Last year I enjoyed a great day at a small local festival here in York. The Apollo Festival, you can read my review of last years event by clicking here. This year sees this wonderful family friendly music festival enter its third year. It was started in 2013 by Stuart Kelly and he has grown the show really well. Last year more than 3,000 people turned up which was close to doubling the amount of music fans that were there for the inaugural festival in 2013. If things go to plan you could be among 4,000 happy Apollo punters this year. I certainly will be as I have already purchased tickets for myself and the delightful Catwoman.
If you live in or near to York, or even further afield, then you have no excuse for missing this event in June. Prices are very affordable at just over £15 each ticket. Significantly less than what you’d pay for a day ticket to one of the major festivals. But even keeping prices low hasn’t affected the quality of the acts playing. Last year was great and I also experienced a few bands that I had previously never seen or heard of. One of the highlights from last year for me was And The Hangnails. We also saw the Entertainment Company and we liked them so much that we have booked them for Catwoman’s ‘significant’ birthday party next year.
The line-up for this year has two excellent bands that for one reason or another I have never seen before despite being a fan. Those bands are the fabulous Space and the headliners are the superb Inspiral Carpets. The ticket price is worth it for those two alone. One of the stages for 2015 will be curated by Rick Witter of Shed Seven, so I reckon that might be quite interesting. Other acts appearing are CryBabyCry, Happy Daggers, Hello Operator, Kimberly Kennedy, The Mothers, Rime Suspex, Rupert Stroud and Kid Conventional. I saw Hello Operator recently at the Basement in York City Screen and they are were excellent; a very loud, very powerful and explosive British rock band. I will be there along with my wonderful wife Catherine (a.k.a Catwoman) and hopefully a few of the friends that I have been promoting the festival to; John, Caron, Amelia, Shaun, Tracey you know who you are! Simon P, I know you’ll be there too and it looks like once again your music recommendations to me will be spot on! Finally I would like to say a big thank you to Stuart Kelly for starting this festival and building it to an even bigger level. Look out for my festival review at the end of June. Now get off your arse and get yourself a ticket! I will see you at the 2015 Apollo Festival at the York Sports Club, Shipton Road, York on Saturday 27th June. If you fail to turn up after all I have said then I will have to send the boys round!
Paul Weller is without doubt a legend and one of the coolest people in the music business. Even more so now that he has a slightly more normal haircut. Last night at the Barbican was the second time I had seen him perform as a solo artist. I had also seen him as a part of the Jam and as a part of the Style Council back in the olden days. Last night I was there with my good friend John Williams. We both really enjoyed the support band, the Sundowners from the Wirral. I would describe them as something like Fleetwood Mac in a psychedelic mood whilst on some really strong acid. Their lead guitarist is phenomenal. But they are well worth checking out in my opinion.
As for Mr Weller, well what can I say that hasn’t been said many times before? Not a lot really but I think he is clearly one of the finest musicians of his generation. He and his band maintained a high level of energy throughout the show which was around two hours in total and included two encores. Interestingly he played no Style Council or Jam songs. But then he has such a wealth of solo songs it hardly matters at all. He played some new and relatively new songs; “Saturn’s Pattern” from his forthcoming new album and “Brand New Toy” which was an exclusive Record Store Day release from last year. The highlights for me were storming versions of “Peacock Suit”, “Uh Huh, Oh Yeh” and “From The Floorboards Up” and a really soulful playing of “You Do Something To Me” and “Broken Stones”. However the pinnacle for me came in the second encore when Weller and the band brought the house down with a superbly executed “Changing Man”. I am pleased to say that the sound at the Barbican has improved immensely since my last visit. Paul Weller has picked some great musicians to for this band. Especially Steve Cradock who is an incredibly talented guitarist.
During the first couple of songs a fight broke out, that is something that I haven’t seen at a gig for a while. Weller remarked that this was ‘just like the old days!’ If I have one complaint it is the hundreds of phones and iPad style tablets that became a constant presence as punters filmed as much as they could. For all of those of you guilty of that I say put your electronic equipment down and watch the gig you morons! If you have never seen Paul Weller the I want to know why? I will definitely be seeing him again sometime!
And finally another one of those pesky public service announcements. None of the pictures or videos in this blog post were taken or filmed by me!
This gig was yet another excellent recommendation from my good friend Simon Pattinson. He’s never let me down yet and nor did he last night with a diverse and fantastic line-up. No pressure for the next one then Simon! I missed the first few minutes of Skinner‘s set but I am so glad that I was their for the bulk of it. How would I describe the music? Now that is difficult. But they band were well rehearsed and the sound was largely in an electro dance/ pop vein. But those vocals, oh boy can this girl sing. The songs were damned good too. I especially loved “Burn” and “I Don’t Care”. They are from Leeds and frankly if Skinner are on the bill at a gig near you then you will really be losing out if you don’t make every effort to go and see them. I am now very much a Skinner fan.
Next up was Boss Caine who a number of people had recommended to me. It was an acoustic set with some added cello and guitar. The songs were incredibly deep and well written. The vibe evoked a 60s/ 70s US west coast vibe and that worked really well for me. The songs not only contained great melodies but also excellent story narratives too. It’s sometimes hard to believe that this dude is not American, but then he speaks between songs and sings about York. Americana redrawn and bettered; why is Boss Caine not playing even bigger stages? I will definitely be seeing Boss Caine again and so should you dear reader.
Tonight’s headliner was Hello Operator from York and for all of you who have said or believed that hard rock is softening or dying go and see this band. They are living proof that rock is most definitely not dead. Very heavy and very loud they are, but they are so much more than that. Their sound draws on many influences in my view; Black Sabbath, Muse, Queens of the Stone Age and perhaps more. The vocals are the template for what good rock vocals should be. The lead guitarist has the potential to be a real virtuoso. The engine room of drum and bass underpins the bands sound and flow perfectly. Four top-notch musicians who come together to brew up some fantastic and melodic hard rock. Just when you thought that it couldn’t get any better they played a cover version, something they apparently don’t do very often. But was it a note for note cover of a hard rock anthem? No, it was a cover of the Black Eyed Peas “Boom Boom Pow“. On paper it should never have worked, but who gives a shit about paper? The easily surpassed Will.i.am and the other Peas. The band was also joined on stage by Skinner for one song. This was a stupendous show from a bloody brilliant band. If this band do not go on to achieve greatness then something is wrong. In a world of worthless talent shows like X-Factor, the Voice and other such shite this is real music and real talent. Sell your soul, your body (but responsibly), your Gran, your shoes or your X-Box. Just do whatever it takes to see them!
Now for the public service announcement. The pictures in this post were taken by me but the videos were gathered on-line from YouTube
Last night was the first time I had been to a gig at the Brudenell in Leeds and I have to say it really is a fantastic venue. The eclectic and diverse mix of acts appearing there means that I will certainly come back. Anyway on to the main event; the Selecter. I had seen them once before but that would have been around 1979/ 1980 when I was younger than excellent support band the Tuts are now!
I arrived at the venue just before the doors opened and met some really nice people in the queue. Roger you’re a top bloke! Soon after I came in Pauline Black and Gaps Hendrickson were manning the Selecter’s merch stand. Obviously I was always going to buy something, so I bought a Selecter polo shirt and a CD of the band’s new album; ‘Subculture’ which the pair of them signed for me. Pauline also signed my copy of her autobiography ‘Black By Design’ which I had finished reading a couple of weeks ago. It is an excellent book and every bit as good as recent autobiographies by John Lydon and Viv Albertine. In the book Pauline comes across as very open and honest and having met her, albeit briefly, she really is a wonderful woman. She and Gaps were very attentive with all the fans in the queue for Selecter product.
As for the gig it was the amazing Tuts who opened the show. They are the support band on the Selecter’s UK tour and Pauline Black has championed them every step of the way. I think that this is the fourth time I have had the pleasure of seeing this incredible young band and it is clear to me that they just keep on getting better and better each time I see them. The stage costumes for tonight were made from a material patterned with the leaf of a popular and some would say refreshing herb. They looked very effective too! Their set was energetic and powerful and they certainly know how to work a crowd. On”Tut, Tut, Tut” especially for International Women’s Day they invited Sarah Statham from local band Esper Scout to drum the intro while all three Tuts ran through the crowd making sure that we all sang along. New song “Do I Have To Look For Love” will become a classic and old favourites like “Worry Warrior” and “Dump Your Boyfriend” already are. The girls cover of the Clash’s “Rudie Can’t Fail” was sublime. Nadia berated the music industry about the apparent need to posses a penis to succeed in the music business. Now those of us with half a brain know that shouldn’t be true, but judging from the line-up for Reading and Leeds this year it certainly and sadly has some credence. So come on all you labels and management companies stop all the macho willy waving and sign this band! Metaphorically they have more balls than many of the men in the music industry! The queue and interest in the band at their merch table was incredible which shows that the fans are there! So come on record labels how about a deal. As for more gigs what about another support slot? Garbage must need a decent support band and the could not go wrong with the Tuts, are you listening Shirley Manson?
As for the headliners what can I say? The Selecter were awesome. They played most of their biggest songs; “On My Radio”, “Missing Words”, “Celebrate The Bullet” and my particular favourites; “Too Much Pressure” and “Three Minute Hero”. I thought “Danger” and “London’s Burning” went down a storm too and really got the crowd rocking! One of my newer favourites and it’s yet another crowd pleaser is “My England”. They played a few songs from the new album, which I have now played a couple of times now and it is bloody good. It gets an official release next month, but for now is available at the band’s merch stand on the rest of the tour. Some of the new material fits into the set so well that you’d think it had been around a while. “Box Fresh” could easily become a classic pop song. “It Never Worked Out” and “See Them A Come” are the Selecter at their best and on top form. Another song from the new album, “Breakdown” tackles the large number of black people who have died in custody in this country and is as you would expect very hard-hitting. This is clearly a band that stands up proudly for human rights and are openly anti racist and anti sexist, as frankly we all should be! The pre encore show ended with a magnificent version of “Last Train To Skaville” which had all the aging skinheads from the ska revival of the late 70s stomping and skanking hard enough to cave the floor in! Like me many of those folks now have a natural skinhead look given the lack of hair that age brings to some of us. The encore kicked off with a mighty version of “James Bond” and the Tuts joined the Selecter on stage at the end for a final goodbye to the Brudenell crowd. Nadia even managed to stage dive and briefly crowd surf. As for the energy of the band, Gaps must have sweated gallons! (Is there an exercise DVD that could be made from that performance?) Finally I should also mention two other covers that the Selecter performed; Doris Day’s “Secret Love” which worked really well when ska-ified and Springsteen’s “Because The Night” from the new album and for me worked even better when played live. Overall this was a cracking night and I would definitely not leave it as long before seeing the Selecter again and I am already looking forward to seeing the Tuts again.
You can still catch them both on the remaining dates of the UK tour and if you haven’t already done so then sort yourself a ticket out. You will not regret it!
OK and now for the usual public service note, this time the pictures were taken on my little phone but the videos were all obtained on You Tube.
How many times do you come across a band for the first time or hear them for the first time in ages or see them live for the first time and realise just how many bloody good songs they have released over the years? It doesn’t happen often for me, but the Levellers are definitely an exception to that. Whilst I had always been aware of them I had never been an avid follower. But tonight it dawned on me just how strong their repertoire is.
I went to the gig with my beautiful and delightful wife Catwoman (a.k.a Catherine) and our friends Sarah and Kev. The evening started with a new documentary about the band and their history. Jeremy Cunningham the band’s bass player was one of the most vocal in the film along with his fabulous parents. The documentary was fascinating and included some great detailed information and insights into who the band really are. All the current and previous Levellers were very candid in the film, most notably Jeremy. They have stuck by their principles and despite having a run of seven platinum albums have never been an ‘establishment’ band; thankfully. The film covers their early days, first appearance at Glastonbury and even the turd that was sent to then NME scribe Andrew Collins. At 78 minutes it was close to being a little too long but I loved it. The film is called ‘A Curious Life’ and I believe that it gets a DVD release on 27th April.
The film screening was followed by a Q & A with the director Dunstan Bruce (formerly front man of Chumbawumba) and Jeremy Cunningham. This was soon followed by a fantastic acoustic set from the Levellers. The venue was seated but people were agitating to dance and stomp from the off, although security were very quick to keep everyone in their seats. However about halfway through the show that thankfully became impossible and we were all up singing along and dancing. The atmosphere was electric; which is quite funny for an acoustic show isn’t it?
I don’t know all of the songs but some that I do know were supremely performed; “The Boatman”, “Truth Is” and “Edge Of The World” are among my favourites. Whilst they didn’t play one of my favourites “One Way” it was still a storming set with the anthemic “Carry Me” being a part of the encore. Since getting home from the gig I have begun to work my way through all the Levellers albums on Spotify. They also have a greatest hits set available which includes collaborations with Bellowhead, Imelda May, Billy Bragg and Frank Turner. Would I pay to see the Levellers again some time? Fuck yeah!
As regular readers know that as I prefer to enjoy the show rather than look at it through the lens of my mobile phone none of the pictures or films were taken by me and many were not from the gig. That part has been a public service announcement 🙂
I once again had the honour of being on the Avalanche Party cheap list. It’s a badge I wear with pride! Anyway there’ll be more about Avalanche Party later.
First up tonight were Blind Eye and I think that it would be more than fair to say they were miles better than the similarly named and now defunct, Beady Eye. This band have funk, rhythm, talent and enthusiasm in equal measures. Their choice of cover versions suggests that they know their rock history or that their parents have great record collections. They played very good versions of Stevie Wonder‘s “Superstition” which was more in line with the Jeff Beck version of the song. They also gave us a storming version of the Beatles “Come Together“. But Blind Eye are more than just a covers band, their own songs are very good too. They seem very young but I think they have great potential. This century’s Cream one day maybe?
Now this blog (i.e. me) has raved about Avalanche Party before and I will continue to do so now. I have a question for promoters, festival organisers and their ilk; why are this band not bigger? Why have you not given them the opportunity to play larger stages? Could they handle that transition? Of course they could! Avalanche Party rock like proverbial fuck! The band was pretty damned good when I saw them last year and now they are even better. A really tight and well rehearsed band with powerful playing and great songs. “Mountain” has classic rock potential and their new single “Money” is superb and has a great lyrical play on some very familiar words from a rock ‘n’ roll standard. Have you seen Avalanche Party yet? If not I want to know why. I don’t want feeble excuses, your reasons for not having seen them should be accompanied by a letter from your parents. I mean you really do need to see them even if it means having to sell your Granny!
Tonight’s head-liners were the Voyeurs who recently signed a deal with Heavenly Records. They are a band who probably would not exist if there had been no Velvet Underground. The keyboard player even sported a Nico T Shirt. They are masters of drone rock and I do mean that in the nicest possible way. They suffered some technical problems with keyboards and the tiny audience would have put off many bands. But the Voyeurs took it in their stride. I don’t smoke dope, but if I did then the Voyeurs would be a great soundtrack for imbibing the herb. I would love to see them on one of the smaller stages at Reading this year. I would definitely enjoy them in that kind of setting. Have any of you seen them?
As regular readers probably know I really can’t be arsed to take video and pictures with my phone at gigs, I prefer to enjoy the experience. This means that none of the pictures or films shown here were shot or taken by me!
The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.
Here’s an excerpt:
The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 130,000 times in 2014. If it were an exhibit at the Louvre Museum, it would take about 6 days for that many people to see it.
December 11th 2014 saw the first ever BBC Music Awards. The show was broadcast live from Earls Court in London. Whilst there were only four awards there were plenty of live acts including; Coldplay (Stunning), Labrinth with Ella Henderson (Class), Clean Bandit (is there anyone that doesn’t love them?), Gregory Porter (why does he wear that balaclava?), George Ezra (a proper Buddha Pest), Wand Erection (whisper this, but I thought that they were alright!), Ed Sheeran (how can one man with a guitar be that bloody good?), Calvin Harris (super Scot) with John Newman (voice of the year and pearly king) and Ellie Goulding (sublime disco), Catfish and the Bottlemen (best newcomers and 70s fashion aficionados), Paloma Faith (quirky and wonderful), Take That (now known as Taxdodge That), Will.i.am (a bit Bollywood Disco, not a bad song, still.a.twat) with Cody Wise (better.than.will.i.am)
The first award was for Best International Artist. Chris Evans who co-hosted the show with Fearne Cotton picked a young Welsh lass from the audience to announce the winner, which was Pharrell Williams. He was presented with his award live in LA by Gwen Stefani.
Idris Elba presented the award for Song Of The Year and guess what? There was another trip to LA for Gwen Stefani to present yet another award to Pharrell Williams. This time for the stupendous “Happy”.
The BBC Introducing Award for Best Newcomer went to Catfish And The Bottlemen. A good choice methinks. I am really keen to see them play live now. The award was presented by Fearne Cotton after they played live.
Fuck me, Bowie was nominated for Best British artist but sadly he didn’t win it. Tom Jones presented the award to Ed Sheeran. I was surprised that Pharrell hadn’t been quickly given British citizenship. But then Sheeran’s “Sing” was a collaboration with Pharrell though.
Was this a better show than the Brits? Probably, but they need more awards. Also I thought Paloma Faith and Tom Jones finale had so much promise until they strangled “God Only Knows”. Was that as bad a cover of the song as David Bowie’s version in the 80s? Probably!
I finally got to see the Who play live on Tuesday 2nd December 2014 at the First Direct Arena in Leeds. I have always been a little reluctant to see them given that two key members; John Entwistle and Keith Moon are no longer with us. But my good friend John Williams convinced me to go by describing the band as one of the greatest bands to see before they die! The Standard Lamps filled the support slot very well. Clearly an accomplished band that sound retro with touches of perhaps the Jam and Ocean Colour Scene.
The Who started as they clearly meant to go on with “I Can’t Explain” followed by “Substitute”. This was a set list overloaded with Who classics including many of my favourites; “Won’t Get Fooled Again”, “Behind Blue Eyes”, “Pinball Wizard”, “Magic Bus”, “Who Are You” and “Baba O’Riley”. For me the peak was “5:15” which is my favourite ever Who song from 1973’s classic album ‘Quadrophenia’. There were even outings for the somewhat underplayed “Join Together” and “Squeeze Box” among many, many more.
There was an amazing film clip of John Entwistle’s magnificent bass playing and film and vocals of Keith Moon’s “Bell Boy” again from ‘Quadrophenia’. There was even time for a live rendition of the mini rock opera “A Quick One While He’s Away“. The band was on stage for well over two hours and the band very ably supported Roger Daltrey and Pete Townshend. For me the stand out players were Pino Palladino on bass and Zak Starkey who was truly magnificent on drums.
Daltrey was having a few problems with his ear monitors. I don’t know if that resulted in the lack of an encore or whether one wasn’t planned. So we had no “My Generation”. But that really made no difference to what was an amazing show. I am certainly glad that I went.
Please note that none of the pictures or video used in this blog was taken by me.
I had heard of the Amazing Snakeheads before this gig and indeed I had listened to some of their stuff on-line. However what brought me to this gig was actually one of the support bands who added me to their cheap list. Honestly I feel more honoured to be on a cheap list than I would to be on a guest list! Anyway the band who invited me were the magnificent Avalanche Party. I saw them at the Woolpack in York a couple of months back and stayed loosely in touch via Facebook following my review of the Woolpack show. Avalanche Party were the first band of the evening to take to the stage and once again it was a bloody good performance. They have some excellent material; “Mountains” is a great song and their cover of Nancy Sinatra‘s “These Boots Are Made For Walking” is a truly inspired choice of cover that really suits the harder, punkier feel that the band give the song. They are a very tight band of very accomplished and talented musicians. They seem well-drilled and rehearsed but also have the right amount of star presence and swagger on stage. Their free 2 track CD has been on loop in my car on the journey to work for the past few days too. If you get the chances you really need to go and see Avalanche Party. If I find out that you did have the chance and didn’t take it I will have to send the boys round!
Second to grace the stage on Sunday were the Valmores. For me the jury is still out on that name. They were pretty good, certainly their playing was strong and it felt well rehearsed. Their songs are mostly strong although the lyrics I could decipher suggested that they might be trying too hard to be controversial. Songs about heroin and the rubbish state that England is in. The lead singer has a good voice although he seemed to want to be Jim Morrison off of the Doors but in a much cleaner 21st century kind of way. The Valmores do have potential to achieve more and I hope that they do.
The Amazing Snakeheads were the headliners and I think that it would be fair to say that I saw no snakeheads they were bloody amazing. They were also one of the loudest bands that I have seen for some time, but that might have been heightened by the fact that I was standing next to the speaker stack! Glasgow’s Amazing Snakeheads are probably the best perpetrators of loud, angry, scuzzy blues rock that I have ever seen. The band set up is drums, bass and guitar with the guitarist also providing the at times tonsil shredding vocal. We even had a crowd invasion from frontman Dale Barclay. I really enjoyed them, but I can imagine that they may be a bit of a Marmite band in that you’ll either love them or hate them. “I’m A Vampire” is my favourite Snakeheads song; what’s yours?
