Here comes the next entry in Mayhem’s Parental Advisory Playlist (The Tipper Gore Mix). The twelfth song. It is sometimes hard to shake off a great earworm of a song even if that song drops regular F-bombs and other profanities. The new addition to the playlist is Oasis with “Fuckin’ In The Bushes” from the ‘Standing On The Shoulder Of Giants’ album. I bet that you regular readers never thought that I would post anything nice about Oasis, right. Well, I say nice, but I love this because it doesn’t feature Liam’s winy vocal and is probably one of the only true rock tracks the band ever recorded. Click here to check it out!
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Hello, again it’s me, Buffy Frobisher Smythe Esquire – Butcher Of Rock Deities. Finally, I have been freed from my dungeon, by Billy Mayhem, to butcher and burn another of rock music’s sacred cows after my fearful barbecuing of the Beatles just over a year ago. Mayhem only released me after I agreed to this new assignment, he wants me to butcher and burn a rather poor Beatles tribute act from Burnage. I mean come on, Oasis are hardly sacred cows, are they? More like sacred cow pats! They produced skimmed milk music when everyone else put out full-cream Jersey milk music. So many fans of these so-called “Brit Pop heavyweights” (don’t make me laugh) say that their first two albums, ‘Definitely Maybe’ and ‘(What’s the Story) Morning Glory?’ are great. But are they really? I suppose that compared to the substandard shite they followed they are probably the greatest two Oasis albums, but the competition wasn’t very strong.
If they hadn’t had regular rucks at gigs and on ferries, the Gallagher brothers would probably only be featured in those “Where are they now” magazine articles these days. But they are not, their fans ever them as deities. Oi, you with the bucket hat, God doesn’t exist, and if she did, she wouldn’t be Oasis! Noel’s best songs were all rip-offs from the Beatles, and let’s face it that scouse beat band was shite too. Even the name Oasis is so fucking dull, imagine being named after a leisure centre in Swindon. Between 1994 and 2008 Oasis had seven UK number-one albums and 19 UK top 5 singles (including 8 fucking number ones, most of which sounded like huge piles of number 2s), bloody hell bought some crap in that period didn’t they?
There must be good odds of this happening next year!
Then there was Knebworth in 1996, who did they pay to pull that one off? That must be the first time a poor tribute act has ever headlined that iconic venue, not the last though, Liam Gallagher did it in 2022 with his tribute of a tribute act. They broke up in 2016 and we all gave a huge cheer, ok so maybe not the die-hard fans, but everyone else did, right? Now they have announced a reunion with the comment “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.” Guns, stars? Seriously give your head a swivel boys. But the good news is that it won’t be on television! Other than Noel and Liam will any other original members of Oasis actually be in the reunited band? I doubt it. Did they do this because they have unfinished musical business? Of course not, they are obviously doing it for the money. Tickets will no doubt cost enough to require a mortgage and all to watch some old bloke in a duffel coat stood at the front of the stage with his hands behind his back. Someone recently posted on Twitter, (we are never calling X you absolute fucking Moron Musk!), about fans of bands with no sense of humour. The top five were 1) Stone Roses, 2) New Order, 3) Oasis, 4) The Smiths and 5) Joy Division. Personally, I think Oasis fans should be number one on the list. Go on Oasis fans, prove to me that you do have a sense of humour! 😉
The Brits have always been a bit shit haven’t they?
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Hands up anyone who thinks that the Beatles are shite? I am kicking off this series with a piece on a crappy little beat combo from Liverpool. They are the first of rock music’s untouchable deities to be laid out on Buffy’s Butcher’s block will be the Beatles. So, let me kick off first with that shitty bad pun of a name, the Beatles? Seriously? It might have been funny for five minutes in 1962, but now it is just mega dull. But I suppose that is a reflection on the band too, maybe they did briefly show talent in the early days. Their backing on Tony Sheridan’s version of “My Bonnie” was almost as good as anything that Right Said Fred has released. As for the music, well it was mostly covers in the early days. The first two albums were 43% cover versions and 57% rip-offs from people like Carl Perkins, Chuck Berry, and Buddy Holly. How did they have the arrogance and audacity to turn down that classic pop song “How Do You Do It?” A song that went on to be a huge smash for a more talented Liverpool band, Gerry and the Pacemakers. In fact, the first three singles by Gerry and the Pacemakers all went to number one in the UK. The Beatles failed to do that with “Love Me Do” limping to a lowly number 17 and “Please, Please Me” stuttering out at number 2. Their early albums were recorded incredibly quickly and that shows in how interminably bland the music is. In a similar way, their later albums took months to record and that shows too, mostly in the overproduced, overrated drivel they put out. All they have left us is a series of mediocre pop songs and plenty of album filler. If I must provide reluctant praise, it would be to long-suffering producer George Martin. He knew that he couldn’t polish a Beatles-shaped turd, but he was able to roll that turd in glitter occasionally.
Even Ringo, the second-choice drummer, (let’s face it Pete Best was far better), didn’t play on the “Love Me Do” single. John Lennon is alleged to have said that Ringo “wasn’t the best drummer in the world, in fact he wasn’t even the best drummer in the Beatles”. Apparently, Lennon didn’t actually say that, according to a number of sources, but the statement stands true, doesn’t it? The Beatles a.k.a the Floptops were just in the right place at the right time, any beat band of the early sixties could have been picked up and groomed for success like they were. The Merseys or Gerry and the Pacemakers would have been moderately better, although still somewhat shit. The overuse of “yeah, yeah, yeah” in their lyrics made it abundantly clear that they couldn’t write a decent tune to save their lives. They were basically a manufactured boy band put together by Brian Epstein. He got rid of the original drummer and made them change their appearance, dressing them in pretty little suits and promoting the Beatles’ haircut. In that sense, they were the Westlife of their day, nothing more. Like the boys from Sligo they sold millions of records based on their pretty boy looks, well excluding Ringo, he was hardly pretty was he? To be fair to Lennon in particular, he was right when he said that the Beatles were bigger than Jesus. Extensive research (on Google) suggests that JC was no more than 5 feet 5 inches tall (other heights are available) while the shortest Beatle was Ringo at five feet 8 inches.
Some people say that a measure of success is all their number one records, 17 UK number one singles, and 11 UK number one albums (plus another 4 if you count compilations and archive issues) for example. But Westlife have had 14 UK number one singles and 9 UK number one albums, 11 if you count compilations. So, on that basis, I should add that I believe Westlife are absolute and utter shite, the Beatles are a few number ones better than Westlife. But simply put both acts are steaming piles of number twos! George Harrison convincing the boys to let him use a sitar on some songs probably explains why he was not given the opportunity to write more Beatles songs. The sitar in rock music? What a waste of overindulged, egotistical effort. Then there is the infamous “concept” album, ‘Sergeant Pepper’s Lonely Hearts Club Band’, if I linked the last three bowel evacuations I did it would be more of a concept and frankly would probably sound better. As for ‘Abbey Road’, well firstly what a lazy fucking title that is, and secondly it was filled with half-finished sketches of songs and a huge plagiarism of Chuck Berry by John Lennon in “Come Together”. And what about the so-called “White Album”? A double album with 30 tracks, ridiculously overlong, and where the hell was the quality control on track selection. “Glass Onion”, “Piggies” and “Don’t Pass Me By” should have been expunged from tape never to be heard again. The sonic dirge/ soundscape that is “Revolution 9” is easily the best track the Beatles ever recorded, largely because it doesn’t feature any of them and is just a bunch of insane randomly recorded sounds and words.
If you must listen to the Beatles, why not go with a facsimile from the 90s, at least you would be listening to something slightly more modern, albeit an even more shitty band than the Beatles, ladies, and gentlemen I give you Oasis. Let me finish by saying that if you have bothered to read this far you either agree with me or your head is about to explode with steam-fuelled anger and you are already typing me a message from “Angry of the Shires” telling me I am wrong. Well, you’re too late, all that remains of the Beatles is their blood on my butcher’s block. But they have provided several tough and bordering on rancid steaks and cutlets for local butcher’s shops! I have many more rock deities on my list, and I would love to hear who you would like me to take apart next! In the meantime please remember that “all you need is love” Buffy Frobisher Smythe Esquire xxx
This Sunday, 5th May sees the launch of Vinyl Eddie Records at Fibbers in York. A great record store promoting excellent music in York. One of the labels first releases is from the Receivers, a northern dynamo of a band from York. Their EP, available on vinyl, is called ‘There’s More To The World’. To be pedantic though back in the day a six-track release would most probably be called a mini album, but that is splitting hairs and I have none left to split. Is this a good release from this fine band? Well, read on to find out.
The record kicks off with “Leave The Right Marks” a pulverising rock song that arrives with colossal force and doesn’t relent for its full three-minute life cycle. Nick’s vocals are particularly strong on this one and the lead guitar work from Alex is exemplary. But the engine room of Harry’s bass and some full on Bonzo Bonham style drumming from Louis is like a finely tuned formula one car. It holds everything together on this delicious hard rocking opener. The next track “Saturday” is one you may have heard before as it was a taster release from the boys back in March. It takes the indie guitar sound to greater heights and has a late 70s post punk ambience about it. For some strange reason it brings to mind the Bluetones classic “Slight Return” for me, I have no idea why. The chorus is a sticky earworm that burrows into your head and refuses to come out.
The wave of pulsating power riffs that opens and underpins “All Your Friends” is compulsive, enthralling and after two spins convinced me that this is my current favourite Receivers tune. It has a feel of early U2 with guitar work that would make Dave Evans proud. Meanwhile “That’s What They Told Me” takes Nick’s vocals into the territory of Mark E Smith and John Lydon in his PiL peak. It is a discourse on modern life for the young, well that is certainly what it feels like to me. The next song is called “Rimshot” and for those dirty minded people reading this please note that a rimshot is a percussion technique used to produce an accented snare drum back beat. Anyway the song is redolent of Oasis when they were good and would compete well with almost anything from the first two albums from the Burnage Boys. The guitars on this track are very Noel Gallagheresque. This collection signs off with the nicely chilled majestic come down of “Grand Central”. A song that might have come from my favourite BritPop era band Gene with a vocal that is as good as anything Martin Rossiter ever committed to vinyl.
This is a damned fine release which will get the boys even more recognition and exposure and deservedly so. Word is getting out about the Receivers and they have been played plenty on local radio and feted by the local press. They have even had a spin from Steve Lamacq. ‘There’s More To The World’ heralds the start of what could be a great career for Nick, Harry, Alex and Louis collectively known as the Receivers. You NEED to own a copy of this record, so I suggest you do whatever you can to make it so. Most companies really fear having to call in the receivers, but York’s Receivers would and should be welcomed everywhere to ply us with their intelligent, thoughtful and frankly bloody marvellous tunes! If you miss out on a copy of the record then click here to take a listen on Spotify.
The 10th birthday celebrations for With Just A Hint Of Mayhem could roll on long than Bob Dylan’s Rolling Thunder Revue at this rate. Today is day 7 and I am giving you a list of the ten greatest gigs I have ever been to. This was pretty damned tough, I could have listed at least 50 or more. Obviously this is in no particular order of preference, simply chronological.
Regular readers will know that so far I have shared with you top ten most viewed posts on the blog since it began back in February 2009, the top ten countries that have given With Just A Hint Of Mayhem the most views, rock/ music related books, biographies and autobiographies, my top 10 Bowie songs, my 10 favourite bands of all time and yesterday my top ten favourite male artists. (Click here,here, here,here,here and here to view those again). Stay tuned, there are still four top tens to come after this! What will they be? Well sign up, follow or just check out this site regularly to find out! What are your favourite male singers, be they current, ancient or no longer with us? Incidentally I can tell you that the remaining top tens will be my favourite female artists, my favourite albums and my favourite singles.
So without further fuss here is the list, strangely there are no 80s gigs in there;
Jackson 5 – Wembley Empire Pool – November 1972 – My first ever gig, the J5 were phenomenal and the support acts included Junior Walker and the All Stars and the Commodores
David Bowie – Wembley Empire Pool – May 1976 – My dad wouldn’t let me see the Dame in the Ziggy years so this was my first Bowie show and the Thin White Duke smashed it. Bowie even forgot the lyrics to “Life On Mars”
Ramones – Rainbow Theatre – December 1977 – This was a New Years Eve show, the night before my 18th birthday. Da Bruddas were brilliant and support was I think from Generation X and the Rezillos.
Millie Jackson – Apollo Victoria – November 1978 – I absolutely adore Millie Jackson’s voice, her soulfulness, her playfulness and her humour. This fabulous show with an amazing band was sadly the only time I saw her live, well so far.
Earth, Wind & Fire – Wembley Empire Pool – March 1979 – This was E,W & F in their full pomp with a pyramid stage set, pyrotechnics and teleportation. On top of that they were one of the finest soul and funk bands on the planet at the time and they were supported by the Emotions.
Oasis – The Old Trout, Windsor – May 1994 – With hindsight seeing Oasis in the sweaty backroom of a pub with a capacity of no more than 120 was truly incredible. I saw that at Knebworth a few years later, but this Windsor show topped that for me.
David Bowie – Phoenix Festival, Stratford on Avon – July 1996 – The second Bowie show in the list, well I did see him ten times. If I was pushed to say which my all time favourite gig was it would be this. The subdued start with “Quicksand” was stunning.
Foo Fighters – Reading Festival – August 2005 – I have seen the Foos at festivals many times, but for me this was their finest hour. A truly perfect live band.
Jimmy Cliff – O2 Academy, Leeds – August 2014 – possibly one of the most entertaining party style gigs I have ever had the pleasure of attending. Mr Cliff seems to have perpetual motion.
Kate Bush – Hammersmith Apollo – September 2014 – I didn’t see Kate in 1978 as I couldn’t afford I assumed that there would be another tour very soon, but there wasn’t But this was definitely worth the wait.
Here we go with part 2/ day 2 of the With Just A Hint Of Mayhem 10th birthday celebrations. Regular readers will know that yesterday I gave you the top ten most viewed posts on the blog since it began back in February 2009 (Click here to view that again). Today I bring you the top ten countries that have given With Just A Hint Of Mayhem the most views. Don’t worry there will be plenty of music in the coming days including things like my top ten favourite singles, albums, bands and more stuff too! Don’t forget that you can also find us on Twitter and FaceBook .
So on with the countries who have visited the site most often
USA 173,833
UK 116,030
Chile 27,682
Germany 26,344
France 22,616
Canada 19,208
Mexico 15,273
Spain 14,654
Australia 11,828
Brazil 8,475
Incidentally there are a handful of countries that have never visited With Just A Hint Of Mayhem, well at least not yet. If you can make it happen for Svalbard, Western Sahara, Bujumbura, Chad, Turkmenistan, Kosovo, Djibouti and unsurprisingly, North Korea. There are also thirteen countries with only one view each in 10 years.
So to celebrate how about a few world related songs? Don’t mind if I do 🙂
So on to the second day of what is shaping up to be a great Latitude Festival. The second day was kicked off for me on the BBC Music Stage by the 60 strong Suffolk choir; Pop Chorus. This was just a small subset from the whole choir group which has circa 300 members. It was a remarkable set from what I understand is an amateur choir group. Conducted by a talented choir mistress their five-part harmonies gave an almost church-like feel inside the tent. Their repertoire included songs from Alt J and the Killers among many others. Next it was a short hop to the Obelisk Arena for the former Howling Bells singer Juanita Stein. Her sound is rooted in 70s west coast US rock and modern-day Americana injected with a strong sassy twist.
Festival Shadows – Photograph by Andy Golborne featuring, from left to right, the shadows of Andy Golborne, Rachel Vernelle and me 🙂
UK rapper Piers James was a big hit with the Lake Stage crowd. He inspired some very highly spirited moshing, which is something you don’t see too often at Latitude. I would say he is clearly a fan of Dizzee Rascal, Kanye and Outkast although he takes those sounds to another place with some beats that would have graced maybe some Warren G tracks back in the day. The BBC Music Stage swung to some sweet, bright, summery, indie pop from Alvvays. There is an exquisitely dark undertone to their songs. Alvvays are a sumptuously sounding band who were clearly enjoying themselves. I really wasn’t particularly impressed by Parquet Courts on the Obelisk Arena Stage. They have some excellent which at times come across like Jonathan Richman backed by the Doors. A gloomy and surly bunch who on this showing are not as big as their hype suggests.
Whenyoung
Irish band Whenyoung stormed the Lake Stage all guns ablaze with a set of banging tunes. I love the attention to their stage image, with the band members wearing coloured jump suits/ overalls which had the band’s logo on them. Festival organisers please give this merry gang a bigger stage next time. There was a volcanic level of rumour and speculation about who the surprise guest would be; names bandied about included Snow Patrol, Ed Sheerhan, U2 and Madonna among many others. However I was bitterly disappointed when it turned out to be that well-known Oasis tribute act Liam Gallagher! I feel that perhaps Liam is very much a Marmite act these days, people either love him or loathe him, for me it is the latter. Having seen Oasis twice, Beady Eye twice and Liam solo at the Leeds Festival last year I believe that he is way past his best and that he is desperate for an Oasis reunion. (Eight out of the thirteen songs he played were Oasis songs).I hope that never happens, but some of the grown men in tears at Liam’s appearance on the BBC Music Stage I am sure will have a very different opinion to mine.
Boy Azooga
Jessie Ware is a true diva, but in the sense of her performance not in her behaviour. Her tight and talented band gave her a perfect bed for her soulful pop vocal style. This was the perfect soundtrack for a sunny late afternoon at the Latitude Festival. Along with my good friends Rachel and Mac we also enjoyed some hilarious people watching. Thank you to the stoned dancing bloke and to the impractical parents who not only did not master how to put up a child’s play tent, they also managed to break it! Cardiff rockers Boy Azooga seemed to be having a party on the Lake Stage. They were enjoying themselves immensely and rightly so. They put in an awesome performance and engaged perfectly with the audience. I understand that we were their biggest crowd yet. If these boys don’t go on to bigger things then I will have to eat my Festie Cowboy hat!
My festie hat with tiny Trump hands attached as a small protest at the Mango Mussolini’s UK visit. Will I have to eat the hat because of Boy Azooga?
I was lucky enough to grab twenty minutes of Mogwai’s BBC Music Stage set. It was full on prog power psyched up to maximum levels. Possibly one of the best bands the UK has ever spawned. Today the Obelisk Arena Main Stage headliners were the Killers and pardon the pun, but the killed it! Brandon Flowers is the consummate front man. He knows just how good both he and the band are and they totally understand what the crowd want. All their best songs were there; “Jenny Was A Friend Of Mine”, “Human”, “Mr Brightside” and “All These Things That I’ve Done” and many others. Around halfway through their set none other than Liam Gallagher swaggered on to the stage very briefly. He prattled some utter bollocks and walked right off before the Killers played a decent version of the Oasis classic “Acquiesce”. I heard from a very reliable source that Liam was supposed to share vocal duties on the song with Brandon, but he clearly couldn’t be arsed, or at best he couldn’t remember the lyrics! The Killers delivered in spades they are one of the most entertaining bands around. I rounded off the night in the Music and Film Arena for the Trojan Sound System band. They played some wonderful reggae tunes to help celebrate 50 years of the iconic Trojan Record Label.
Too many bands and so little time! I just received a tip from an insider about a band called Skylights who hail from Yorkshire; York and Leeds to be precise. They have a spiffing little tune out right now and after a couple of listens I really love it. “YRA 2018” is the tune and the acronym describes Yorkshire’s Republican Army. As a former southerner who has lived in York for eleven years I would be happy to support the YRA!
Skylights are most definitely a 21st century band but they draw some great influence from the BritPop era, but the classy end of the so called movement. They have a swagger in their sound that evokes Oasis in their prime, a confidence in their playing that is reminiscent of Richard Ashcroft at his peak and Bobby Gillespie would be proud of this song. Skylights pull no punches with some sky reaching power riffs and epic melodies which build to a chorus that is hard to lose from your brain, not that I am trying to lose it though.
The band is Rob Scarisbrick on vocals, Turnbull Smith on guitar, Jonny Scarisbrick on bass and Myles Soley beating the drums.They have been picked up by a few local radio stations, including the fabulous YO1 and BBC Introducing. York’s own Rick Witter is a fan of this song. They are playing Fibbers on 18th August and there will be other gigs. I haven’t had the opportunity to see the band live yet, but if they can translate the power and energy of their recorded music on stage then I reckon their sets could become epic! Click here to check out “YRA 2018” on SoundCloud along with a couple of other excellent Skylights tunes.
So if recent reports are true we could have an Oasis reunion tour of some type next year. Click here to read the report on the NME website. I am sure that there will be many people who are very excited by this news, but I am not one of them. In my opinion the first two Oasis albums; ‘Definitely Maybe‘ and ‘(What’s The Story) Morning Glory?’ remain stone cold classic albums. The third album ‘Be Here Now‘ was frankly a shambolic, over-egged pile of shite. After that they never reached their early heady heights again, although there was the occasional excellent single in that time.
I saw Oasis twice, first in a tiny dive of a pub in Windsor in 1994 with about 100 people and secondly at Knebworth in 1996. Two excellent shows in two very different venues and circumstances, but both bloody good. Personally and with hindsight I think that they should have quit after Knebworth, it was mostly downhill from there. Noel‘s subsequent solo career proves to me that he was the real talent behind Oasis. Liam‘s post Oasis activity has so far been Beady Eye and to be fair they were nothing but the remainder of Oasis but without Noel to write the songs. I saw Beady Eye at the Reading Festival a few years ago and they came across like a below average Oasis tribute band who largely wanted to perform their own sub standard songs.
But if you are a big fan or if Oasis were always ‘your band’ then just go ahead and enjoy yourself. But for me Oasis are not a band that should reform, I think that it could kill off the tarnished legacy that they have left. But no doubt the whole circus will provide copious copy on those darlings of the intellectual press the tabloids! As usual I would love to hear your thoughts on the boys from Burnage getting back together via the comments on here.
The other day I decided to take a quick count of all the artists in my album collection where I have at least 10 albums by a single artist. I included CDs, LPs and cassettes (although the only non compilation cassettes that I have are David Bowie bootlegs). Oh and while I’m on bootleg recordings obviously I have included them whether they are live, studio outtakes or simply unreleased stuff. I have not included digital recordings. I was surprised to find that there are 4o artists where I have at least ten releases by them. The list is below, (artist followed by the number of albums) there are no real surprises for me, are you surprised at any on this list? Have you ever done anything similar? I have also added a song from each of the top ten artists 🙂
David Bowie 141
Bob Dylan 30 Johnny Nash 26 Bruce Springsteen 26
Beatles 25
Neil Young 25
Elton John 19
Bob Marley 19
U2 19
Rod Stewart 18
Pink Floyd 17
REM 17 Elvis Costello 15
The Eels 15
Prince 15
Paul Weller 15
Ryan Adams 14 Led Zeppelin 14
Madonna 14
The Clash 13 Elvis Presley 13
Radiohead 13
Kate Bush 12
Oasis 12
Lou Reed 12
Stevie Wonder 12
Morrissey 11
Tom Waits 11
ZZ Top 11
Jeff Buckley 10
Julian Cope 10
Johnny Cash 10 Michael Jackson 10
John Lennon 10 Manic Street Preachers 10
Kylie Minogue 10 Iggy Pop 10
Rolling Stones 10
Frank Turner 10
The Who 10
With Just A Hint Of Mayhem 