With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

The Who – First Direct Arena Leeds – Tuesday 2nd December 2014 December 4, 2014


Fifty-years-of-The-Who

I finally got to see the Who play live on Tuesday 2nd December 2014 at the First Direct Arena in Leeds. I have always been a little reluctant to see them given that two key members; John Entwistle and Keith Moon are no longer with us. But my good friend John Williams convinced me to go by describing the band as one of the greatest bands to see before they die! The Standard Lamps filled the support slot very well. Clearly an accomplished band that sound retro with touches of perhaps the Jam and Ocean Colour Scene.

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The Who started as they clearly meant to go on with “I Can’t Explain” followed by “Substitute”. This was a set list overloaded with Who classics including many of my favourites; “Won’t Get Fooled Again”, “Behind Blue Eyes”, “Pinball Wizard”, “Magic Bus”, “Who Are You” and “Baba O’Riley”. For me the peak was “5:15” which is my favourite ever Who song from 1973’s classic album ‘Quadrophenia’. There were even outings for the somewhat underplayed “Join Together” and “Squeeze Box” among many, many more.

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There was an amazing film clip of John Entwistle’s magnificent bass playing and film and vocals of Keith Moon’s “Bell Boy” again from ‘Quadrophenia’. There was even time for a live rendition of the mini rock opera “A Quick One While He’s Away“. The band was on stage for well over two hours and the band very ably supported Roger Daltrey and Pete Townshend. For me the stand out players were Pino Palladino on bass and Zak Starkey who was truly magnificent on drums.

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Daltrey was having a few problems with his ear monitors. I don’t know if that resulted in the lack of an encore or whether one wasn’t planned. So we had no “My Generation”. But that really made no difference to what was an amazing show. I am certainly glad that I went.

Please note that none of the pictures or video used in this blog was taken by me.

 

“Dread blew off and made I laugh” – Advent day 10 December 10, 2013


6511486615_a4228ff0d8_zIt’s December 10th, therefore it’s day 10 of the With Just A Hint Of Mayhem advent blog posts for 2013. It is also only just over two weeks to the arrival of the fat bearded bloke in the red suit who will fly in on a sleigh laden with millions of presents and pulled by at least one large inebriated (well he has got a red nose) venison steak called Rudolph. So you have by now figured out that todays songs have the number 10 in their titles.

1293019_111015151402_double_exposure_ten_percent_fFirst song of the day today is a 70s disco smasheroo released by Double Exposure on the Salsoul label in 1976. It is called “Ten Percent” and was according to some music historians the first ever commercially available 12″ single. Personally I had always heard that it was either “You + Me = Love” by Undisputed Truth or “Black Is Black” from La Belle Époque. In those heady days of 1976 I was a fledgling mobile DJ in partnership with my good friend Glen Voisey. I actually had the 12″ vinyl singles for all three of those songs at the time! “Ten Percent” made it to number 54 on the US Billboard charts. The band began recording the album that would include “Ten Percent” 38 years ago tomorrow. The album, which was recorded at the famous Sigma Sound Studios in Philadelphia was also called ‘Ten Percent’. In the 60s the band were called United Image and recorded some songs for the Stax label. The band included James Williams, Joseph Harris, Charles Whittington and Leonard ‘Butch’ Davis who had sung together since High School.

21185124The second song for today is in my opinion a great deal of  double entendre riddled and innuendo driven slice of humourous smut, and I love it. It is part of a series of pop reggae tunes from Englishman Judge Dread a former DJ, Debt Collector (for Trojan Records no less),  Bouncer and bodyguard. Ladies and gentlemen and those of you who aren’t quite sure, I bring you “Big Ten”. This song reached number 14 in the UK charts in 1975, which is bloody good considering it was not allowed to be played on the radio. It was the last of six UK top 20 hits that the Judge had between 1972 and 1975. Judge Dread was actually Alexander Minto Hughes and he sadly died in 1998 aged just 52. When I was just a lad two regular Christmas presents that I was allowed to choose from my parents was one vinyl album and one vinyl single. being young and somewhat strapped for cash I always chose a double album as the album present; “Goodbye Yellow Brick Road” (Elton John), “Quadrophenia” (the Who) and “David Live” (David Bowie) were three of those choices. So I would like to publicly apologise to my Mum for being such a conniving little urchin. But more importantly I should apologise for choosing Judge Dread’s “Big Eight” as my single in at Christmas 1973. I was rather amused that my Mum had to go into the record shop and buy it without having any idea that it contained a whole selection of lewd and crude nursery rhymes. Sorry Mum!

 

Roger Waters – The Wall Live – O2 Arena London 18th May 2011 May 18, 2011


So if I were to say to you that earlier tonight I went to see a 68-year-old pensioner perform a thirty odd year old album it wouldn’t sound particularly exciting would it? But if I said that I’d been to see Roger Waters (off of Pink Floyd) perform the classic Floyd double albumThe Wall‘ in it’s entirety backed by a superb band, amazing light show, pyrotechnics, massive marionettes, incredible film and animation and a flying pig you might think otherwise right? (But then you’ve probably already read the title of this post anyway!)

Firstly let me thank my friend and work colleague Grant who gave me a ticket for the show. He had already attended last week on the night that remaining Floyd members David Gilmour and Nick Mason joined Mr Waters on stage. So whilst I may have missed the mini Floyd reunion I did see the show and it was something else. Regular readers know that I have been going to gigs now for nearly 40 years and this show is probably straight into my top 5.

Roger Waters performance was commanding and immaculate. The projections on the wall and the other special effects made it more than just another rock show. This was a rock spectacle, a truly spectacular show. I have been listening to the album again these past few days and seeing it performed live makes you realise what a stupendous album it really is. It contains my second favourite Floyd song ever in “Comfortably Numb” My favourite is actually “Wish You Were Here” But ‘The Wall’ is an album I can still listen to end to end. All I needed tonight was a good spliff and it would have been perfect. Snowy White‘s guitar playing was stupendous, especially the solo on “Comfortably Numb”

Many people see the Who as a band who are Rock Opera experts and with ‘Tommy’ and ‘Quadrophenia’ they clearly are damned good. However in the annals of rock opera ‘The Wall’ stands with the best and for an album released nearly 32 years ago really stands the test of time. essentially it’s Waters’ first solo album that just happened to be recorded with Pink Floyd. It is very much about his life and the experiences that shaped him as a man. He is clearly more comfortable in his own skin now than he was all those years ago, but he still tells the story well.

If you get a chance to see this show do whatever it takes; sell your granny, pimp out your budgie or send your kids out to sweep chimneys, anything but make sure you don’t miss the opportunity!

Please note that none of the videos or pictures are from the show I saw, just in case you wondered. Mainly because my camera skills are pretty crap!

 

 
ACCREDITED SENIOR PSYCHOTHERAPIST,COUNSELLOR, CBT THERAPIST AND COMEDY WRITER -Dr.Fawzy Masaoud-LONDON, ENGLAND

NO DESPAIR WITH LIFE AND NO LIFE WITH DESPAIR . Email: dr.fawzyclinic2019@yahoo.com

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