The 21st December you say? really? Blimey where did the time go? Anyway I just knew that something good was going to happen now that it is Day 21 in this years Advent calendar blog post series. regular readers will know that the theme this festive period is the ABC of British bands. Some of you may already have guessed who todays band is as I incorporated a clue earlier in this paragraph. Today is the turn of the Utah Saints who despite their name actually come from Leeds.
The band played live often between 1991 and 2001 although their appearances since then are largely as DJs. Although they are still writing and recording and are supposedly working on their next album at the moment. Jez Willis and Tim Garbutt are the Utah Saints core and they really pioneered the use of sampling in pop music. they met when they were both music promoters and DJs for the Mix nightclub in Harrogate. In his inimitable style Bill Drummond off of the KLF described the Utah Saints as “the first true stadium house band”. I’m not entirely sure what that means but it sounds good doesn’t it? They also built their own recording studio on the outskirts of Leeds which opened in 2008.
The band’s first three singles all made the UK top ten from 1991 to 1993. Those releases were; “What Can You Do For Me” (1991), “Something Good” (1992) and “Believe In Me” (1993). Willis and Garbutt described these songs as their vocal sample trilogy. The songs sampled Gwen Guthrie, Eurythmics (“What Can You Do For Me”), Kate Bush (“Something Good”) and the Human League, Crown Heights Affair, Sylvester (“Believe In Me”). Despite persistent press stories these samples were all legally cleared. Kate Bush also let the band use clips from her video for “Cloudbusting” which is where the sample for “Something Good” comes from.
“Something Good” is their biggest hit to date. It peaked at number 4 in the UK singles chart and made the top 10 in Australia and Ireland. Interestingly it also made it to number seven in both the US Dance Charts and the US Modern Rock charts. does this make them truly genre-defying? I’d like to think so. They have released two albums so far (not including a mix album). The first was ‘Utah Saints’ which reached number 10 in the UK album charts in 1992. The follow-up was rather unimaginatively called ‘Two’. Sadly that one failed to chart when it came out in 2000. Now you can enjoy some of the Utah Saints finest beats and I hope that you enjoy them.
Finally the wait was over and the excitement that had built up over the months since Kate Bush announced her return to the stage was about to reach its peak. What would the show be like when I finally got to see one of my favourite artists of all time? Well to be fair I think that everyone who bought a ticket knew not to expect a greatest hits set. But given Kate’s back catalogue of superb albums I didn’t see that as a problem at all. The show that I saw fell towards the end of the 22 show run at the Hammersmith Apollo so I already knew about the set list. All the reviews of the earlier shows that I read suggested that the set list was fixed for the duration and it was.
There were 25 songs performed during the three-hour show. There were some hits but not many. When Kate entered the stage at the start of the show she received a rapturous standing ovation. How many artists do you know that would get that before they had sung or played a note? She looks really good and her voice is still excellent and seems to have grown richer over the years.
The first half of the show (there was a twenty-minute intermission) began with “Lily”, “Hounds Of Love“, “Joanni”, “Top Of The City”, “Running Up That Hill” and “King Of The Mountain“. Then the theatrical element of the show began in earnest for the song cycle “The Ninth Wave” taken from the original side two of the ‘Hounds Of Love’ album.
The set was truly magnificent as were the special effects, notably the rescue helicopter. Kate’s brother began that section playing a man who had received a distress call from a ship called The Celtic Deep that was in trouble and sinking. This was a filmed segment used to allow the stage to be reset to include the large frame of a ship wreck among other things. There were fish people and other dancers many of whom created the effect of the sea with large sheets with help from the lighting team. Kate’s son Bertie played her son in the dream sequence where Kate as the drowning woman was dreaming of her family during “Watching You Without Me”. In my opinion Kate proved that she is far more prog than any major prog band and I mean that as a massive compliment.
Part two of the show had a completely different set including a massive set of wooden doors. This was built for another song cycle, “A Sky Of Honey” from the second disc of the ‘Aeriel’ album from 2005. There were birds, trees and the artist. I had listened to “A Sky Of Honey” a lot during the past few weeks and I love it. Played live it is something even more magical. Kate’s son Bertie played the artist during this section and he even got his own solo song spot with “Tawny Moon”. He has a reasonably good voice and the song works, however I did feel that it might have been a little too long.
There was also an excellent puppeteer on stage working a fabulous artists wooden model dummy puppet. Late in the show there was a Pinocchio moment when the puppet became real. At the end of “Aerial” Kate in effect became a bird. Was she supposed to have been raised from the stage as a bird? It felt like it but that didn’t happen. I was also pleased to see hardly any sign of anyone filming any part of the show using their mobile phones.
The encore began with Kate singing “Among Angels” accompanied only by her own piano playing. I honestly thought before that point that things couldn’t possibly get any better. But that song was performed supremely well with great emotion and showcased just how good her voice is. The second and final song of the encore saw the whole band and ensemble return to the stage for a rousing and magnificent “Cloudbusting“. It felt like all 5,000 of us were on our feet and singing along; that is probably because we were! Kate thanked the audience many times but I would like to take this opportunity to thank her for deciding to play live again after all these years. Will she ever play live again? Will it be another 35 years? I really don’t care because I was there in 2014! I would love to hear your views if you were at this or any of the other shows.
I went to the show with my brother-in-law Richard Lee (my wonderful wife Catherine a.k.a Catwoman gave her ticket to her brother) and my friend Alison Wright with her husband Rob. I think we all enjoyed the show, I know that I certainly did. I would also like to dedicate this post to my cousin Deborah Jane Schofield who passed away far too young and was always a fan of Kate Bush.
I will close with the official video for “King Of The Mountain” one of my favourite songs of the evening
Now that the dust has settled on the excitement of the sale of tickets to see Kate Bush on stage after all these years (who’d have guessed that was going to happen?) I thought that it would be appropriate to entertain you with my top 10 Kate songs. As for those profiteers who have bought tickets with no intention of using them; may the fleas of a thousand camels infest in your arse and raise generations of flea families there. I also hope that said fleas make the arses of anyone associated with Viagogo and other so-called ticket exchange sites an urgent infestment priority. This is not the rant of a disgruntled punter without a ticket, I have mine. This is the rant of a music lover who believes that there should be no room in the world for ‘ticket exchange’ organisations who are in fact nothing better than licensed touts. They are the pay-day loan companies of the entertainment industry. Demand for these tickets was always going to exceed supply but for companies to be selling these tickets at such a massive premium sucks Satan’s cock in my opinion.
OK take your mind off of that whole issue and listen to Billy’s top 10 Kate Bush songs.
When Peter Gabriel decided that his song “Don’t Give Up” was to be a duet with a female vocalist he wanted Dolly Parton to share the vocals with him. Sadly though Dolly had no idea who he was and so turned him down. Kate Bush got the gig and put in a great performance too.
The song comes from Peter’s most successful solo album ‘So’. “Don’t Give Up” was the second of five singles to be taken from the album. It reached number 9 in the UK chart in 1986 but sadly only made it to number 72 in the US. Sometimes Americans just don’t have any taste do they?
I can count on one hand the amount of tribute acts I have seen in my lifetime. Before last night it was just two; The Bootleg Beatles and The Wall a Pink Floyd tribute band. Both were very good. However in my opinion both were surpassed by the excellent show I saw at the Grand Opera House in York last night. It was titled ‘WOW – A Celebration of the Music and Artistry of Kate Bush’. The fact that Kate Bush is such an original and unique solo artist means that any attempt at a decent tribute to her would be difficult. However 36 year Maaike Breijman from Holland pulled it off impeccably well.
She has a resemblance to Kate and a similar vocal style. She is also an excellent all round performer and she proved this by singing, dancing and playing the night away. She didn’t only focus on Kate Bush’s greatest hits although most of them were there. The overall show, including a brief interval, was close to two hours long. I lost count of the costume changes Breijman undertook but every one of them worked. Her band was superb as were the two male dancers that accompanied her for most songs.
She seemed to draw her influence for the performances from film of Kate’s one and only tour and the videos for the later songs. The show included a terrific light show and some excellent projections and props. Including the weather machine from the ‘Cloudbusting‘ video. I particularly loved her performances of “The Wedding List”, “The Big Sky”, “Wow” and “Babooshka“. She also brought things a little more up to date with an excellent version of the 2005 hit “King Of The Mountain”. The theatrical staging of “Breathing” from inside a womb was pretty impressive too.
The two most exceptional moments for me were her wonderful rendition of “this Womans Work” whilst accompanying herself on the piano and the obvious choise for closing the show, the incredible “Wuthering Heights”. It is highly unlikely that we will ever get to see the real Kate Bush play live now, although to be fair whoever thought David Bowie would release a new album? But in the absence from the stage of Kate Bush I can definitely recommend Maaike Breijman. The only disappointment for me was how few people there were in the audience. When she tours again I order you to do your utmost to see her. Sell your Granny, send your kids to sweep chimneys, do whatever it takes just make sure you are there for Maaike’s next tour. That’s an order ok! Click here to find the WOW website.
Day 9 in my 12 days of Christmas series of posts has arrived and frankly I am running out of room to keep all these diverse and wonderful gifts I keep receiving from my true love. Any suggestions as to what I can do with 9 ladies dancing. OK perhaps you’d better not answer that because undoubtedly most of you will add the word lap somewhere in there won’t you? It would seem likely that the interest in ballroom dancing has surged recently, perhaps due to TV shows like Strictly Come Dancing (is that the correct title? Personally I have never watched it). Dance was one of the most popular art forms according to the Arts Council in England and applications for grants for dance projects had increased from 373 to 437 from 2011 to 2012. So today is quite special because you’ll get three songs for the price of two. Firstly it’s a classic slice of what I would call disco bubble pop. It’s Tina Charles with “Dance Little Lady Dance”. Tina was born Tina Hoskins in March 1954 and later changed her name to avoid possible confusion with Mary Hopkin. She chose Charles as that was her father’s first name. She started out as a session and backing vocalist. She provided backing vocals along with Linda Lewis on the Steve Harley and Cockney rebel classic “Make Me Smile (Come Up And See Me)” a UK number one from 1975. She was also the uncredited vocalist on the 5000 Volts hit “I’m On Fire”. This was due to contractual reasons. That song made it to number 4 in the UK and number 1 in Germany and Sweden. It only managed number 26 in the US but it was competing against a version of the same song by Jim Gilstrap. Tina’s big break came when she met record producer Biddu who had a massive success with “Kung Fu Fighting” from Carl Douglas in 1974. he produced a few songs for her including the biggest hit of her career, “I Love To Love (But My Baby Loves To Dance)” this was at number one for 3 weeks in the UK in 1976. The song I have chosen for this post was also a UK hit for Tina but only managed a peak of number 6. That song is “Dance Little Lady Dance”. A remix of the song was issued in 1987 and made the top 20 in Germany and the Netherlands. her touring band in the mid 70s featured two future members of Buggles and Yes; Trevor Horn and Geoff Downes. The second song I have chosen for you today is “Private Dancer” from another Tina, this time Tina Turner. The song was written by Mark Knopfler of Dire Straits and was originally considered for inclusion on the band’s album ‘Love Over Gold‘. However Knopfler didn’t think it was right for a male vocalist. John Illsley from the band featured on Tina Turner’s version of the song. Guitar was provided by Jeff Beck and not Mark Knopfler on Turner’s version of the song. The song only reached number 26 in the UK but managed a number 7 position in both France and the USA. The choreography for the promotional video for the song was provided by former Strictly Come Dancing judge, Arlene Phillips. As I mentioned earlier, you will get three songs for the price of two today and the third is a special Billy Bonus for Christmas. as I alluded to lap Dancing earlier in this post, which is something I have never experienced (ok so maybe I have just the once……. or maybe twice) I thought I would take the opportunity to add some Kate Bush. No I know she isn’t a lap dancer, but I would be very tempted if she was, but she did have a song called “Sat In Your Lap” didn’t she. It reached number 11 in the UK in 1981 and was the first single to come from Kate’s album ‘The Dreaming’, albeit some 15 months before the album appeared. The B Side was a cover of Donovan’s “Lord Of The Reedy River”.
According to the Mail OnLine (so let’s treat the information cautiously) dogs prefer classical music to heavy metal and they don’t seem to like those cheap relaxing music for your canine friend CDs either. I wonder if that has anything to do with the location of their sub woofer? Click here to read the full article.
Anyway I thought that I’d like to try a little experiment about how true this is. So here are a few dog related songs that I would like you to play to your mutt and tell me what reaction you get. Unfortunately I can’t do that as I only have cats.
Is this the first time I have sent any kind of begging letter on my blog? Probably not. But here it is anyway. I will be running the great North Run from Newcastle to South Shields on Sunday September 16th this year, barely a week and a half away! Why am I doing this? Firstly because my boss and good friend, Mr Nick Cooper ‘press ganged’ me and three others (Stuart O’Hara, Simon Downs and David Carline) into taking part. So the St John’s Ambulance volunteers along the route could have a busy day! Secondly we will be raising money for the Save The Children charity which I’m sure you will agree is an excellent cause!
So onto the begging part now. we have a target of £1,500 to raise and so far we are at £969 or 64% of target. So any donation that you can make, whatever size, would be very much appreciated. As is usual for these things we do have a ‘Just Giving’ page to make it easier to support us. Click here to get access to it.
Of course this is a music blog so I can’t end with no music can I? So here are thirteen (one for each mile of the run) running related songs for you to listen to while you donate!
1 “Running Away” – Sly and the Family Stone
2 “Run Runaway” – Slade
3 “Keep On Runnin'” – Spencer Davis Group
4 “Run For Home” – Lindisfarne
5 “Runaway” – Del Shannon
6 “Run Run Run” – Jo Jo Gunne
7 “I’m Gonna Run Away From You” – Tami Lynn
8 “Running Away” – Roy Ayers
9 “Running Up That Hill” – Kate Bush
10 “Run To The Hills” – Iron Maiden
11 “If You See My Rooster (Please Run Him Home)” – Memphis Minnie and Black Bob
I must confess that I was a tad disappointed that a number of my favourite British artists never appeared at the Olympic Closing Ceremony.Notably David Bowie and Kate Bush. There was a strong rumour in the week before the show that Kate would appear. This appears to have been driven by a remix of “Running Up That Hill” being made available to buy on-line last week. That remix was played during the show. It was never likely that Bowie would play the show given the low profile he has taken since his heart problem back in 2004. But I did get my hopes up when a medley of his songs and associated film clips were played. However it turned out to be just a precursor to the celebration of British fashion element of the closing spectacle which itself was soundtracked rather obviously by the Dame’s 1980 hit “Fashion”.
Apparently David Bowie, Kate Bush, the Sex Pistols and the Rolling Stones all turned down the chance to appear at the Olympic Stadium last Sunday night. John Lydon said a while back that he had been asked if the Pistols would play and turned the organisers down flat. I wonder if they would have expected the Pistols to play “God Save The queen”? It is also alleged that the Who only agreed at the third time of asking. Who else would you have liked to have seen on the bill? Personally I’m surprised that Adele or Paul Weller wasn’t there or any of the beknighted music stars; Tom Jones, Macca, Elton, Cliff or even Rod Stewart who probably longs to be knighted. Personally I’m glad Cliff wasn’t there as his Jubilee appearance was truly awful. The same goes for Paul McCartney who I didn’t think was particularly good at the Opening ceremony.
Kate fills the long jump pit by hand
So let’s finish with what we might have missed some Kate and some Bowie.
So the London 2012 Olympics is over, at least until the Paralympics anyway. I truly believe that this has been an amazing Olympics and for me usurps England winning the 1966 football world cup as our greatest sporting achievement. What do you think? OK I know the Scots won’t agree with that in the first place, but I would still like to hear your thoughts.
I realise that this post comes some 24 hours after the closing ceremony, but given the musical nature of that ceremony I felt I had to post something. The Olympic stadium was once again amazing; decked out to show a London skyline that included the London Eye, Big Ben and the Gherkin to name but a few. It all kicked off with the delicious voice of Emilie Sande accompanied only by a pianist, who was playing a piano covered in newspaper. After that the tempo really took off with forty members of the cast of Stomp dancing, drumming and percussing (is that a word?) on the recreated mini London Eye in the stadium. On top of all this there was a choir singing Beatles songs.
Next up was cellist and Churchill appearing out of the top of Big Ben and reciting words from Shakespeare’s ‘The Tempest’ which was a great link back to the superb Opening ceremony. Obviously it wasn’t really Churchill, it was Timothy Spall. This was followed by newspaper clad crowds depicting the hubbub of London. The whole thing then slowed a little for the arrival of the VIPs; Jacques Rogge (President of the IOC) who seems to make even the dullest accountant I have ever met seem exciting and prince Harry representing the Royal family. Clearly he was never going to match his grandmother’s arrival at the opening ceremony! Obviously this was followed by our rather uninspiring, in my opinion, national anthem.
The whole show was a celebration of Britain and the next vignette was real class. It was the 5, 4, 3, 2, 1 countdown by Michael Caine from the ‘Italian Job’ and then the iconic three-wheeled van of Trotter’s Independent Trading blew apart and out jumped, yes you guessed it, Del Boy and Rodney in their Batman and Robin costumes. A sublime moment and a nod to one of Britain’s greatest ever comedy shows; Only Fools And Horses.
The mood then turned very much to party as madness were driven around the arena playing “Our House” from the back of a truck. This tempo was kept up by the Massed Guards Bands with a wonderful rendition of Blur’s “Parklife”. Just when you thought it couldn’t get better the stadium was filled with cyclists wearing the most amazing geometric and fluorescent hats. Two of them on tricycles which had Neil Tennant and Chris Lowe as passengers. So we were treated to a fabulous version of “West Ends Girls” on bicycles and tricycles. Could this happen anywhere but the UK? I doubt it!
One Direction were next, like Madness they were on the back of a truck, which sadly wasn’t headed to the tip. OK I have to begrudgingly admit they were at least in tune, but I still don’t like them. Interestingly they were one of just a few acts whose name was flashed onto the screen when they appeared. After that it was back to another great number from the cast of Stomp. That percussion sounded like “Spice Up Your Life” to me. was that deliberate? Who knows? An incredibly talented dance troupe who I think were called Spelbound were next to take the stage. They performed a great routine to the Beatles Sergeant Pepper classic “A Day In The Life”
To keep up the 60s vibe Kinksmeister Ray Davies came on to sing his timeless and classic love song to London; “Waterloo Sunset”. eliciting some great ‘sha la la-ing’ from the audience in the process. Emilie Sande made a return next, minus the newspaper piano and sang over a film montage of some of London 2012’s most tearful moments. The three hundred or so flag bearers entered the arena after that, including super sailor Ben Ainslie fo Britain. Elbow soundtracked this whole piece with a great little set that included the beautiful “Open Arms”. The athletes followed the arrival of the flag bearers and they were corralled into the sections of the union jack which formed the floor of the stadium. Apparently this version of the flag was designed by Damien Hirst. Indian drummers then accompanied the construction of a large structure made up of more than three hundred white boxes. One to represent each Olympic event. The backing track to this was Kate Bush’s “Running Up That Hill”. I had momentary butterflies while wishing and hoping that Kate might actually appear herself. But alas she didn’t.
Apparently one of the traditions of the closing ceremony is that it contains the last medal presentation. It is for the Mens Marathon which took place earlier in the day and was won by Stephen Kiprotich of Uganda. This was followed by a thank you and recognition for all the volunteers, or Games makers as they were known from all the athletes. This was followed by a spectacular light show to the unmistakable sound of Queen’s mighty “Bohemian Rhapsody” followed by a children’s signing choir singing John Lennon’s “Imagine”. This segued into a film clip of Lennon singing the song himself. Apparently Yoko Ono commissioned a special remaster of the song for the ceremony. At the same time a 3D image of John Lennon’s face was built on stage. This was a prelude to the main musical events.
George Michael took to the stage for his first live performance since his life threatening illness he sang “Freedom 90” his new single “White Light” which is in fact all about his brush with death. He seemed fit and well and on really good form. I’m not sure I like the new facial hair style though, perhaps it will grow on me! Ricky off of the Kaiser Chiefs was driven to the stage as a scooter pillion passenger singing “Pinball Wizard”. I have gone off the Kaisers of late, by I must admit they did a storming version of the Who’s classic. The next part had me positively tingling with anticipation; A series of short film and audio clips of David Bowie. Would he actually appear? Surely not? And surely he didn’t. But his 1980 hit “Fashion” was used as a backdrop to a showcase of British fashion which included a weird march around the stadium from a series of models including Naomi Campbell and Kate Moss.
George couldn’t master Mo Farah’s Mobot so he invented the Georgebot
A huge skeleton of what might have been a viking boat was pulled on stage and the hidden figurehead was none other than Annie Lennox. She performed “Little Bird” which was used on the soundtrack of Coppola’s film version of Bram Stoker’s classic story Dracula. The much rumoured Pink Floyd appearance turned out to be nothing more than Ed Sheerhan, Nick Mason and Mike Rutherford doing the Floyd’s “Wish You Were Here” accompanied by a tightrope walker who recreated the Floyd album cover with the flaming man.
Russell Brand arrived on stage in what looked like the Scooby Doo van and he was singing, he’s not a bad singer either. He got out of the van to perform the Beatles’ “I Am The Walrus”. The van begat a giant inflatable octopus from which Fatboy Slim did a brief DJ set featuring his own hits “Right Here Right Now” and “Rockerfeller Skank”. Jessie J then sang “Price Tag” in an open top car she was joined by Tinie Tempah then Taio Cruz with “Dynamite”. All in open top cars. Then all three of them took the stage for a creditable performance of the Bee Gees disco classic “You Should Be Dancing”. As they were performing in front of a drum kit marked up with the name of Beady Eye it was obvious who was going to be on later!
A group of London Black cabs entered stadium and performed a kind of synchronised dance. Then five of them moved to the centre of the arena and were lit up with some spectacular lighting arrays. This wasn’t the best kept secret of the show, but guess who the passengers in these five cabs were? Yes it was Scary, Sporty, Baby, Ginger and Pouty…. oops sorry I mean Posh. It was the return of the Spice Girl. They kicked off with possibly one of the greatest pop singles of the 90s (OK that doesn’t mean you have to like it); “Wannabe”. They followed this with the samba rhythmed “Spice Up Your Life” which they performed while being driven around the stadium atop the cabs that brought them in. As expected after seeing their drum kit earlier Beady Eye were next. Thankfully they didn’t play any of their own stuff, just a cover of “Wonderwall” which seemed to go down really well as a sing along with the crowd. Liam seemed quite nervous to me and is his voice a little rough these days?
ELO’s “Mr Blue Sky” was played as a backdrop for a section pioneering flight. This included flying bikes and a failed human cannonball who just happened to be Monty Python star Eric Idle who led the audience in a marvellous sing-alonga-python version of “Always look On The Bright Side Of Life”. he even made a great comedic attempt to join in with some Bollywood style dancing. This whole piece was perhaps the equivalent of the Mr Bean set in the opening ceremony. It ended with the real and successful firing of a human cannonball.
Matt Bellamy and the boys from Muse were the next to appear and they performed their song “Survival” which was commissioned for the Olympics. It’s good and their performance was excellent as usual but this is a long way from being my favourite Muse song. Interestingly, as some have likened Muse to Queen they were followed by a film clip of Freddie Mercury performing some improv jazz scat and despite being dead for more than twenty years the audience were enraptured and joined in the whole Freddie call and response thing. This proved to be the overture to Brian May’s appearance and it’s fair to say that he’s quite a good guitarist isn’t he? 😉 As the unmistakable riff to “We Will Rock You” began and Brian was joined by Roger Taylor I was briefly worried that Adam Lambert or someone similar might step onto the stage. Thankfully it was Jessie J, and inspired choice in my opinion. She did a great vocal on the song which never tried to emulate the late, great Mr Mercury.
It was then time to return to the formal activities which meant the Greek national anthem followed by a Welsh Male Choir version of the Olympic Anthem. This was sealed with the Brazilian national anthem and a formal handing over of the Olympic flag from London’s Mayor Boris Johnson to the Mayor of Rio De Janeiro via Jacques Rogge. The Brazilians then put on a samba fuelled show to let the world know what to expect in 2016. This culminated in an appearance by one of their greatest sports ambassadors; Pele. Then we had more formal stuff with speeches from Seb Coe and Jacques Rogge. Seb was quite inspiring Jacque was once again the definition of dull in my opinion. The remaining action was the extinguishing of the flame. This began with Take That (thankfully without Robbie) performing the appropriate “Rule The World”. It continued with Darcy Bussell flying in as a Phoenix to join two hundred other ballet dances for an exciting modern ballet.
The petals of the cauldron where the Olympic flame burned were then lowered and were slowly extinguished and at this point I thought that was the end. However there was more to come in the shape of the Who. They were on top form and for a pensioner Roger Daltrey’s vocal power is still damned good. They closed with a rousing version of “My Generation” accompanied by yet another magnificent firework display.
I fell a little deflated after such a brilliant two weeks but so very proud to be British. I truly believe that we really showed the world what we are capable of as a country. Not just in the Olympic events but by how we put on such a brilliant event in itself. In spite of the little hiccups before the start (G4S etc) we really delivered this in style and won a whole treasure box of medals too. So let me take this opportunity to congratulate and thank everyone in Team GB, the organisers, all the other competitors, the BBC, the volunteers/ Games Makers and anyone else who was involved in this remarkable event.
Was this the best Olympics ever? I believe it as. Rio follow that!
Most of the film clips from the ceremony are IOC copyright and therefore difficult to show. So here are two songs that sum things up in a simple way.
With Just A Hint Of Mayhem 