With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Latitude Festival 2018 Day 2 Saturday 14th July July 19, 2018


So on to the second day of what is shaping up to be a great Latitude Festival. The second day was kicked off for me on the BBC Music Stage by the 60 strong Suffolk choir; Pop Chorus. This was just a small subset from the whole choir group which has circa 300 members. It was a remarkable set from what I understand is an amateur choir group. Conducted by a talented choir mistress their five-part harmonies gave an almost church-like feel inside the tent. Their repertoire included songs from Alt J and the Killers among many others. Next it was a short hop to the Obelisk Arena for the former Howling Bells singer Juanita Stein. Her sound is rooted in 70s west coast US rock and modern-day Americana injected with a strong sassy twist.

Festival Shadows – Photograph by Andy Golborne featuring, from left to right, the shadows of Andy Golborne, Rachel Vernelle and me 🙂

UK rapper Piers James was a big hit with the Lake Stage crowd. He inspired some very highly spirited moshing, which is something you don’t see too often at Latitude. I would say he is clearly a fan of Dizzee Rascal, Kanye and Outkast although he takes those sounds to another place with some beats that would have graced maybe some Warren G tracks back in the day. The BBC Music Stage swung to some sweet, bright, summery, indie pop from Alvvays. There is an exquisitely dark undertone to their songs. Alvvays are a sumptuously sounding band who were clearly enjoying themselves. I really wasn’t particularly impressed by Parquet Courts on the Obelisk Arena Stage. They have some excellent which at times come across like Jonathan Richman backed by the Doors. A gloomy and surly bunch who on this showing are not as big as their hype suggests.

Whenyoung

Irish band Whenyoung stormed the Lake Stage all guns ablaze with a set of banging tunes. I love the attention to their stage image, with the band members wearing coloured jump suits/ overalls which had the band’s logo on them. Festival organisers please give this merry gang a bigger stage next time. There was a volcanic level of rumour and speculation about who the surprise guest would be; names bandied about included Snow Patrol, Ed Sheerhan, U2 and Madonna among many others. However I was bitterly disappointed when it turned out to be that well-known Oasis tribute act Liam Gallagher! I feel that perhaps Liam is very much a Marmite act these days, people either love him or loathe him, for me it is the latter. Having seen Oasis twice, Beady Eye twice and Liam solo at the Leeds Festival last year I believe that he is way past his best and that he is desperate for an Oasis reunion. (Eight out of the thirteen songs he played were Oasis songs).I hope that never happens, but some of the grown men in tears at Liam’s appearance on the BBC Music Stage I am sure will have a very different opinion to mine.

Boy Azooga

Jessie Ware is a true diva, but in the sense of her performance not in her behaviour. Her tight and talented band gave her a perfect bed for her soulful pop vocal style. This was the perfect soundtrack for a sunny late afternoon at the Latitude Festival. Along with my good friends Rachel and Mac we also enjoyed some hilarious people watching. Thank you to the stoned dancing bloke and to the impractical parents who not only did not master how to put up a child’s play tent, they also managed to break it! Cardiff rockers Boy Azooga seemed to be having a party on the Lake Stage. They were enjoying themselves immensely and rightly so. They put in an awesome performance and engaged perfectly with the audience. I understand that we were their biggest crowd yet. If these boys don’t go on to bigger things then I will have to eat my Festie Cowboy hat!

My festie hat with tiny Trump hands attached as a small protest at the Mango Mussolini’s UK visit. Will I have to eat the hat because of Boy Azooga?

I was lucky enough to grab twenty minutes of Mogwai’s BBC Music Stage set. It was full on prog power psyched up to maximum levels. Possibly one of the best bands the UK has ever spawned. Today the Obelisk Arena Main Stage headliners were the Killers and pardon the pun, but the killed it! Brandon Flowers is the consummate front man. He knows just how good both he and the band are and they totally understand what the crowd want. All their best songs were there; “Jenny Was A Friend Of Mine”, “Human”, “Mr Brightside” and “All These Things That I’ve Done” and many others. Around halfway through their set none other than Liam Gallagher swaggered on to the stage very briefly. He prattled some utter bollocks and walked right off before the Killers played a decent version of the Oasis classic “Acquiesce”. I heard from a very reliable source that Liam was supposed to share vocal duties on the song with Brandon, but he clearly couldn’t be arsed, or at best he couldn’t remember the lyrics! The Killers delivered in spades they are one of the most entertaining bands around. I rounded off the night in the Music and Film Arena for the Trojan Sound System band. They played some wonderful reggae tunes to help celebrate 50 years of the iconic Trojan Record Label.

The Killers at Latitude – photo by Andy Golborne

 

“Dread blew off and made I laugh” – Advent day 10 December 10, 2013


6511486615_a4228ff0d8_zIt’s December 10th, therefore it’s day 10 of the With Just A Hint Of Mayhem advent blog posts for 2013. It is also only just over two weeks to the arrival of the fat bearded bloke in the red suit who will fly in on a sleigh laden with millions of presents and pulled by at least one large inebriated (well he has got a red nose) venison steak called Rudolph. So you have by now figured out that todays songs have the number 10 in their titles.

1293019_111015151402_double_exposure_ten_percent_fFirst song of the day today is a 70s disco smasheroo released by Double Exposure on the Salsoul label in 1976. It is called “Ten Percent” and was according to some music historians the first ever commercially available 12″ single. Personally I had always heard that it was either “You + Me = Love” by Undisputed Truth or “Black Is Black” from La Belle Époque. In those heady days of 1976 I was a fledgling mobile DJ in partnership with my good friend Glen Voisey. I actually had the 12″ vinyl singles for all three of those songs at the time! “Ten Percent” made it to number 54 on the US Billboard charts. The band began recording the album that would include “Ten Percent” 38 years ago tomorrow. The album, which was recorded at the famous Sigma Sound Studios in Philadelphia was also called ‘Ten Percent’. In the 60s the band were called United Image and recorded some songs for the Stax label. The band included James Williams, Joseph Harris, Charles Whittington and Leonard ‘Butch’ Davis who had sung together since High School.

21185124The second song for today is in my opinion a great deal of  double entendre riddled and innuendo driven slice of humourous smut, and I love it. It is part of a series of pop reggae tunes from Englishman Judge Dread a former DJ, Debt Collector (for Trojan Records no less),  Bouncer and bodyguard. Ladies and gentlemen and those of you who aren’t quite sure, I bring you “Big Ten”. This song reached number 14 in the UK charts in 1975, which is bloody good considering it was not allowed to be played on the radio. It was the last of six UK top 20 hits that the Judge had between 1972 and 1975. Judge Dread was actually Alexander Minto Hughes and he sadly died in 1998 aged just 52. When I was just a lad two regular Christmas presents that I was allowed to choose from my parents was one vinyl album and one vinyl single. being young and somewhat strapped for cash I always chose a double album as the album present; “Goodbye Yellow Brick Road” (Elton John), “Quadrophenia” (the Who) and “David Live” (David Bowie) were three of those choices. So I would like to publicly apologise to my Mum for being such a conniving little urchin. But more importantly I should apologise for choosing Judge Dread’s “Big Eight” as my single in at Christmas 1973. I was rather amused that my Mum had to go into the record shop and buy it without having any idea that it contained a whole selection of lewd and crude nursery rhymes. Sorry Mum!

 

 
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