It is nearly three years since I published the first of Mayhem’s Before They Were Famous series, kicking off with Noddy Holder. Click here to read that one.
So the second in the series is long overdue and it features the late, great soul legend William Harrison Withers Jr, a.k.a Bill Withers. Bill’s first job was making toilet seats for Boeing airliners. Probably not the Poopersonic planes. Apparently, he wrote “Ain’t No Sunshine” during that time. When that song became a big hit in 1971 he refused to resign from his job because he believed the music business was a fickle industry. He was probably right, but he was a hell of a talented artist. Before his toilet seat making role he spent nine years in the US Navy, finally leaving in 1965. “Ain’t No Sunshine” bagged him a Grammy for Best Rhythm & Blues Song in 1971. Bill famously walked away from the music industry in 1985 (in that he did not sign a further record contract) and by all accounts continued to live a happy and fulfilling life.
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This is the 20th in the Mayhem Virgins series where we showcase artists that have never featured on these pages before. This time it is the turn of the Bridge City Sinners all the way from Portland Oregon, where they began a busking journey. They formed in 2016 and are purveyors of country, punk, folk, dark sounds and so much fun. If goth bands smiled and made bluegrass music they might sound like the Bridge City Sinners. I imagined them coming from a parallel universe where the Charlie Daniels Band joined forces with Gogol Bordello! The instrumentation feels properly organic and includes stand-up bass and banjo among other fine instruments. Their current album, ‘Unholy Hymns’, is a classic, and even with streaming, you will not want to skip any of the fabulous songs. This follows their self-titled release in 2016 and ‘Here’s To The Devil’ in 2019. All were released on the band’s own Flail Records label. The current album ‘Unholy Hymns’ made it to number 70 on the US Billboard charts in 2021.
Reading about them online suggests that they are an incendiary force of nature on stage and I really want to see them soon. Their own bio says that their live show is as punk as fuck, now that sounds perfect to me! If you are in the USA they are playing dates in Reno, Vegas, and LA at the end of March. Before that, they play a show in Vancouver on 16th March. Scott Michaud plays double bass as though it is connected to his nervous system. Lightin’ Luke adds some demonic fiddle and wonderful vocals. King Strang plays some superb guitar and Clyde McGee is a banjo god! Lead singer Libby Lux is a superstar in waiting, and probably won’t have to wait for too long! It is worth checking out some of the band members’ solo material too, Libby Lux’s “Two Dollar Bill” video is included below.
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David Bowie, whom the NME cheekily used to refer to as the Dame was born on January 8th, 1947. He would have turned 77 today. Many people know that Elvis Presley was born 12 years before him on the same date in 1935. But did you know that a real Dame was also born on January 8th, but in 1937? Yes, it was Dame Shirley Bassey. On the former David Jones’s 19th birthday in 1966, he played a show at the Marquee Club in London with his band the Lower Third. On January 8th, 1970 Bowie began recording the original single of “The Prettiest Star” with Marc Bolan on guitar. On Bowie’s 66th Birthday Bowie made a spectacular and unexpected comeback by releasing “Where Are We Now” with no advance warning. It is one of his most reflective songs and the lyrics work through his time living in Berlin. He surprised the world again on his 69th birthday by releasing the stunning ‘Blackstar’, sadly he passed away two days later. Incidentally, that album, his 26th studio record, was the first not to feature Bowie on the cover.
This is David Bowie at his daughter’s birthday party
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This is the eighteenth song in the Play It Again Mayhem series, which began in 2020. Check out the previous entries along with this new one in the Play It Again Mayhem Spotify Playlist click here to take a listen! It has been 5 months since the last entry, so we are way overdue for another, right? It is back to the 70s once again for this song, 1976. In fact, 13 of the 18 songs so far are from the 1970s. It is called “What A Way To End It All”, and it is by the iconic cult Liverpool band Deaf School. After the band broke up, singer Bette Bright went on to some success as Bette Bright and the Illuminations. Keyboard player Max Ripple, a.k.a John Wood, is now Emeritus Professor of Design at Goldsmiths College, University of London. Deaf School‘s master of woodwind was Ian Ritchie. He has toured as a saxophonist with Roger Waters and he played sax on “See the Day” by Dee C Lee, “Club Tropicana” by Wham!, and “C’est La Vie” by Robbie Nevil. The band also featured someone who went by the name Cliff Hanger on guitar. Mr Hanger was actually Clive Langer. He went on to produce many top acts mostly with Alan Winstanley. Those acts included Madness, Elvis Costello, The Teardrop Explodes, and Dexys Midnight Runners, to name just a few.
I used to own “What A Way To End It All” on 7-inch vinyl. It is still a great song in my opinion. It has a great chorus, fabulous carnival, circus, music hall style instrumentation, and at times the vocals remind me of Sparks. If you have never heard it, get on it now!
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Is there a new Frank Turner album on the horizon? Possibly, given he released a brand new single on January 4th. It is called “No Thank You For The Music” and it sounds and feels like angry Frank is back! I am very happy about that! It is most definitely a rock number with a great pop vibe. I can see some of those lines being sung by festival choir crowds for years to come, myself included. Particularly “I don’t want to be in any gang that you’re in. I refuse to take part in gatekeeping people’s art“. I have been a Frank fan for years and this is one of his best! Apparently, Mr. Turner says this about the track, “a song about defiance, rejection of mainstream culture, pride in the underground, and staying angry as you get older.” Check it out!
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Just before Christmas Vaquelin unleashed their new single, “Centrefold” and in case you wondered, it is NOT a cover of the J Geils Band 80’s hit “Centerfold”, it is so much better than that. It is heavier than a planet. The armada of spectacular riffs stuns you into submission and highlights an air of dark menace in the music. Is this the best Vaquelin song yet? Probably! Take a listen and let me know what you think.
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Lancashire-based Ian M Bailey recently released his third album on the USA label Kool Kat Musik, following ‘You Paint The Pictures’ (2022) and ‘Songs To Dream Along To’ (2021). Ian has again been working with Scottish songsmith Daniel Wylie to write and produce the new record. Ian plays guitar, bass, drums, and some keyboards and provides the heavenly harmonies. Meanwhile, Alan Gregson adds string sections, Hammond, Rhodes, piano, and lap steel sounds.
The opening track “The Last Chime” is Beatlesesque with fine Byrdsian harmonies. This is a far better song than the awful “Now And Then” which was scraped from the bottom of the Fabs barrel last year. If you like sad-feeling songs with an underlying happy tone you will love “It’s Summer Rain”. I do, especially the ethereal jangly guitar sounds. I felt the ghost of an eastern influenced George Harrison on the delicious and delightful “Mother Nature (Giving Out Signs)”. Ian laments the fate of our planet in “The Clock Is Ticking” and adds his own positive message. It is a tune that feels like the Small Faces fronted by Just Hayward. The organ is also reminiscent of classic Inspiral Carpets. Classic blues rock sounds, maybe a bit of Deep Purple, help deliver the wonderful “She Waltzes With The Devil”. But the waltz elements give the track a nightmarish circus feel. If Ian added some yodelling to this instrumental track it might sound like something that Focus would be proud of. “Dance Around The Room” is the kind of song that leaves you with a smile and a happy feeling, and yes, I did dance around the room while it played.
One of the rockier Byrds-style tracks on the album is the hook-laden “Pray For Me”, my second favourite song on the album. A sad song about divorce, but it has such a vibrant tune. “California Desert Sundown” is a laid-back, chilled song that has an Eagles feel to it. I can imagine sitting after a long day, sipping wine while that song plays, the perfect wind-down soundtrack. Country-style rock is back in the truly heartfelt “The Sweet Smell Of Roses”, once again the harmonies are ethereal and perfect. The title track, “We Live In Strange Times” is probably my favourite track on the album. Everything is perfect here the music, the vocals, and a cracking tune. While “Country Girl” does have a beautiful country feel to it, I felt it would fit well on a playlist alongside some of Ronnie Lane’s great songs with Slim Chance. The strings are spot on here. The album closes with a kind of lament story song called “The Moon Floats On A Cloud”. This evokes folk, the best story songs, and showcases Ian’s writing talent. This is a fine album from a very talented artist. Give it a spin!
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Here is the Mayhem chart for December 2023. Regular readers will know the chart is based on my Spotify listening habits over the last month. The chart remains contemporary-ish, rather than just an oldies chart However, the top three “Legacy” artists are Elvis Costello, Kate Bush, and Bobby Darin, and surprisingly David Bowie is not in the top 3. There is a top ten artists chart and a top 5 songs chart. There is the usual eclectic mix of artists, including three who were in the top ten last month (ALT BLK ERA, Delilah Bon, and tiLLie). In fact, this is now the fifth month in a row that ALT BLK ERA has featured in the artist’s top ten. Only two of the top five songs are by artists which feature in the top ten artist chart. Those two are Rebecca Ferguson and Jazmin Bean. girli and UGLY CLUB remain in the song top five from last month with UGLY CLUB moving up from 5 to 2 and girli moving from 3 to the summit! In case you are interested the top three Christmas tunes for December were “Christmas (Baby Please Come Home)” by Darlene Love, “Christmas Time (Don’t Let The Bells End)” by the Darkness, and “Proper Christmas” by the Krackpots. So without further ado here are those charts! Click on the header of the song chart for the playlist on Spotify.
MAYHEM ARTIST CHART DECEMBER 2023
1 Jazmin Bean 2 Rebecca Ferguson 3 Poppy 4 100 gecs 5 Yussef Dayes 6 tiLLie 7 HANDSHAKE IN SPACE 8 Scott Bradlee’s Post-Modern Jukebox 9 Delilah Bon 10 ALT BLK ERA
MAYHEM SONG CHART DECEMBER 2023
1 Nothing Hurts Like A Girl – girli 2 What’s Wrong – UGLY CLUB 3 Digging For Gold – Rebecca Ferguson 4 Terrified – Jazmin Bean 5 SAOKO – Rosalía
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Chloe Munt oozes talent and following some absolutely stunning tracks in recent years when fronting My Wonderful Daze and Please Remain Calm she is back as her solo alter ego Pick The Flowers. Her new single, “Jigsaw”, is haunting and emotional. Chloe’s musical versatility has no bounds and this new song shows her skill as an electronic artist. She certainly doesn’t allow herself to be genre-boxed, this tune is very, very different from her previous bands’ much heavier output. I would love to hear a dance remix of “Jigsaw”. I think it would work really well. Check out this gorgeous tune now! It is available on all streaming platforms.
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Regular readers know I have shown disdain and been somewhat disparaging about X-Factor and its predecessors and similar “talent” shows. However, there have been a few exceptions that came close to making me rethink those views. But even Harry Styles, who I believe is an incredibly talented artist has moved me to change my mind. He is one of the exceptions produced by the show in my opinion. Have there been others? Will Young is excellent and, Girls Aloud were ok, but the new album by Rebecca Ferguson, who finished second to Matt Cardle on X-Factor in 2010 and pushed One Direction to third place, is bloody good. More of that in a moment. As with all finalists she released a top-ten single, “Nothing’s Real But Love” off the back of the show. She followed that with four UK top-ten albums from 2011 to 2016.
Rebecca performed at the Eurovision Song Contest in Liverpool, her home city, last year
Since then she has suffered terribly thanks to the extreme misogyny that sadly still exists within the music industry. She has used that experience to push for change in the industry and has appeared before a House Of Commons Women and Equalities Committee, whom she told that she was “fleeced” both “financially and morally” by executives and others in positions of power, whose “disgusting” conduct was part of a “rotten” culture. She added, “Unfortunately there is a bullying culture to make artists behave how people want them to, often for others’ commercial gains.” The committee heard that Rebecca was pressured into signing contracts; was denied royalties and medical attention; had personal and professional relationships deliberately wrecked; and was forced to carry on working after collapsing through exhaustion and having a miscarriage. She is one of the driving forces and key voices behind a new body called the Creative Industry Independent Standards Authority (Ciisa), which will investigate complaints in the music, film, theatre, and TV industries. Rebecca has also said “For so long, I harboured those secrets for very powerful men about what they were doing to me, and the truth of what was happening to me is it was a form of abuse. In fact, it wasn’t a form of abuse, it was abuse.” adding “The sad reality is it is an abuse that many creatives – be it models, actors, musicians or singers – go through, and we harbour the secrets“.
Rebecca has written, recorded, and released the new album, ‘Heaven Pt. II’ independently. I exchanged a few comments with Rebecca on Twitter when I saw her announce the album’s release. I said that I have huge respect for what she has done in calling out the misogyny, abuse, and vileness that exists in the music industry, but that I wasn’t a great fan of her music. She suggested that I at least give the album a spin, so I did. If I had listened to it earlier it might have made it into Mayhem’s top 20 albums for 2023. It is an album that exudes emotion, and highlights struggle but has incredible strength and positivity throughout. This suggests to me that Rebecca Ferguson is not just a talented singer-songwriter and performer but also a wonderful human being. Overall the album is a fabulous slice of modern R&B, but it has so many other influences and themes. There is also pop, electronic, and hip-hop among others.
I think I might target one of these dates!
The album kicks off with “Digging For Gold” a song with a message of hope in adversity. The lyrics are inspirational, “I’m just surviving by the skin of my teeth but tomorrow’s just another day” kicks off the chorus. The production on this track is perfect. Next comes “I’m Going To Love You” which wears it’s gospel influences with pride. Rebecca’s voice is deeply soulful here and at times has a feel of one of her heroines, Aretha Franklin. “From Now On” has a guitar sound that made me think of New Order. Lyrically it perhaps deals with some of the things that Rebecca has been through, “I figured I’ll take my chance and choose the life I want“. “Shallow Breathing” is an epic power ballad and it feels like a celebration of being loved. The vocal performance from Rebecca on this song is stupendous, it made the hairs on the back of my neck stand up and I even shed a little happy tear. If you like listening to songs with a 100% positive vibe, then play “I Have A Dream” It will lift you, I promise. If the Spice Girls ever decided to reform and record new songs they should definitely cover “Diamonds In Her Shoes”, although they might do the song justice I doubt that they would be able to top Rebecca Ferguson’s supreme performance. The hook and chorus stick with you long after the song has ended and I love the strings. I felt that “Found My Voice” sums up how Ferguson felt when she finally decided to move on up and do things her way. Once again there is a magnificent gospel feel and how can you not love this track. I am not sure how personal “Hollywood” is, but is a cinematic pop-rock tune that would make a great single. “Run Rebecca” is a fun song with some wonderful rap input and feels like Rebecca is showcasing her lack of fear in her life now. The album closes with “You Don’t Have To Leave” and frankly I didn’t want to leave this collection of gorgeous tunes, so I played the album again and again! I don’t know who the musicians who played on the record are but the music throughout is spot on. Ferguson appears to have worked with several co-writers and producers on the album, but for me, that simply enhances her own talent. Give this album a try, you will not regret it! Rebecca says that this will be her last album, I hope that is not true.
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