stirred up some sadly nostalgic feelings of my youth. If choosing my favourite track from the whole album was a life or death issue then I would definitely opt for “Lonesome Crow” which builds up slowly, adding layers of instrumentation and orchestration on its journey to a sanguine and deeply hopeful crescendo-like close. At times Dan Lucas’ bass-like gravelly vocals bring memories of Johnny Cash and on “Better Ways To Get Free” maybe even Tom Waits. In fact I can imagine an on-form Rod Stewart recording a brilliant version of this song. All the songs in this collection were written by Daniel Lucas apart from the jaunty and happy “Bright Young Star” which was written especially for Boss Caine by the Temperance Movement‘s Phil Campbell. Melancholy album closer “Smoking In My Backyard” is perhaps one of the finest songs ever written about smoking. I have never smoked, but I can picture myself smoking a fat one while chilling to this!

After a couple of listens this feels like a greatest hits package that is made up of entirely new songs. The album was recorded, mixed, and mastered by Isaac McInnis at his Crooked Room Studio just outside of York. The record was produced by Isaac McInnis, Bradley Blackwell, and Daniel Lucas. It is already available on-line and the physical copies will be available very soon. Click here to get your hands on a copy, I have ordered mine! So tell me; Do you like Americana? Do you like Dr John? Do you like great British music? You do? In that case you will bloody love the new Boss Caine album!


A Night To Remember – York Barbican – Saturday 3rd March

As the oft used recent phrase says ‘some heroes don’t wear capes’; Ian Donaghy a.k.a Big Ian is one of those heroes. He is the man behind the excellent musical variety gig ‘A Night To Remember’ in York. It has just entered its fifth year with an incredibly emotional and fun show last Saturday, 3rd March. OK so why is Ian a hero for putting on shows like this, because he does it to support some amazing local charities and since 2014 his initiative and passion have helped to raise more than £100,000 for some very worthy causes; St.Leonards Hospice, Dementia Projects in York, Bereaved Children Support York & Accessible Arts & Media. All the very talented roster of artists gave their time for free for yet another sell out show. I have no idea why Mr Donaghey is called Big Ian but it is certainly clear that he is a man with a really big heart.

Artists who gave some excellent cover versions on the night included Heather Findlay, Jess Steel, Chris Helme (off of the Seahorses), Graham Hodge, Boss Caine,  Beth McCarthy, Annie D, Kieran O’Malley, These Jaded Streets and the inimitable Las Vegas Ken. Backing them all was a superb band of musicians led by George Hall. Big Ian was a fabulous host on the night and he also gave us some top tunes himself. He had us all loudly singing along at the end of the evening to the Joe Cocker arrangement of “With A Little Help From My Friends“, but for me Ian knocked the ball out of the park with a stunningly soulful take on Rag ‘n’ Bone Man‘s “Human”. The night was kicked off with a rather amusing and very supportive video from Ricky Wilson off of the Kaiser Chiefs there was another brilliant video later from DIY SOS kingpin Nick Knowles. That one certainly had a number of the women around me swooning. But the best videos were from people who will benefit directly from the money raised; the Bereaved Children Support Group told us all about the impact made on their lives by the group’s founder Jo Cole. “I Just Love Maltesers” helped explain how we should treat people living with dementia, through what was an amusing and very emotional clip.

Jess Steel put on her full Dusty Springfield vocals for a storming “Son Of A Preacher Man” and Ian’s daughter Annie showed her vocals could one day be a great match for her Dad’s with “This Is Me” from the current film ‘The Greatest Showman’. Boss Caine a.k.a. the very talented Dan Lucas interpreted two classic songs in a way that only he could. His “Tiny Dancer” was a great cover of a truly great song. Elton would have been very happy with that. Chris Helme was joined by Alan Leach off of Shed Seven on Drum’s for a chilled out sing along of “Que Sera Sera” and an electrifying “Never Tear Us Apart”, the INXS song. Chris Leach’s daughter was playing keyboards for them. We were also treated to a couple of songs from Archbishop Holgate’s School‘s production of ‘School Of Rock’. This had been postponed at the school by the snow, so Big Ian gave these lads and lasses a great opportunity to play to a massive crowd. Those kids took it well, I particularly enjoyed “Stick It To The Man”. Then of course how could Las Vegas Ken’s rendition of “My Old Man’s A Dustman” failed to have got you singing and dancing? I hurt my throat hollering that chorus. But my personal favourite highlight, and it was a close thing with so many excellent artists performing, was These Jaded Streets epic remodelling of Paul Simon’s “You Can Call Me Al”.

If you couldn’t make it on the night it is not too late to contribute to these fantastic causes, just click here and give whatever you can as Big Ian himself said on the night, don’t have that takeaway, give the pizza a miss and give a few quid here!



John Murry – The Basement, City Screen, York – Wednesday 20th September 2017 September 22, 2017


I chanced upon John Murry’s “Wrong Man” a few weeks back on a cover mounted CD probably from Uncut magazine. I listened to all the tracks but had “Wrong Man” on repeat for half of my journey home from Hull to York. Later I checked this very talented artist out on Spotify and absolutely devoured everything Spotify (other streaming services are available) had to offer from Mr Murry. So I was incredibly excited to find out that John Murry, courtesy of Please Please You (nice work Joe) would be playing a show in York. I booked my ticket immediately!


I was doubly pleased when I found out that the support act was to be the marvelous Boss Caine. Daniel Lucas (Boss Caine Main Man) played an acoustic set consisting mainly of songs from his upcoming album, which now looks likely to get a release in November. Based on hearing a clutch of songs from that album I really believe that it will be something special. Daniel asked us to imagine the brass and string arrangements that would be applied to the songs in the studio. Frankly I could imagine all of that, but these songs are so damned good they work really well in an acoustic format too. For most of the set counter point vocals and harmonies were handled by the exquisitely talented Amy Greene The acoustic duo set up was at times reminiscent of Paul Heaton and Jacquie Abbott, but with a Boss Caine twist. These songs are classy story songs and who doesn’t love a story song? Mr Lucas is a great storyteller via the medium of his songs. Check out Boss Caine, you will not be disappointed.


As for John Murry, wow what can I say? Well back in the early 70s Jon Landau having witnessed Bruce Springsteen playing live said something along the lines of “I have seen the future of rock ‘n’ roll and its name is Bruce Springsteen”. Well John Murry isn’t Springsteen but he is a damned genius. If you like Nick Cave, maybe even Tom Waits, rock with a dark side and an immensely dry wit you will love this guy. The band is a bunch of highly talented musicians and it is set up in quite an interesting way. One of the keyboard players switches to drums on some songs and on those numbers the drummer switches to bass guitar. So not just a multi talented group but also a group of multi instrumentalists too. Murry’s guitar playing channels a power source from a parallel dimension where David Lynch is President of the USA.


When I first heard John Murry I had no idea of his nationality. In my head he sounded a little Celtic, maybe Scottish or Irish, but in fact he hails from Tupelo, Mississippi. Although he now lives in Ireland. I am not yet familiar with all his songs but the previously mentioned “Wrong Man” was stunning. I also loved the psyched version of Smokey Robinson’s “Tracks Of My Tears” that was woven into the opening song. “The Ballad Of The Pajama Kid” taken from his first album ‘The Graceless Age” has a haunting, ageless, grace (apologies for that hint of plagiarism on my part) that hangs around in your head like a long lost friend. I bought John Murry’s new album ‘A Short History Of Decay’ from the merch stand and I have played it six or seven times already. For me this is a contender for album of the year. I urge you to check out John Murry if you haven’t already, in fact I don’t urge you, I bloody well order you to find him and check him out live, on record or both.



NME Cassettes ...... Redux

(Almost) all the tracks from the classic cassettes of the 1980s


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