With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

“They take some brain away, then turn my face around” January 8, 2011


Bowie was an early adopter of the guitar string floss method

OK perhaps a tad late, but it is still just about 8th January where I am. Anyway I would like you all to join me in a quick chorus of Happy Birthday for David Robert Jones, better known as David Bowie to most of you and possibly even the Dame to longstanding NME readers. I became a Bowie fan in September 1972 after that now legendary performance of “Starman” on Top Of The Pops. Many, many people had their Bowie epiphany from this performance, understandably too, it was otherworldly and alien. Even now it is quite a striking performance, especially subtle touches, like Bowie draping his arm around Mick Ronson‘s shoulders. It might all seem quite innocuous and tame nowadays, but in 1972 it was so very far out there.

That performance was shown on a Thursday night and two days later I raided my piggy bank and purchased four Bowie albums on cassette; “Space Oddity”, “The Man Who Sold The World“, “Hunky Dory” and “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars“. After about 18 months I had worn them all out! I first saw Bowie in 1976 and have now seen him 8 times in total, although if the rumours are to be believed we may never see him in concert again. However if you’re reading this David, can we at least have another album or two?

I have another piece of very slightly related Bowie news. My good friend Nick Horslen appeared on BBC Radio Berkshire earlier this week to do an interview about his life as a business coach, small business supporter, charity volunteer and many other things. He chose a few songs to play during his slot, notably Mr Bowie’s “Heroes” alongside “Harvest For The World” from the Isley Brothers and “We Can Work It Out” by the Beatles. He interviewed really well and I would also like to thank him for the excellent shout he gave this very blog. You can still hear the interview on the BBC iPlayer for a few days at least. Click here for the link and wind it forward to around 2 hours and 4 minutes and you’ll be able to listen to Nick’s interview on BBC Radio Berkshire’s Phil Gayle Show.

Now take some time out to enjoy a couple of Bowie classics and a couple that don’t get played much. Happy 64th birthday Mr Jones!

 

“Sinatra was swinging all the drunks they were singing” December 15, 2010


Liam no longer has a bone to pick with his brother, but he does have a nose of his own to pick!

Just a brief post with a couple of bits of Christmas related news for you. Firstly, could the Gallagher brothers feud be thawing just a little bit? Liam has posted a message on Twitter wishing Noel a Happy Christmas. The Tweet also wished seasons greetings to the Zutons. The tweet read like this ‘Noel Gallagher n Zutons Merry Christmas LG x’ You can follow Liam on Twitter if you so desire Twitter.com/liamgallagher I wonder if Noel, who to be fair has a Christmas type name, will respond.

Who's nicked me bongoes?

Following their journey to the final of ‘I’m A Celebrity Get Me Out Of Here‘ Queen Of The Jungle Stacey Solomon and runner up Shaun Ryder off of the Happy Mondays and Black Grape are supposedly recording a cover of the Pogues and Kirsty MacColl‘s Christmas classic “Fairytale Of New York” read the NME report on the jungle duo by clicking here. I’m not able to find a post of the song, so enjoy “The Gillian McKeith Song” by Brett Domino and the original “Fairytale Of New York”

 

“The five years we have had have been such good times, I still love you” December 6, 2010


Well aren’t those December days just rushing past, this is the sixth day of my UK Christmas Number Ones Advent Calendar and therefore it must be (a bit of an easy one this) December 6th. So go ahead put your fingernail in the frame of the little cardboard door and pull it open carefully. Todays song takes us back to Christmas 1981. It’s those good Sheffield folk, the Human League with a little ditty called “Don’t You Want Me”. It was number one for five weeks in total and became the 30th different UK Christmas number one.

The hair and make-up artist left the country after this job

It was the band’s only UK number one and also reached the top in the US charts as well. They went on to have a further number one in the US with the excellent “Human” in 1986. “Don’t You Want Me” has become a bit af a party staple, I certainly play it at pretty much every mobile DJ gig I ever do. Yet another 80s song that I like, what’s up with me? The 80s was generally crap, wasn’t it?

In the early days Phil could only afford half a haircut

The band released their first single, “Being Boiled” in June 1978. The NME review was quite positive, although guest reviewer John Lydon dismissed the band as trendy hippies. Apparently David Bowie saw them play live at the end of 1978 and allegedly claimed that he had ‘seen the future of Pop Music’. They were even name checked in the Undertones song “My Perfect Cousin” with the line; ‘His mother bought him a synthesiser/Got the Human League in to advise her/Now he’s making lots of noise/Playing along with the art school boys’ An obvious dig at arty music too.

Nowadays Phil (like me) doesn't have any hair to cut

The band originally included Martyn Ware and Ian Craig Marsh who both left in 1980 following a big bust up with Phil Oakey. They went on to form Heaven 17 and thanks to the Human League’s Virgin contract Marsh and Ware also received 1% of royalties from the next League album, which was ‘Dare’ home of “Don’t You Want Me”

The song has been covered a few times, including versions by Alcazar, Mandy Smith and the Farm. Click on the artist names to see and hear those versions.

Enjoy the original Human league video for the song below.

And finally here they are performing the song on Top Of The Pops

 

“Arms that chain us, arms that lie” December 1, 2010


So the X Factor finalists have their own Top Trumps game? In my opinion it's kind of appropriate as trump is another word for fart and this bunch barely have a muppet fart of talent between them!

Firstly this post is NOT in my Advent Calendar series OK? It’s another random selection of music stuff. Firstly and I am saddened to say it in many, many ways a Bowie song is at number one in the UK. It’s the X Factor finalists cover of Bowie’s “Heroes” Thankfully I haven’t been able to hear Wagner on the recording. The singles only other saving grace is that it is raising funds for the ‘Help For Heroes‘ charity which supports those British soldiers that have been injured in the ridiculous wars in Iraq and Afghanistan that we followed the Americans into. But believe me, it is the UK Government I have a gripe with and especially former Prime Minister Tony Blair, I have every respect for all the British troops that are out there right now. Go and buy the single and throw it away if you have to. In the meantime take a look at the classic original below.

You know I always thought that Santa's Elves were a little more cuddly than this!

Next some very good X Factor related news. Corey Taylor off of Slipknot has recorded a Christmas single and he wants it to beat whatever single the X Factor show produces for the Christmas slot. Let’s get behind this one people, let’s make Corey this years “Killing In The Name Of“. Buy it and keep a muppet off the number one spot. The song is called “X-M@$”. Check it out below and click here to read the NME report about the song.

US politics often baffles me, especially where outgoing officials are allowed to grant pardons for previous misdemeanours by various criminals, jailbirds and wrongly accused. However I was pleasantly surprised to read that the ousted Governor of Florida, Charlie Crist, has issued a pardon for Jim Morrison off of the Doors following the singers arrest for allegedly getting his todger out on stage in Miami in 1969. Fair play Charlie and frankly, about bloody time too! It has always bothered me that with all the people and all the police at that concert there was never any evidence to prove that Jim actually did the deed. Read about the pardon by clicking here.

Enjoy “Break On Through” below

Apparently it was the dog's bollocks that Jim exposed, not his own!

 

“Don’t create Don’t rebel Have intuition Can’t decide” October 21, 2010


Today saw the sad news that Ari Up of the Slits has died aged just 48 from a serious illness. The news was first announced on John Lydon‘s website, he is married to Ari’s mother Nora. Her real name was Arianna Forster and she started the Slits aged just 14 in 1976. The band released two albums; ‘Cut’ in 1979 (one of my favourite albums) and ‘Return Of The Giant Slits’ in 1981. The band split up shortly after that although they did recently reform. Their drummer has been playing with Lydon’s reformed Public Image Limited (aka PIL). Ari released a solo album in 2005, entitled ‘Dread More Dan Dread’. Read the NME report here. She will be sadly missed. Ari Up RIP.

In some less important news the current wave of public sector strikes in France have meant the cancellation of a series of gigs in the country by Lady Gaga. There were concerns that the trucks with all the equipment, instruments and costumes would not be able to get to their destinations owing to many roads being blockaded by strikers. Ticket holders are being offered refunds and Gaga has apologised to her fans. The BBC story is here.

Clearly the costume truck hadn't arrived!

Finally a rather strange bit of news, well I think so anyway, Liverpool FC flew to their Europa League match in Naples in a plane piloted by Bruce Dickinson off of Iron Maiden! Appropriately enough the scousers skill and talent has “Run To The Hills”  this season. It didn’t bring the Reds a great deal of luck, they only managed a nil-nil draw. Read the story on the BBC.

Maybe they should have renamed it Red Force One for the flight

 

“‘Cause we’re lovers And that is a fact Yes we’re lovers And that is that” October 16, 2010


This is all that's left of the last person who did a bad cover version of one of my songs, so take heed Cowell!

Travesty hardly does it justice in my opinion, but frankly I am both saddened and angered that the X Factor Finalists charity single this year will be their version of David Bowie’s “Heroes”. OK I haven’t heard it yet, but I really can’t imagine it will be anything better than mediocre at best. The only redeeming feature is that it will be raising money for the Help For Heroes charity. Incidentally I do find it sad that the soldiers who get injured in pointless wars like the one in Iraq have to rely on our charity for a better life. I don’t begrudge them that at all, I just think that the government should do much more for them. By the way, just because I don’t support the war in Iraq and other places doesn’t mean I don’t support our soldiers that are out there risking their lives. Anyway rant over for now. read about this awful cover version at the NME and the BBC.

The Division Bell goes Lego

In some more encouraging news Nick Mason, sticksman for the Floyd has said that charity could lure the band back on stage together at some point in the future. Their last appearance on stage together was at Live 8 in 2005. But Roger Waters and David Gilmour did play together in Oxfordshire in July this year in aid of the  Hoping Foundation which supports Palestinian children. Let’s hope Mr Mason is correct and that it happens soon. How about Pink Floyd at Glastonbury? Read all about it here on the BBC and NME.

They used to say that home taping would kill music, well it didn't did it?

Rob Dickins former boss of Warner Records for 15 years up to 1998 has claimed the way to save the industry and really hit back at piracy is to reduce album prices to just £1. Personally I totally agree with him. I believe that there is no greater reason for people to illegally download than the current price of music, particularly downloads which require no physical product to support them. Here is the story on the BBC. What do you folks think? What percentage of your downloads are illegal?

The Inbetweeners boys raid the NME

Finally for this post, this week’s NME was taken over and edited by the boys from superb British comedy the Inbetweeners. If you haven’t seen it yet, what are you waiting for? I also understand that the rights have been sold to the US, I really cannot imagine how the hell it will translate for a US audience. Click here for pictures of their takeover of the NME.

 

“Ev’rybody’s talkin’ ’bout Minister, Sinister, Banisters and Canisters, Bishops, Fishops, Rabbis, and Pop Eyes, Bye bye, Bye byes” October 9, 2010


Yet another smorgasbord of random stuff today, starting with a link to a rather spiffing website; Animated Albums. Most of them are quite subtle and many are very funny, especially a few of the Morrissey ones. I’d love to know what you think of them.

The NME has a report that Slash is moving into making horror movies. The former Guns ‘n’ Roses and Velvet Revolver Axe Hero is moving into Axeman territory. He says he wants to make horror movies as scary and thrilling as those of the 70s and 80s. I guess working with Axl Rose must have been like being in a horror movie at times. I hope he succeeds. Read the story here.

 

Slash has tea with Ozzy, that's not very rock n roll is it? But wait, who's that in the maids outfit? It's certainly not Sharon is it!

 

As part of the celebrations for what would have been John Lennon’s 70th birthday his widow Yoko Ono has done a number of things to mark the occasion. Firstly courting controversy among some Beatles purists by allowing Lady Gaga to pose next to Lennon’s white piano. She also held two concerts in LA billed as We Are Plastic Ono Band and including appearances by the following; Perry Farrell off of Jane’s Addiction, Japanese electronic auteur Cornelius, Yuka Honda of Cibo Matto, Tune-Yards, RZA off of the Wu-Tang Clan, Iggy Pop, Thurston Moore, Kim Gordon, Mike Watt, Nels Cline, Sean Lennon, Carrie Fisher, Joseph Gordon-Levitt,Vincent Gallo and of course Lady Gaga. Yoko was joined by Gaga for a number of songs, including a version of Lennon’s “Give Peace A Chance”. Read the NME report here

 

Lady Gaga decided to try microphone swallowing before she committed to sword swallowing

 

 

Gaga sings Lennon.........what a cheek (or two!)

 

 

“It’s not the side effects of the cocaine” October 2, 2010


Bowie's On Sale Again!

Well I know it’s been a long while since my last post, but nowhere near as long as the seven years since the Dame’s last album. I have been able to console myself a bit this week though with the reissue of “Station To Station” which also includes the excellent and popularly bootlegged Nassau Coliseum gig from 1976. This is all from his Thin White Duke period, which was all rather dark and European. In addition Bowie gets his first NME cover for a long while with the strap line that he is apparently now more influential than ever. Personally ever since I first saw Lady Gaga I felt there was more of a Bowie influence than the easier Madonna option used by the tabloids. There is also the news that he will be publishing a book, not an autobiography but a collection of pictures from his own archives accompanied by some insightful witticisms into his life. It will be called ‘Bowie: Object’ and is supposedly the first in a series, but let’s wait and see shall we. The “Outside” album was supposed to be the first in a series of three, but remains a series of one!

The Station To Station cover with a still from Nic Roeg's 'The Man Who Fell To Earth'

So all in all a lot of Bowie activity, but we’d still like a new album sometime soon Dave!

The NME also included a ’50 things you should know about David Bowie‘ article, which you can click here to read. Why not take a guess at the one from the 50 that I didn’t know before

The cover of the Wembley Empire Pool bootleg - I was at that very gig!

And finally I must mention an excellent blog I discovered recently, it’s called ‘Pushing Ahead Of The Dame’ and is undertaking the gargantuan task of analysing every song Bowie has ever written or recorded. Click here to check it out, it’s also been added to my BlogRoll

 

Reading Festival 2010 – Day 3, Sunday 29th August August 30, 2010


Off to the NME/ Radio tent to kick off our third day at the Reading Festival, where we saw the Joy Formidable and they were indeed a formidable joy, if you’ve not heard them you really should check them out. After that it was back to the BBC Introducing Stage to see another band from Wakefield (remember the Penguins from yesterdays post?) These guys were called the Runaround Kids and I felt that they had a bit of the Undertones about them, the vocalist also has a similar style to Luke from Reading band Steal The Smile. Next up it was Local Natives from Los Angeles and this was their first Reading appearance. I am pretty damned sure that it won’t be the last for these purveyors of great summer pop harmonies. We trundled back to the BBC Introducing Stage again after that for another local band; the Peers. Very much a local band done good, they are a really tight band and seemed incredibly well rehearsed.Los Campesinos have as many personnel as Arcade Fire and are not dissimilar in sound, a very good band indeed.

After our earlier experience in the Comedy Tent (aka Alternative Stage) we returned to see two comics in a row. First up was Charlie Baker from Devon and bears a striking resemblance to Jack Black and he uses this as part of his act, genuinely a funny guy. Secondly we saw Robin Ince; a great ‘leftie’ comedian. We actually hit the comedy tent to get out of the rain, but in spite of that Baker and Ince were bloody hilarious.

The Festival Republic Stage was the next to be graced with our presence, we went there because neither Nick or I could be bothered with Limp Bizkit on the Main Stage. At this point let me tell you Nick’s Limp Bizkit joke; “Do you know that you can now put Viagra in your tea to stop your biscuit going limp?” Boom! Boom! Anyway back to the Festival Republic Stage, the band are from Philadelphia and are called Free Energy. Sadly it was a small crowd, but these guys could work a crowd of almost any size I reckon. The lead singer was very Jaggeresque and came across like Bobby Gillespie with more funk than Primal Scream. In a nutshell an archetypal classic rock band, truly fucking amazing.

Back to the Introducing Stage yet again for the Brilliant Things. The singer appeared to have dressed for the prom or was perhaps a fan of Stevie Nicks‘ (off of Fleetwood Mac) sartorial style. Thanks to Mr H for pointing out that latter suggestion. None of that was meant as negative though, the Brilliant Things are clearly a very good band. Kele off of Bloc Party was next in the NME/ Radio 1 Tent. Electro funk and dance styles really suit him, although I’m not sure the pyjamas did though. But nonetheless he played a storming set and worked his audience really well. Exit International were then on the Introducing Stage. They played screaming hard rock with perhaps too much emphasis on the screaming. It makes you wonder though exactly how the fuck three people can make such noise.

Weezer would easily win the best crowd interaction and comedy awards for the festival if such awards exist. The singer wore a cat hat given to him by someone in the crowd for most of their set. His energy was truly phenomenal and he even found time to fall in the mud while dressed as Lady Gaga. That was during their excellent MGMT cover which had a touch of Gaga thrown in. I am looking forward to seeing them again someday too. Paramore were next, they were very good and had a strong fan base in the crowd. Personally I thought they would have fitted better if they had been on before Weezer. Hayley’s voice was a little too low in the mix for the first couple of songs. The crowd really loved them.

Finally it was time for the last headline band of this years festival and most of us in the crowd had been in position since just before Weezer’s set, those at the front had been there even longer. Yes the stage was set for the return of Blink 182. I had never seen them live before, although I had seen Mark Hoppus with +44 (Travis had a broken arm that tour so didn’t appear, I never had the chance to see Tom Delonge’s Angels And Airwaves. But however good these Blink offshoots were they were surely nowhere near as good as the sum of the original parts. Their stage set, including some strange rabbit animations and a brilliant light show was excellent, but it was the power and camaraderie of the band that really shone through. They played a blistering set, just allowing a few moments of quite amusing toilet humour style banter between songs, including a great dig at Jedward. the crowd were really fired up and everyone I spoke to really loved it.

What a great close to a great festival. although when I first saw the line up back in March I thought I’d be disappointed, I even thought this might be my last Reading. Well I wasn’t and it won’t be! Roll on Reading 2011. Who will the headliners be? I don’t know but my guess at the moment is that it could be Linkin Park and maybe Green Day. I’d be happy with either of those. Who would you like to see there next year?

 

Reading Festival 2010 – Day 1, Friday 27th August


It’s been a year of waiting but here is the first of my posts from this year’s Reading Festival. Thankfully the rain had stopped but it had left parts of the festival site looking a little like the First World War trenches, my sympathies certainly extend to many of the more unlucky campers, presumably those who arrived last. Personally I ‘don’t do’ camping and will be staying at my good friend Nicks during the whole event.

We finally got through the gates just after noon and managed to catch a very brief glimpse of a band I had hoped to see purely because they have an excellent name; Wot Gorilla? I didn’t see enough to say much about them sadly, but they seemed ok. Next up we saw Crazy Arm, a tight, strong band very much in a rock mould. Harlem were next and again it was a brief glimpse, but I would suggest that these guys know how to party. A local band appearing on the BBC Introducing Stage had been recommended to us by BBC Radio Berkshire; Amy’s Ghost they were superb. Shades of Kate Bush and Florence (off of Florence and the Machine) influences among others, also very theatrical. I even bought their album from the delightful singer who stayed around to talk to fans until the Beeb told her she had to leave.

New Young Pony Club, were accomplished with a great rapport with their audience. We watched them play a couple of songs in our bid to see as many bands as possible in a day. I would say very much destined for a reasonable career, sound as a pound I would say! Billy Talent were next on the Main Stage; very punk, very loud and they mean it maaaan! After this it was a more chilled sound with Girls who are from San Francisco, but maybe the flowers on the mic stand gave that away. A good band though even if the singer/ stroke guitarist did adopt a one-legged flamingo pose occasionally a little like Ian Anderson off of Jethro Tull. We’re Only Afraid Of NYC were quite reasonable, but we only caught a brief glimpse before heading to the Main Stage again for Gogol Bordello, probably my favourite band of the day. This is the third time I have seen them at Reading and once again they were brilliant. This is truly a superb band that knows their audience and knows how to have a great time. I hadn’t realised quite how cosmopolitan they were either, including members from Russia, Ethiopia, USA, Ecuador and Scotland to name but a few.

Sketches met while at Leeds University and know how to really funk things up; I reckon they’d be great in a small sweaty venue. We only saw a short part of Pulled Apart By Horses set, but I think I may have to check them out on-line when I get home; these boys know their stuff and hit some excellent riffs. Heading past the Main Stage again we chanced upon NOFX. We only heard one song which was about assassinating George W Bush, so that makes them alright with me. Disappointedly we managed just the briefest of glimpses of Egyptian Hip Hop, but it was a good glimpse and I will certainly be exploring them more on-line. You have to love a band with that name, who are neither Egyptian (at least I don’t think so) or Hip Hop (well they didn’t sound it anyway). Back to the Main Stage for the Lost Prophets, these boys were truly fucking ace, we were singing and jumping with the rest of the crowd, another of my favourite bands of the day.

The NME/ Radio 1 tent beckoned next for Delphic. A brilliant dance band, but I might have benefited more with a spliff beforehand, but seeing as I don’t do drugs that was never going to happen, but a great set none the less. We stayed in place for Mumford And Sons and I have never seen that tent so crowded, in fact a number of people passed out in the crush. The crowd was mental for Mumford (hey could that be another band name?) and the band played like they felt it too. I like them, but I’d probably only see them at festivals. I probably lost a few pounds in sweat from that experience too

We then went back to the Main Stage to await the arrival of Guns N Roses, well Axl Rose and some other musicians really. Boy did we wait, they were an hour late coming on and at best were like a G’n’R tribute band. The booing started way before they hit the stage and continued afterwards too. Axl had no interaction with his audience and I think his voice is shot as well. In all my years of going to Reading I have never seen an audience so small for a headliner on the Main Stage or an audience so muted in their applause and reaction. I always felt that Guns N Roses were a poor headline choice and now I’m sure I was right. You could always hear the sound of barrels being scraped and dead horses being flogged.

We actually didn’t stay for the whole of G’n’R but alternated between LCD Soundsystem in the NME/ Radio 1 Tent and Marina And The Diamonds on the Festival Republic stage. Both of these bands were very entertaining and each of them was way better than Guns N Roses. I’ve liked a lot of LCD’s output and I will be buying Marina’s album soon as well.

So now it’s time for some brief R and R before we make our assault on Day 2. In the words of Arnie, I will be back soon, ok I know he never said soon, but that’s just slightly more English and genteel isn’t it?