With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

‘Into the Never – Nine Inch Nails And The Creation Of The Downward Spiral’ by Adam Steiner March 2, 2022


I don’t get the opportunity to review books here on With Just A Hint Of Mayhem, but I am pleased to say that following hot on the heels (ok more than three months) of my review of John Illsley’s autobiography I have just read another, obviously music-related tome. This one is for ‘Into the Never – Nine Inch Nails And The Creation Of The Downward Spiral’ By Adam Steiner, which was originally published in 2020 by Backbeat Books. This is Adam’s first non-fiction book following his first novel ‘Politics of The Asylum’ from 2018. Adam also publishes poetry and is a journalist. Among other things, presumably in his spare time, he has also lectured on Creative Writing and Publishing at Coventry University.

If you are a fan of Trent Reznor’s music then you may well have already read this book, if you’re not then I would recommend that you do, maybe using the album that it covers in great detail as your soundtrack. There is a similarity between Steiner’s book and the ’33 1/3′ Series that has published some great pocket-sized books which explore the creation of classic albums, (including book 78 in the series covering Nine Inch Nails ‘Pretty Hate Machine’) although ‘Into The Never’ goes to a far greater depth to study how ‘The Downward Spiral‘ came about. In fact, one of the huge collection of Steiner’s references is Daphne Carr’s 33 1/3 book.

‘Into The Never’ not only deals with the actual music and how it was constructed and recorded but also analyses the whole creation of the album. Including Trent Reznor’s probable state of mind at the time and that he initially worked on the album at a home recording set up in a rented property on Cielo Drive in Los Angeles. Not just some random property though, this was the house where the infamous Manson Murders took place. Although there is no suggestion that Reznor rented the place because of that. The book has caused me to completely re-examine ‘The Downward Spiral‘ which I always considered a good album. But after playing it quite a few times while reading the book I have come to appreciate it as a great album a truly seminal release and possibly Trent Reznor’s finest recorded moment. Adam Steiner writes with a great intellectual gravity while ordering his words in a beautiful flow that kept me interested from start to finish. Questions about whether ‘The Downward Spiral’ is autobiographical or simply a concept album akin to Pink Floyd’s ‘The Wall’ are considered. As well as Reznor’s fraught addiction issues and his path on a rocky road to self-destruction (which thankfully he survived) the book also deals with relevant aspects of US social history from the aforementioned Manson Murders to the Columbine School shootings via the Vietnam War.

There are some really sharp references to what most definitely did influence the album or in some cases may have influenced. Including, my list is not exhaustive,

Authors; George Orwell, Greil Marcus, Chuck Palahniuk, Albert Camus

Philosophers and Thinkers; Michel Foucault, Søren Kierkegaard, Friedrich Nietzsche

Musicians; David Bowie, Marilyn Manson, Richey Edwards, Kurt Cobain, Ian Curtis, Johnny Cash

Artists; Mark Rothko, Francis Bacon

The book also discusses the theological impact alongside the major world events that probably played a part. Additionally, there are plenty of references to films (‘Natural Born Killers’) and music (“Helter Skelter” by the Beatles). This is perhaps the most in-depth publication about an album that I have ever read and frankly, my musical knowledge and appreciation of ‘The Downward Spiral‘ is so much richer because of it. Fans of Trent Reznor and Nine Inch Nails will devour this book and those who appreciate great music and classic albums will love it too. Click here to find it on Amazon, or better still pay a visit to your local independent book store or your public library!

Adam Steiner

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Reading Festival 2013 – Day 3 – Sunday 25th August August 26, 2013


We began at the Main Stage today for We Are The In Crowd. Note to Nadia Tut; it’s looking ever so slightly less of a cock fest today. I also believe that you and your fellow band mates and bands are in a position to try to change that going forward. These folks have a female singer. We need the Tuts and Colour Me Wednesday  playing here next year. As for WATIC what a superb lively start to the day from this New York band.

Back to the NME/ Radio 1 Stage for the Villagers, we had seen them at Reading a couple of years ago. They were good then and are even better now. If you had not seen them before you might be forgiven for thinking you had walked in on the Hogwarts school band fronted by Harry Potter himself. The singer certainly looks like the young wizard. But their music is indeed a magical combination of influences. Once again great use of percussion too.

Aluna George have been subject to mucho hype lately and you know what? They are well worth it. Their music is spectacularly good and Aluna’s stage clothes show that Lady Gaga has jumped the shark fashionwise. Aluna herself is confident and sassy, she commands the stage. I will very soon be the owner of Aluna George’s album.

Over to the Festival Republic stage next for Twenty One Pilots. Unbelievably a drum based rock rap hybrid dressed as skeletons. It shouldn’t work but it does. It’s as though the Strokes were spliced with Eminem and Hawksley Workman in a parallel universe. These guys MUST be on the Main Stage mid afternoon next year; are you listening organisers? This was possibly one of the finest Reading Festival moments ever for us.

As for Chapel Club; very chilled soft rock with a hard edge. I would not have wanted to follow Twenty One Pilots. If I went to a chapel club when I was a kid it wouldn’t have been this much fun! After that we lay in the sun chilling to As Elephants Are. They were pretty good.

Back to the NME/ Radio 1 stage next for Haim. Bloody hell these girls can rock. This had to be the year of the drum with even more percussion from the Haim sisters. But did the bass player have to turn so much? That part was scary.

Fall Out Boy or FOB as they are now branded are back. On form on the Main Stage. But does everything have to be reduced to an acronym? But this band does what it says on the tin. Pop powered punk at its best. A band that has been an acronym for longer than many were next on the Main Stage; it was Nine Inch Nails or NIN as they prefer to be known, certainly on t-shirts. I was expecting great things from Trent Reznor and his chums. Sadly I was very disappointed, the music came across as samey and bland and Mr Reznor was severely lacking in the interaction with the crowd department. As a result we wandered off to pastures new. First to the Festival Republic stage where we saw the Jim Jones Revue; they are a hell of a powerful band. Imagine if AC/ DC, the Stones, the Troggs and Doctor Feelgood all drank in the same pub and became the house band. It would be very much like the Jim Jones Revue. We wandered over to the Rock Stage for the first part of Funeral For A Friend’s set. They definitely do what it says on the tin with their excellent brand of hard punky tunes. After that we returned to the Festival Republic stage for the magnificent Spector. I suppose you could compare them to the Killers in sound, but they are so much more than that. The audience loved them.

Then it was time for Sunday night’s headliners; the regal and magnificent Biffy Clyro. ‘Mon the Bif! This was the first time in eight Reading appearances that they have headlined the Main Stage and after this performance they will do it again in the future too. They were clearly well rehearsed and fired up for this show. For me they were the best headliner of the weekend by far and definitely in my top 5 of all time. The highlights for me were “Many To Horror” and “Black Chandelier”. The light show, the stage set and the pyrotechnics were amazing and added to a stonking performance from Scotland’s finest. Let’s hope they are back soon. As for myself and my good mate Nick Horslen; will we be back next year? I think there is a bloody good chance that we will be.

 

Gary Numan – York Barbican – Friday 22nd July 2011 July 23, 2011


I mentioned another post earlier this month that I would soon be off to see Gary Numan at the Barbican in York, well it came around quite quickly and I was there for the show last night. It was a part of the weekend long DV8 festival across a number of York venues. It also seemed like there had been coachloads of Whitby Goths dropped in York for the weekend. It could easily have been a Bram Stoker convention. But really I jest because I love the fact that some people, mostly young, take the time to be a little different with their appearance. That indeed was one of the many things that I loved about my late, great cousin Deborah Schofield who died way too young quite a few years ago now. I reckon she would have enjoyed herself last night.

Catwoman did accompany me, against my best advice, I did tell her that she probably wouldn’t like the music. But she came anyway, to try to share my interest. That is one of the many things that I love her for. But she did leave halfway through Gary Numan’s set, I was pretty darned impressed that she made it that far actually!

So onto the show. Personally I thought the support band were dreadful and sit very easily in amongst the 5 worst bands that I have ever seen and I saw my first gig in 1973. Their musicianship was very good, the songs were mostly average and the lead vocalist, well I believe they need to get one! The bass player really looked the part though, he could have stepped right out of Johnny Thunder‘s Heartbreakers in the late 70s. But that is all just my opinion and they did seem to have quite a few fans. Of course it could be that they weren’t allowed anywhere near a sound check as often happens with support bands. Click here to check out their MySpace page and tell me what you think. I would like to stress that this is my opinion and I look forward to the inevitable backlash!

Luxury Stranger finished at 9.30 and then we waited nearly an hour for the main man Mr Numan to arrive on stage, but for me it was definitely worth the wait. I suppose tribal loyalty (I’m a Bowie fan) means I shouldn’t like Gary Numan, but frankly I find all that kind of stuff pathetic. Numan opened with a kind of dark electro fanfare which rolled neatly into the excellent “Down In The Park“. I must confess that I probably know more of his late 70s work, but the newer stuff is strong and powerful and he has a great stage presence. he sure as hell knows how to work his very passionate audience. I will almost certainly buy his new album ‘Dead Son Rising’ when it comes out in September.

He played the classic “Cars” shortly after Catwoman left the building. A shame really as this may have been the one song she would have recognised. He finished the pre encore part of the set with my favourite; “Are Friends Electric?” it still sounds fresh and futuristic. The main synth riff was replaced with a piano riff which works really well. He was only off stage briefly before finishing with two songs. The light show was bloody good as was the sound and the venue is great. I went away happy at midnight as I would imagine the rest of the audience did too. I would definitely go and see him again and I truly believe that his show would work well at the Reading Festival, probably late afternoon on the Main Stage. Are you listening for next year Reading organisers?

I don’t have any recordings from last nights show so here are a few excellent clips for your further listening and viewing pleasure.

And finally an excellent old interview with Graham Norton

 

The Social Network October 15, 2010


Last weekend I accompanied the beautiful Catwoman to a free preview of the new film ‘The Social Network‘ at City Screen in York courtesy of the Guardian. It is based on the book ‘The Accidental Billionaires‘ which recounts the story of the birth of Facebook.

The script is tight, pacey and at times very, very funny indeed. The film’s strap line is ‘You don’t get to 500 million friends without making a few enemies’ and this is the focus of much of the film, particularly all the legal wranglings about whose idea it was. This largely focuses on the relationship between Mark Zuckerberg (Jesse Eisenberg) and his former partner Eduardo Saverin (Andrew Garfield) and his other battle with the Winklevoss brothers who he refers to rather amusingly as the Winklevi.

I never realised the part that Sean Parker, the guy who created Napster, played in the early days of Facebook. He is played incredibly well by none other than former Mickey Mouse Club star Justin Timberlake.

I suggest that you get yourself off of Facebook right now and go and see this movie, you won’t be disappointed! I can also confirm that JUSTWILLIAM1959, WITH JUST A HINT OF MAYHEM and CATWOMAN all ‘Like’ this movie.

As usual this is indeed a music blog so let’s mention some of that. The actual soundtrack was composed and performed by Trent Reznor (off of Nine Inch Nails) and Atticus Ross and it works really well. There are some excellent songs used during the film and you can find a few of them below;

Dreadlock Holiday” – 10cc

Ball And Biscuit” – White Stripes

Like A Bad Girl Should” – Cramps

California Uber Alles” – Dead Kennedys

Crazy Baldhead” – Bob Marley & The Wailers

Baby You’re A Rich Man” – Beatles (although I think it’s a cover version used in the film)

 

 
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