With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Gregory Porter – Harrogate International Centre – Saturday 11th July 2015 July 11, 2015


Opmaak 1

The delectable Catwoman and I took ourselves off to see the supremely talented Gregory Porter in Harrogate on Saturday night. Without a doubt he is an incredibly talented singer. If you see him as ‘just’ a jazz singer then you need to think again, yes he is very much in the jazz field but this guy also oozes soul and he can sing gospel and blues. His band is incredible and could easily work as an instrumental band in their own right. But when you add Mr Porter’s voice to the magical sounds the band produce you have a perfect mix.

GregoryPorter0092-small-310x310

Until tonight I had only really heard the songs from his ‘Liquid Spirit’ album. I hadn’t appreciated that this was his third album! Gregory is also a very talented songwriter. My particular favourites are “Liquid Spirit”, “Water Under Bridges”, “Hey Laura”, “Free” and “Wolfcry”. The pianist Chip Crawford is an incredible pianist and his playing reminded me at times of Mike Garson. In the extended intro to “Wolfcry” Chip slotted in a piece from ‘Peter And The Wolf’ and the ‘Star Wars Theme‘. Ithink my favourite song of the whole show was “1960 What?” from his first album ‘Water’

Opmaak 1

Listening to Gregory and his band I was reminded of my days of being a soul boy and heavily into jazz funk in the late 70s. His vocals have a hint of Marvin Gaye about them and the overall sound of Mr Porter and his band was for me reminiscent of Roy Ayers, Norman Connors, the Blackbyrds and especially Gil Scott Heron. I will definitely see Gregory Porter again if the opportunity arises. On top of his immense talent he comes across as a very gracious and humble man. He clearly has great respect for his band; Chip Crawford (piano), Aaron James (double bass), Emanuel Harrold (drums) and Yosuke Sato (Sax). I think the feel-good-factor injected from this gig will stay with me for quite a while.

porter

As often happens I will end this post with a public service announcement. It is probably obvious, but none of the pictures or videos in this post were taken or filmed by me!

 

Amy – The Girl Behind The Name – City Screen York Tuesday 7th July 2015 July 7, 2015

Filed under: Film,Review — justwilliam1959 @ 10:53 pm
Tags: , , , , ,

1120946

I had looked forward to seeing the Amy Winehouse documentary and I really hoped that it would be good. Well in my opinion it was a marvellous documentary of a modern tragedy. It portrayed what I would imagine was the real Amy Winehouse; a very talented and very vulnerable girl. I was moved to tears on a couple of occasions. The recording of the song “Back To Black” was one and hearing her take on fame was another. It was an emotional roller coaster because I also felt great anger at the way the scummy, tabloid paparazzi hounded this poor troubled woman when she was possibly at her lowest ebb.

Amy Winehouse

Tabloid journalists (is that an oxymoron?) and the paparazzi ought to be ashamed of themselves, although I doubt that they are. It felt to me that apart from her two friends since childhood, her first manager and her bodyguard she had no ‘real’ friends. Plenty of people who wanted a piece of her but not many who truly loved her. I may be doing them a disservice, but her parents seemed at best misguided about how to handle her. As for her final gigs, which she clearly didn’t want to do, who the hell made the decision to bundle her on a private jet to do the gig in Serbia? She was wasted and lost and clearly in no fit state to perform. Amy also had a lifelong issue with bulimia. A former girlfriend of mine died as a result of that horrible disease many, many years ago and I can still recall how awful that was.

amy_winehouse_widescreen_211200834740pm911_01

Amy Winehouse had what seemed to be a natural talent. Tony Bennett said that she was one of the best jazz singers that he had ever worked with. Her death is a tragic end to such a talented life and it has stolen a massive and enduring talent from the music world. Amy was not only a talented singer and interpreter of songs she was also an exceptionally talented songwriter. If you haven’t seen this film yet then I would urge you to do so.

square

 

Grateful Dead – Fare Thee Well – Final Concert Ever – Cinema Simulcast – York City Screen Monday 6th July 2015 July 6, 2015


6098_4532

I booked my tickets for this cinema show as soon as I saw them advertised. It would be unfair to say that I am a massive fan of the Grateful Dead but I have always had a kind of respect for what they have achieved and who they are. In my opinion the Dead are very much a genre defying band, it is very difficult to put them into a box. They take elements of west coast rock, jazz, psychedelia, soft rock, AOR and even prog. But ultimately they are the Grateful Dead and there is no band quite like them. Are they as good since the death of Jerry Garcia nearly 20 years ago in August 1995? They remain a great band but I believe they have evolved into a slightly different band without Jerry.

720x405-DSC_2922

The remaining original members all form part of the band for the Fare Thee Well shows; Phil Lesh, Bob Weir and Bill Kreutzmann, all of whom were in the Dead since 1965. Percussionist Mickey Hart joined in 1965. Trey Anastasio off of Phish is part of the Fare Thee Well band on guitar and vocals (he takes some of the Garcia vocals) The band is further augmented with Bruce Hornsby and Jeff Chimenti. The last show was the last of three dates at the Soldier Field American Football Stadium in Chicago. It was filmed for a pay per view audience and it was a slightly edited version of that which the cinema simulcast contained.

635716151025970582-AP-Grateful-Dead-Fare-Thee-Well---Chicago-Day-2---Show

The filming and cinematography was brilliant and at times stunning. The band was really on form and it is easy to see that the so-called ‘core four’ have been playing together for a life time. The band were on stage for more than three hours. When they played “I Know You Rider” it sounded like all 80,000 audience members were singing along to the somewhat appropriate lyrical refrain ‘I know you rider, gonna miss me when I’m gone’. My favourite songs from the show were “Throwing Stones” and “Mountains Of The Moon”. But you can’t ignore “Truckin'” which includes the line which for many Deadheads sums um the band. That line is; ‘What a long, strange trip it’s been’. Trey Anastsatio’s playing was phenomenal, for me particularly so on “Terrapin Station”. The last song before they returned for a two song encore was an audience rousing version of Buddy Holly’s “Not Fade Away”. The encore consisted of “Touch Of Grey” and “Attics Of My Life”. At least I think that was the title of the final song, if I am wrong please let me know.

BN-JF626_0704de_G_20150704114913

Not being a full on Deadhead myself I have never seen the Dead play live. I have seen lots of footage of them playing live though. This film is a great testament to a great band and you should go and see it if you get the chance.Even if you don’t consider yourself a fan there is no denying that this is a classic concert movie. Is this really an epitaph for the Grateful Dead? Time will tell, but personally I believe that it is. Remember what Don Henley said in the song “The Boys Of Summer”? ‘Out on the road today, I saw a Deadhead sticker on a Cadillac. A little voice inside my head said, “Don’t look back. You can never look back”. If you have seen the film I would love to know what you thought of it.

©Jay Blakesberg

©Jay Blakesberg

dead50art

 

 

Apollo Festival York 2015 – Saturday 27th June 2015 July 2, 2015


apollo-festival-2015

Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?

apollo-york-2015-4-pint-milk

First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.

Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.

CIxFrsKWUAA4SbL

Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.

Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.

11010527_796961623751826_3099706976158324397_o

On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows  are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.

After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.

11696477_796932003754788_879291921690145518_o

Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?

Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”

Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.

carpets

Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.

apollo-yellow-mustang-inspiral-carpets-2

Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?

imgID30317054

This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!

Well given the weather it seemed somewhat appropriate :-)

Well given the weather it seemed somewhat appropriate 🙂

Public service announcement – none of the media contained in this post was filmed or photographed by me.

 

 

Worm EP Launch – The Inkwell, York – Saturday 6th June 2015 June 11, 2015

Filed under: Review — justwilliam1959 @ 5:09 am
Tags: , , , , , , , ,

19317_971272519552061_3024265538104487408_n (1)

Regular readers of this blog know that I will always be attracted by the lure of a free gig and last Saturday was no exception. Those lovely folk at The Inkwell in York (a fab independent vinyl records and books and tapes and stuff emporium) hosted the launch of local band Worm’s EP launch. The shop is rather small but it was rammed on Saturday, according to Facebook 39 people said they were there. I can honestly declare that I was one of those 39 alongside any non Facebook members that were in attendance. Can they really fit that many people in the Inkwell?

WP_20150606_16_04_35_Pro

Was it worth the visit? Fuck yeah! It was a great afternoon spent with an excellent band. Worm’s influences in my opinion are somewhat eclectic and range from Nirvana, Foo Fighters, jazz, acoustic Fleetwood Mac and everywhere in between. This is one hell of a talented band and I would certainly pay to see them again. I know this session was a free gig, but I did buy their EP which I must say is rather bloody spiffing and only cost three quid!

WP_20150606_16_36_02_Pro

It has been on rotation in the car this week and I am loving it. My favourite tracks (and there are six fine tunes on the EP people!) are “Choke”, “Breathe” and especially “Sort It Out”. This four piece York band are very talented and seem to have a great sense of fun and camaraderie. Great musicians, great stage presence and great songs. What more do you want? Socks as dampers for the microphones? Well they had that too! If you get the chance definitely go and see them and make sure that you buy the EP too!

WP_20150611_05_55_21_Pro

 

 

 

Hello Operator, Avalanche Party, Broken Skulls, Wildlife – Fibbers, York – Saturday 23rd May 2015 May 24, 2015


11246701_10153384010512146_1285087475435164058_o

I am back at Fibbers again just a few days after Julian couldn’t Cope. But there are no diva shenanigans tonight, Mike and Simon have created an excellent line up for what will sadly be Mike J’s final promotion. Kicking events off were the York and Leeds based Wildlife. I believe that this band would have easily fitted into New York’s late 70s post punk scene alongside a fledgling Talking Heads. But they are not revivalists of that era they are very 21st century too. They have great songs, great stage presence and a good rapport with the audience. They handled a little power outage problem with aplomb. Apparently all the songs are about the singers cock, well apart from “Like A Racehorse” anyway! Whether you like songs about cocks or not you should check them out.

WP_20150523_20_22_31_Pro

The second band to tread the boards tonight were the two piece Broken Skulls. Imagine if the Strokes had more power, more balls and only two members. Can you do that? If you can then you would probably be imagining Broken Skulls. I would imagine that the two piece format leads many to compare them with the excellent Royal Blood. However they are more than a facsimile of another band. They are incredibly powerful performers, gifted instrumentalists and they write some terrific songs. They dedicated an old song to Mike this evening which was also the name of a former band of theirs; “Toy Radar”. I would definitely go and see these boys again and so should you if you haven’t already.

WP_20150523_21_01_23_Pro

Second on the bill this evening is a band that hardly need any introduction to regular readers of this blog, the magnificent Avalanche Party. Up to now they have had excellent reviews from me. Is that about to change? Fuck no! These lads rocked their socks off on Saturday. They played a barnstorming set and the audience would have eaten out of the bands hands had they been asked. Well the majority would have at least. New song “Money” was stunning live and Joe and Jordan’s crowd invasions, or should that be incursions, raised the excitement levels for the punters. I would like to thank Jordan for dedicating the mountainous (sorry for the cliché) “Mountains” to me. ‘This one is for Big Billy at the front’; I love it! The band will be launching their new EP in their home town, Middlesbrough soon. Sadly I can’t make it, so please put a copy aside for me chaps! But if you can make it then you bloody well should. This band mean big and should be big. They get better every time I see them.

WP_20150523_21_50_33_Pro

WP_20150523_21_21_52_Pro

I didn’t envy the brilliant Hello Operator having to follow such a great set from one of my favourite bands of the moment, but they did follow and they followed bloody well. Hello Operator are a different kind of band to Avalanche Party but they are equally as powerful. They appear schooled in a different vein of classic rock and they know how to win over and captivate an audience. I saw them earlier this year at the smaller City Screen venue and they metaphorically blew the roof off. Frankly they did the same at Fibbers. They are and incredibly tight, talented and well rehearsed band. The guitarist has the flourish of Bernard Butler at his peak and as far as vocals go they have a singer who has one of the finest rock voices around. If you have never seen them then get off your arse and do so!

WP_20150523_22_05_39_Pro

WP_20150523_22_10_39_Pro

I would like to thank Mike and Simon for a great night and also Joe Bell off of Avalanche Party for the vino. This was a truly superb night for everyone who came along. Four great bands in one night it can’t get better than that can it?

The public service announcement for today is that all the pictures were taken with my Nokia and the videos are courtesy of YouTube

 

Julian Cope – Fibbers, York – Wednesday 20th May 2015 CANCELLED! May 20, 2015

Filed under: Observation,Rants,Review — justwilliam1959 @ 8:15 pm
Tags: , , ,

Julian has a message for his fans in York!

Julian has a message for his fans in York!

OK here goes with possibly my shortest gig review ever. Julian turned up at the venue complained about the lighting and fucked off home! Mr Cope you are not just a talented eccentric as I used to think; you are a twat, a diva, an arse, a tosser and someone who really couldn’t give a shit about his fans! Julian Cope you are the second biggest cunt in the world!

Julian fails to see the light!

Julian fails to see the light!

 

Live At Leeds – Saturday 2nd May 2015 May 5, 2015


live-at-leeds

This year was the first time I have been around for Live At Leeds and thanks to my good friend John Hayhurst I even got a cheap ticket. On top of that John’s research on the bands, singers and venues was immaculate. After collecting our wrist bands at the First Direct arena we headed to the Key Club. The first band on stage were Forever Cult. I would describe them as a bit grunge, a bit indie and a bit classic rock. They were bloody good, “Yasmin” is a great song. All three were excellent musicians but the drummer attacked his kit like a reincarnated John Bonham. He even had a look of the great Bonzo about him too.

forever cult

We were entertained on the same stage next by the Treason Kings. They are full on heavy, hard and hairy rock at its best. Maybe with even a bit of a prog twinge. I mean who else but someone with an awareness of prog history would write a song about their chest of drawers called “Chest Of Drawers”? An excellent band in my opinion.

treason kings

After that it was a brisk walk to the O2 Academy for Gaz Coombes. I have seen him a few years ago when he was still with Supergrass, now they were a great band weren’t they? Mr Coombes solo is different from Supergrass but still su-fucking-perb.

gaz coombes

The Belgrave Rooms took us in next. We caught the last pert of Alex Burey’s set. He is a young london singer songwriter who is a bit like a jazzed up and more funky Jake Bugg with an extra added Orange Juice/ Edwyn Collins. Chloe Black was what drew us to the Belgrave. She owned the stage with her striking monochrome look and wowed us with just an iPad and a keyboard. For me she has a range of influences from Amy Winehouse to Bjork via Ballad Madge (a.k.a Madonna) She seemed a little nervous at first but it was a really packed house.

chloe black

We made a dash to get to a small bar called Milo’s for the highly recommended Crybabycry. The bar is quite small and rammed to the rafters with punters. That might have helped or hindered a performer or band. But I believe Crybabycry raised themselves for it. They are a truly stupendous band. Their songs are often underpinned by a classic glam rock drum beat from a very talented drummer. All three are very talented musicians and their songs are wonderful. I can hardly wait to see them again, but I will see them next month at the Apollo Festival in York.

crybabycry

After this and a brief burger stop we whizzed over to the Holy Trinity Church where we stayed for the rest of the afternoon and evening. Being an old church the acoustics are fabulous. Frances was first on for us. Great voice – Tick, great pianist – Tick, Great songs – tick. She clearly ticks all the boxes for me and has the gifts and talent to be really successful.

frances

The second act we saw in the Holy Trinity Church was Freddie Dickson and the Guard. What a fucking amazing find they were. I thought that I was detecting shades of Coldplay and Radiohead and then I thought nope these guys are very much of their own making. I believe that they are probably one of the best young bands that I have seen in years and believe me I have seen some great young bands; Avalanche Party and the Tuts to name but two. Freddie’s voice is off the scale of phenomenal rock voices. This band really ought to be huge!

freddie dickson and the guard

Having settled in to our prime spot on the pew just in front of the stage we were next entertained by Seafret. They might look a little like Simon and Garfunkel but they come across like a turbo charged and folky McAlmont and Butler. They are from Bridlington, they are Seafret and they are bloody marvellous.

seafret

 

The penultimate performer for our time at Live At Leeds was Laura Doggett. She has a brilliant band, an amazing voice and her songs are truly captivating. I felt there were quite a few influences in her songs and performance; Florence, Kate Bush and Stevie Nicks. It was a superb set, the one thing that didn’t work for me though was the often very twee between song conversation.

laura doggett

Finally it was time for Lucy Rose, or perhaps it wasn’t time. The were a multitude of equipment problems for which Lucy apologised, although clearly it wasn’t her fault. Eventually she had the techie set up a microphone and an acoustic amp, whereupon she came out and took requests, from her first album. Not many artists would have the commitment and the balls to do this, let alone actually pull it off. But Lucy Rose really did make it work. Eventually the equipment problems were sorted and she was able to perform some of her planned set. Lucy Rose; a trouper, a true performer and a great singer-songwriter. The packed audience loved her and frankly so did I.

lucy rose

 

And finally it’s the public service announcement. All the videos ( a selection of artists that we saw on the day) are courtesy of YouTube and all the photos are courtesy of rock photographer John Hayhurst. (I borrowed them from your Facebook page Mr H)

 

By Candlelight presents Nizlopi, Fiona Bevan, Antonio Lulic and Gobbledigook – The De Grey Rooms, York Saturday 11th April 2015 April 13, 2015


download

Last night the delightful Catwoman and me went to a gig at the magnificent De Grey Rooms in York. What a stunning place to put on a show this place is and all by candlelight as well. Obviously there was power too otherwise the stage equipment wouldn’t have worked so well would it? In fact one of the acts hardly used the power though, more of that later.

First up was the unbilled Gobbledigook who performed as a duo in the bar before the main show started. They were also behind setting up the gig I assume given that it was promoted by gobbledigooktheatre.co.uk. Anyway these guys were bloody good. All they had was an acoustic guitar and a single percussion instrument. Plus some excellent songs of their own coupled with brilliant vocals and excellent fast worded and clever poetry. At times this reminded me of a stripped down acoustic led version of the fabulous Dan Le Sac vs. Scroobius Pip. In addition to their own material they also included a strong and nicely different from the original cover version of Whitney Houston’s “How Will I Know“. Introduced hilariously by the singer as this is a Whitney Houston song which you might be more familiar with from me singing it around town for years. Priceless! I loved them.

 

antonio lulic

In the main room where the majority of us were seated around candlelit tables Antonio Lulic was first on. He and his band (which included John Parker, Nizlopi‘s double bass player) were stunning. Mr Lulic is a truly gifted songwriter with an incredibly soulful and powerful voice. He even slotted in a couple of extracts from a diverse couple of songs towards the end; Paul Simon’s “You Can Call Me Al” and Carly Rae Jepsen‘s “Call Me Maybe“. I hope Antonio makes it big, I bought both the EPs that he had on sale at the show and they are brilliant. He told us that he will shortly be supporting none other than Ed Sheerhan on some big South American shows. I wish him massive luck with that and I hope I get the chance to see him play again!

fiona bevan

Fiona Bevan is incredibly talented and has the voice of an angel. Her songwriting is very mature and accomplished and she has amazing stage presence. Great image, especially that fantastic hair and a great personality. Her guitar playing is sublime, was she classically trained? Possibly. There is nothing with Fiona Bevan and her music that is not to like. I bought her album and it has already been on in the car today. She ought to go far. In fact her song “Slo Mo Tiger Glow” is featured on an advert for HSBC. She played a great version of the song in her set. I would definitely pay to see her again. Incidentally her band also included the hardest working man in the De Grey rooms that night; John Parker Nizlopi’s double bass player.

nizlopi

Finally it was time for Nizlopi to take the stage or at first the floor. Playing among the audience is a really intimate way of getting your music across and I have seen many bands do this really well, most notably the Tuts. However I do believe that it can be overdone and become detrimental to the whole set. This is how Nizlopi’s set felt to me, I really think that they overplayed the getting among the crowd element. Which meant that unless you managed to get to near the front then you often couldn’t see them or hear them very well. Both Catwoman and I felt that musically Nizlopi are an excellent band, John Parker is an excellent bass player and Luke Concannon‘s voice is pretty good. But what let them down for us was the clumsiness of some of their lyrics and what came across as the incredibly egotistical approach of the singer. Clearly many among the crowd might disagree with this opinion given the enthusiasm that some punters showed. But we stand by our disappointment. However the night was well worth it for all the three support acts!

Pictures and therefore the poor quality by me on my phone. Videos courtesy of YouTube!

 

“One for the money” – a review of the new Avalanche Party single! March 30, 2015


11081193_1612738742275809_7451569793742155591_n

Regular readers of this blog will know by now that I am a big fan of one of Middlesbrough’s finest bands and indeed a great British band, hell just a great band anyway you look at them; I’m talking the magnificent Avalanche Party. Well the boys have a rather spiffing new single out called “Money”. It’s stunning video was launched earlier today. The film was produced by Jodie Canwell. I don’t know much about Jodie but I felt there were elements of David Lynch in her work on this video. It was all shot on the North Yorkshire Moors and when I say it’s weird I mean that as a big compliment. Can I be in the next video please?

avalanche-party

But not only is it a brilliant video the song is bloody good too. I hope there are vinyl copies of it available next time I see the boys (which hopefully will be on 23rd May at Fibbers in York). If this song is an indicator of future direction for this wonderful band then roll on more releases. EPs, singles an album anything will do me. The song was produced by Fred Purser who has worked with a wide range of artists including the Futureheads and Tom Jones. Have you downloaded “Money” yet? If not then why not? It’s bloody well free people! Click here and download it immediately! Anyway never mind “one for the money” I give this 9 out of 10. Why not 10 I hear you ask, well because I’m saving that for the Avalanche Party album! Jordan, Owen, Kane and Joe – keep on rocking! Sadly my wife Catherine (aka Catwoman) isn’t keen on the song…. but I’m working on her!