I still have heroes, do you? You might have guessed that David Bowie is one of mine and so is Neil Armstrong. Both men were in the news for very different reasons recently. Firstly there was the sad death of Neil Armstrong a true pioneer. Secondly the supposedly retired Mr Bowie has opened his archives to the Victoria & Albert museum in London for a massive exhibition of costumes, set designs, lyrics and many other delights next year. Click here to read the Bowie story.
I know I am a bit late posting about Neil Armstrong but a public memorial service has just been held to honour him in Washington. Click here to read about it on the BBC website. He is a man who I am sure will be remembered in thousands of years as the first human ever to walk on a body that wasn’t earth. Coincidentally he served as a pilot in the US Air Force in Korea in the early 1950s. Which was exactly the same time another of my heroes, my Dad saw active service there in the Royal Navy on board the HMS Belfast. Neil Armstrong RIP.
For this post I thought I’d choose a few space related Bowie songs and one that was produced by him for Lou Reed.
Some months ago I bought tickets for Catwoman and I to go and see Lady Gaga on her Born This Way Ball show. Well the time finally came around and we were there at the MEN last night. I should say up front that as far as the music goes I have been a fan of Gaga for a while so I was certainly looking forward to seeing her. But first there was the little matter of the Darkness who were on stage when we arrived at the MEN. I have unfinished business with these guys. I saw them at the Reading Festival back in 2003 when they were easily the highlight of Saturday afternoon. In fact highlight would be an understatement, they blew the opposition away. However the following year they were elevated to headliners and they truly sucked the big one, they were awful. So whilst I was pleased that they have got back together I was a little apprehensive. In my opinion they are easily back to their best and their new album is pretty good too. Catwoman wasn’t so keen and claimed that the volume almost had her ears bleeding! possibly a little exaggeration there!
After Justin and the boys left the stage we were promised a 30 minute wait for HRH Gaga, this stretched to about an hour which is never a good thing is it? Gaga’s entrance though did tick all the right dramatic and spectacular boxes. The curtains dropped to reveal a stage set that was part Disney princess castle and part Hammer Horror film left over. She then made her way onto the stage on the back of what can only be described as a very posh pantomime horse. For most of the gig the band were hidden away in the castle; shades of Bowie’s theatrical excursion across the USA in 1974 for the Diamond Dogs tour.
I felt that all of Ms Germanotta’s influences were on show during the evening. Bowie in the theatrical element, Freddie Mercury in how she tried to manage the crowd and I suspect her loyal little monsters won’t like this; Madonna for all the costume changes and a bra with two guns pointing from it. I can’t believe that didn’t have it’s roots in Madge’s now iconic cone bra from a few years back. How did all this rate? 9 out of 10 for the theatrical set, 4 out of 10 for crowd control and 8 out of 10 for costumes. Including one dress that allowed her to move like a Dalek, now that was cool!
Her songs are very strong and the dancers and the band are also very good. All the hits were rolled out “Born This Way”, “Just Dance”, “Bad Romance” and “Alejandro” to name but a few. It wasn’t her fault but I do believe the sound from her head mic could have been better. It certainly improved when she used a hand-held or one in a stand. Keeping up the scoring theme I will award her 10 out of 10 for the songs and 8 for the singing and the dancing, including the Lady herself, gets an 8 from me. So if I add all those scores together that would be 47 out of 60. Which is not a bad score is it? However I need to adjust it with at least a minus 30 for all the pretentious crap she spouted not so much between songs but in the prolonged talking part of the show. It’s right that a good artist should change the tempo of a performance but what she did was effectively grind it to a halt just to talk bollocks for what seemed like ages. I know that one of the dancers had suffered a family bereavement, but even so this was way, way over the top.
Constant questions about whether we ‘give a fuck’ or not tend to grate after a while. For the record I purchased tickets and I own her albums so I do give a fuck. My question to Gaga is do you? The little monsters worshipping mother monster is all well and good but her pontifications were almost cult like and a little bit Dubya in the sense that you’re either with us or you’re not, no in-between. I was with her, but now I’m not. So I assume that this make’s me the Gaga equivalent of a ‘cheese eating surrender monkey’
Also how many times did she have to tell us that “Born This Way” was written at the MEN during her last major UK tour. Once would have been enough. Then there was the new song about Princess Diana. It sounds like a reasonable song, but the spoken introduction which went on and on and on added nothing to it and would have struggled to raise a laugh or excitement from someone afflicted with a disease that means they laugh all the time.
She has a fixation for Disney Princesses and a clear dislike for Barbie which surprises me given how bland, insipid and devoid of controversy most Disney princesses actually are. It was quite amusing to see Ms Germanotta struggling to rip Barbie’s limbs off though. Overall I was disappointed I expected more from someone who I still believe has much potential and talent. But she really does need to take her head out of her, albeit rather nice, arse and get real before I would ever consider seeing her again.
Gaga has left the building and seems to have at least temporarily removed her head from her arse
I must confess that I was a tad disappointed that a number of my favourite British artists never appeared at the Olympic Closing Ceremony.Notably David Bowie and Kate Bush. There was a strong rumour in the week before the show that Kate would appear. This appears to have been driven by a remix of “Running Up That Hill” being made available to buy on-line last week. That remix was played during the show. It was never likely that Bowie would play the show given the low profile he has taken since his heart problem back in 2004. But I did get my hopes up when a medley of his songs and associated film clips were played. However it turned out to be just a precursor to the celebration of British fashion element of the closing spectacle which itself was soundtracked rather obviously by the Dame’s 1980 hit “Fashion”.
Apparently David Bowie, Kate Bush, the Sex Pistols and the Rolling Stones all turned down the chance to appear at the Olympic Stadium last Sunday night. John Lydon said a while back that he had been asked if the Pistols would play and turned the organisers down flat. I wonder if they would have expected the Pistols to play “God Save The queen”? It is also alleged that the Who only agreed at the third time of asking. Who else would you have liked to have seen on the bill? Personally I’m surprised that Adele or Paul Weller wasn’t there or any of the beknighted music stars; Tom Jones, Macca, Elton, Cliff or even Rod Stewart who probably longs to be knighted. Personally I’m glad Cliff wasn’t there as his Jubilee appearance was truly awful. The same goes for Paul McCartney who I didn’t think was particularly good at the Opening ceremony.
Kate fills the long jump pit by hand
So let’s finish with what we might have missed some Kate and some Bowie.
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
So many people will be writing about the Olympics in the coming weeks so I thought I’d get my mention out-of-the-way in advance of the opening ceremony. Personally I have been a little bored with the journey of the Olympic flame, especially after discovering that there are thousands of torches and not just a handful. The constant news stories about the whereabouts of the flame; ‘the flame has now passed through the arse end of nowhere carried by A N other’ have left me completely underwhelmed. How do you feel?
however, the good news is I am really looking forward to the opening ceremony. Has Danny Boyle arranged the weather? Will David Beckham kick a flaming football? Will Olly Mursspontaneously combust to light the flame? I really don’t care, I’m sure it will be one of the most spectacular Olympic openings there have ever been.
Anyway in the spirit of this being a music blog here are a few of appropriate tunes for the Olympics (starting with one of my favourite songs of all time) and while I’m here I want to wish the GB team all the best and I hope they win more medals than they have ever done!
We’re all looking forward to women’s beach volleyball aren’t we?
And finally how about a Billy bonus of another song from the rather excellent and sadly missed Gene!
Many of you will already know that the NME celebrates its 60th birthday this year. It was first published in March of 1952, it was later that year that it also published the first ever UK singles chart based on sales. That was in November 1952 and featured Al Martino‘s “Here In My Heart” at number one.
As part of their birthday celebrations the NME has published a list of the top 100 songs since the paper has been around. I’m sure that there will be plenty of debate about what is in and what isn’t in the list. I was particularly surprised that there are no songs from the 50’s included. How about Elvis Presley’s “Heartbreak Hotel” that was pretty damned ground breaking. Incidentally the spread of songs from the other periods are;
60s = 22
70s = 16
80s = 19
90s = 19
00s/ 10s = 24
Why not cast your vote in my favourite decade poll below 🙂
My favourite song of all time; Bob Marley’s “No Woman No Cry” reaches number 86 and Mr Bowie has “Space Oddity” at number 39 and another song in the top 5 (more of that one later). The Beatles have three entries in the top 100. Thankfully Westlife, Cheryl Cole and their ilk are nowhere to be seen in this list.
So without further ado and in traditional reverse order here is the top 5;
I couldn’t let the 40th anniversary of the release of Bowie‘s classic 1972 album ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars‘ go unmentioned could I? It will be 40 years old on June 6th and of course being the Bowie fanatic that I am the vinyl reissue which comes with a DVD including some unreleased mixes is winging its way to me as I type. Bowie has said in the early 70s that the Ziggy album was a concept album, personally I don’t really see that, but that doesn’t make it any less of an album.
How many of you own at least one version of Bowie’s Ziggy album? lots of you I hope and if you don’t own it what’s keeping you, go out and buy it, download it, borrow it or steal it now! The album took just no more than 10 days to record, which by todays standards is faster than the speed of sound and light, or perhaps sound and vision, (get it?) combined.
So, as I’m sure you have heard the album many times I thought I’d present it in a slightly different way, by giving you all the tracks in their original order but performed by different artists. Some whom you may have heard of and others you may not have. But just to make sure you don’t miss out on the Dame himself I have tagged on two cover versions that might have made it onto the album but didn’t. The covers track listing is shown below. PLAY LOUD and Enjoy!
Supreme Disco Diva Donna Summer passed away today aged just 63. It has been reported that she had battled breast cancer and lung cancer and died at her home in Key west, Florida. She was born LaDonna Adrian Gaines exactly 10 years and one day before me.
In the late 60s Donna auditioned for the part of Sheila in the Broadway production of ‘Hair’ but the part went to Melba Moore. However when the show moved to Europe she was offered the part and moved to Germany. She later went on to appear in the stage versions of ‘Godspell’ and ‘Showboat’.
While in Germany she married an Austrian, Helmuth Sommer in 1972. They divorced later but Donna kept an Anglicised version of her surname. She also learned to speak fluent German. She met influential producer Giorgio Moroder while she was singing backing vocals for Three Dog Night. Her first album came out in 1974 and was titled ‘Lady Of The Night’. A single taken from the album “The Hostage” went to number one in Belgium. Following this Donna worked with Moroder on an idea for a song that eventually became her first major hit, “Love To Love You Baby“. It was eventually released in November 1975 in both the edited 7 inch version and the extended 17 minute 12 inch version. The latter was at the request of Casablanca Records head honcho Neil Bogart. Many radio stations refused to play the song owing to the orgasmic moans it featured. Those noises certainly worked well on my teenage mind!
Donna Summer would be seen by many as a singles artist, but in my opinion she also released some superb albums. In particular the four albums that came out through 1976 to 1977; ‘A Love Trilogy‘, ‘Four Seasons Of Love’, ‘I Remember Yesterday‘ and ‘Once Upon A Time’. Of course the track that epitomizes the peak of her disco success was almost hidden away on ‘I Remember Yesterday’; that track was “I Feel Love“. There is a very strong argument to say that this song was one of the most influential songs ever, certainly of the 70s. Without it there may never have been electro, techno and according to the Fatboy himself (that’ll be Norman Cook) no Acid House either. David Bowie recalled Brian Eno‘s reaction on hearing the song when they were recording in Berlin. Bowie said ‘One day in Berlin … Eno came running in and said, ‘I have heard the sound of the future.’ … he puts on ‘I Feel Love’, by Donna Summer … He said, ‘This is it, look no further. This single is going to change the sound of club music for the next fifteen years.’ Which was more or less right’
Her last big album of the 70s was 1979’s ‘Bad Girls’ which spawned three classic Donna Summer singles; “Hot Stuff”, “Bad Girls” and “Dim All The Lights”. Whilst the 70s was probably where she peaked she did release a few more classics. In the 80s there was “On The Radio”, “State Of Independence” and “She Works Hard For The Money”. Also in the 80s there was the stuff she recorded with Stock, Aitken and Waterman, notably “This Time I Know It’s For Real”. I heard Pete Waterman talking about Donna on Simon Mayo’s Radio 2 show earlier today. He said that she was by far one of the most amazing and talented vocalists he had ever worked with. She scored a few number ones on the US dance charts as late as 2008 and 2010. She also won five Grammys between 1979 and 1998.
She became embroiled in controversy over alleged derogatory comments about gay people and AIDS. However she refuted those claims and publicly apologised. But this should not mar her glittering career. I for one will miss such a great talent and my thoughts go to her family, friends and legions of fans across the world. Donna Summer RIP.
All of you loyal UK subjects who pledge allegiance to Queen Elizabeth are obviously now very busy preparing your street parties and other events aren’t you? Well did you know that she shares her Diamond Jubilee with another British institution that is celebrating a 60 year anniversary? Today, 7th March 2012, is the 60th birthday of the New Musical Express, better known these days as the NME.
Now the last remaining weekly news magazine in the UK the NME has moved on considerably since 1952 when it replaced the ‘Accordion Times and Musical Express’. The nme.com website was launched way back in 1996 and is now the biggest stand-alone music site in the world with more than seven million users every month.
So whilst the old mag might not be as influential as she was, she is still very popular. I am now a subscriber who has bought it from when it was a newspaper style ‘inkie’ back in 1971. I have seen some great writers come and go; Nick Kent, Charles Shaar Murray, Danny Baker, Tony Parsons, Julie Burchill and Barbara Ellen to name but a few.
So happy 60th birthday to the NME and all of those who write for it and read it. Many years ago I had a name check in the NME when I sent a copy of an advert for the Sylvanian Family toys. One of the characters was called Roger Waters, which made me think it was both appropriate and amusing. Now celebrate with a couple of NME related songs. One that mentions the NME and two from the excellent C81 cassette issued by the NME in 1981.
Davy Jones of the Monkees died in Florida earlier today of a heart attack. He was aged just 66. Before he became a Monkee in 1965 he had appeared on stage in successful shows like Lionel Bart‘s ‘Oliver’. He even had an appearance on long running British soap operaCoronation Street under his belt, where he played the grandson of Ena Sharples. At one point he even trained as a jockey. This was something he came back to later and won his first race in 1996.
His vocals and backing vocals graced many of the Monkees songs, including the Neil Diamond penned “I’m A Believer“. He was also British (he was born in Manchester) and the only non-American member of the band. Jones and two other former Monkees; Micky Dolenz and Peter Tork reunited last year to play a few gigs.
I am a big fan of David Bowie and if it hadn’t been for Davy Jones then Mr Bowie as we know him may not have existed, well at least he would have probably not been called Bowie anyway. The former David Robert Jones (sometimes known as Davey Jones) changed his name to David Bowie in the mid 60s to avoid confusion with Davy Jones of the Monkees.
Davy Jones is survived by his wife and four daughters. My thoughts go to all of his family, friends and fans. RIP Davy Jones.
With Just A Hint Of Mayhem 