If you’re an Alan Partridge fan you will love the first big screen outing from Steve Coogan‘s classic comedy character. Alan is clearly the most talented British DJ since Smashie and Nicey. Coogan as usual plays the part of this inept, arrogant and troubled character to perfection. I loved the film and enjoyed a few laugh out loud moments.
Would Norwich be as well-known without the Partridge? Somehow I suspect not. The film plot centres around a takeover of Radio Norwich, a sacking and a hostage situation. All the usual supporting cast are here; Michael the Geordie bloke and Felicity Montagu, who plays the part of Alan’s long-suffering personal assistant Lynn, is magnificent. While you may think you won’t enjoy the film if you’ve not seen much of Alan Partridge I believe that you will. I’d love to hear what my regular readers think of the film so feel free to add your comments. I will close this post with three songs that feature in the film including a stone cold classic from Sparks and Giorgio Moroder which is played over the closing credits.
Earlier this year I had the pleasure of seeing a young band called the Tuts in York when they were supporting the wonderful Kate Nash. They hail from my birth place and old stomping ground of Hillingdon to the west of London. They are Nadia, Harriet and Beverley and they are a three girl punk powerhouse. Why am I telling you this? Well largely because the girls have just launched a new track into cyberspace. It’s called “Worry Warrior” and I must say it’s bloody good. I’d like to know what you think of it. I’ve already purchased it and I urge you to do the same.
Back in those heady days of the late 70s when even I was a mere teenager punk was in some people’s eyes the new fashion, the new style and the new order. But I always saw punk as much more than that. At its core, for me, punk is all about attitude and the Tuts have that in abundance. On top of that they are three very talented people. You’d better check them out and buy their new song. If you don’t then you need to remember that…….. I know where you live! “Worry Warrior” by the Tuts; I’ll give it five out of five and I’m looking forward to the album even more now! Click here to download the song from bandcamp.com.
About 18 months ago I had the pleasure of interviewing a rather excellent band on this blog. (Click here to read that interview). Well now it’s time for drum rolls and fanfares because that band have an album out. That band is the splendiferous Colour Me Wednesday and their album is called ‘I Thought It Was Morning’. Earlier this evening, before I ordered my copies, I took a listen to the album as a stream on punk news. So I thought that you might like to know what I thought of this collection of 12 rather spiffing tunes.
The LP kicks off with “Shut”; a perfect start with a quintessentially English rocker which talks about changing the world one person at a time. There really aren’t enough English bands that sing with an accent from Albion. “Holiday From Your Life” has an 80s feel and undertones of Orange Juice in a parallel universe where Edwyn Collins was female. Two tracks in and I’m loving it! This band writes great songs and forget all that X Factor shite, they play bloody well too. A cool reggae vibe is introduced for “Carefree” and it enables the song to jump from the speakers like Lily Allen with balls! So at three songs in it’s also pretty clear that the art of the protest song is alive and well in Uxbridge. Hopefully it will spread much further afield.
The next song I have heard before and I believe that it will become one of my favourite Colour Me Wednesday songs. It’s the supremely titled “Unicorn In Uniform” and it’s the perfect Indie Pop Punk song. What a slow pulsing, brooding song “Lost On The High Street” is. I love the bass line and the harmonies are exquisite. ‘I Feel Like I’m Running Out Of Melodies’ is the first line of “Bitter Boys” and frankly it’s obvious this band have melodies to spare.
Halfway through and this album already feels like one that will get plenty of plays in my collection and one that deserves wide exposure. National Radio need to pick this up! “Don’t Waste Your Breath” is laid out over a really tight reggae bed which is far more the Clash than the Police thankfully. How true is the line ‘Life’s Too Short To Piss Away’? Very true methinks! If you’re a Tory Boy I wouldn’t invite Colour Me Wednesday to your barbecue, you’ll be met with the melodic pop punk of “(I’m Not Coming To Your) BBQ“. I love the way this band draw you into some very commercial sounding tunes that have amazing lyrical bite. “Cat Hair” is no exception to that. The writing on this album belies the fact that this is still a relatively young band.
Perhaps my favourite title on this LP record is “You’re Not My No. 1 Bastard”. I think I’ll be singing that one tomorrow at work! Another song I have heard before and absolutely love is a song that ought to be high in the charts. It’s “Purge Your Inner Tory” and wouldn’t it be fun to see those mindless bigots at the Daily Mail get hot under the collar about such a great song? The album’s title track is also the closing song and it has the makings of a mini epic.
Tonight I saw Elvis Costello for the first time since I saw him in London in 1977. I was struck by the sheer volume of classic songs he has recorded in a career spanning close to 40 years. I love that he often strays from the path trodden by many contemporaries by recording a country album, recording with the Brodsky Quartet and producing the Specials. He arrived at York as part of his 13 Revolver Tour with a show featuring the Spectacular Spinning Song Wheel.
He opened the set with a blast of four or five loud and powerful power pop songs culminating in the magnificent “Radio Radio“. The principle of the wheel is that members of the audience are picked to spin the wheel and the band play the song that is randomly selected. Tracey and Carol were given a storming version of “(I Don’t Want To Go To) Chelsea”.
Later a Catherine and Alex took to the stage and when asked her favourite song Catherine replied “She” the Charles Aznavour song. Now that is a song I really dislike so I was very pleased when Mr Costello said “I fucking hate that song”. However Alex and Catherine spun the Joker and were allowed to choose their favourite. After Costello had sung “She” for them they danced in the cage podium for a while. As they were about to leave the stage Costello’s assistant, the Mysterious Josephine whispered to Elvis and young Alex and Catherine took the microphone for Alex to propose to his beau live in front of thousands of people. He did a great job. Catwoman, who accompanied me to the gig, was in tears! Oh and Alex had a yes from Catherine. If they are reading this I would like to wish them all the best.
My favourite song of the evening was a stupendous “Watching The Detectives” which included Costello walking through the crowd singing with a radio mic. He is clearly a great showman and he is gifted in stage craft. The band are very tight and are made up of Drummer Pete Thomas and keyboard maestro Steve Nieve formerly of the Attractions and Davey Faragher on bass. I was very pleased that they played two classic anti Thatcher songs; “Shipbuilding” and “Tramp The Dirt Down”. The latter received a massive cheer I am pleased to say. He showcased his true and pure vocal talent by stepping away from the mic at the end of “Jimmie Standing In The Rain” for a few lines of “Brother Can You Spare A Dime”
The show kicked off at 8 o’clock and it was nearly 10.30 before the house lights came back on. Just when you thought it couldn’t get any better the band returned after a minute or two off stage for an astounding encore. Kicking off with “Alison” and closing with “Pump It Up” and “(What’s So Funny About) Peace Love And Understanding” whilst finding time for “I Can’t Stand Up For Falling Down” and “High Fidelity”. The encore provided a fabulous climax for the excellent go-go dancer too.
This show sits easily in the top 5 gigs I have ever seen in my nearly 40 years of gig going. I will definitely go to see Elvis again and you should too. Trust me you will not regret it! Oh and by the way, none of the pics or videos in this post were taken by me. I can’t be arsed to keep getting my camera out at gigs, I’d rather enjoy the show!
On Thursday 30th May I attended a simulcast of the world première of the new Stones Roses documentary ‘Made Of Stone’ at York City Screen. The cinema is part of the excellent Picturehouse chain and was one of 200 UK cinemas that were broadcasting the première which took place in Manchester. There was a live link to the activities on the red carpet for the first hour and personally I found that part terribly dull, not helped in my opinion by Edith Bowman‘s interview style. She seems to ask a high percentage of closed questions. The most interesting interview she did was with Shane Meadows, the director of the film. The interview with Mick Jones off of the Clash was embarrassing in my opinion.
I really loved the rehearsal element. It showed just how close the band really are and it was incredibly intimate and insightful. Apparently some of the rehearsal footage was shot by Shane Meadows using a Super 8 App on his iPhone. Does that mean we’ll all be making films soon? The filming and editing of the Parr Hall show and the build up to it was wonderfully entertaining. Especially the sequences of the people queueing up to be among the lucky 1,000 attendees. I order to get a wrist band for the gig you needed to bring along some official Stone Roses merchandise or CD/ Records and obviously to be in the first 1,000 people in the queue. One bloke arrived still in his paint spattered overalls having not even bothered to lock up the house he had been working on.
The finale of the film is truly amazing and culminates in some superb footage from the Heaton Park gigs. There must have been countless cameras used and I hope that the video includes much more footage of the shows. Some clips of the pre Heaton Park warm up shows were shown leading up to the big gig. You saw the band back stage in Lyon meeting one of their Manchester United (or Mani United) heroes; Eric Cantona. Is it just me or does he look like Grizzly Adams these days? I’m sure that Liam Gallagher, who made a brief appearance in the film wouldn’t have liked that part. The classic non encore from the Amsterdam is also included. This was where Reni threw a bit of a hissy fit following some problems with his ear monitors and went straight back to the hotel. Ian Brown then had to come back on the stage and announce to the disgruntled audience that this was no joke and that the drummer had gone home. This culminated in the classic line ‘What can I say? The drummer’s a cunt!’ To be fair that is a little rich coming from a soon to be middle-aged man who wears his jeans low enough to see most of his undercrackers!
The posters and trailers for the film include the line ‘this film will make grown men cry’. Well I didn’t cry, but perhaps it’s just because it’s not my generation and not ‘my’ band in the way it is for the hardcore Roses fans. But even with my eyes remaining dry this was a five-star music documentary. I urge you to go and see it if you can or put the DVD (scheduled for release in October) on your letter to Santa Claus. But you know the drill by now; if you have to sell your Granny to get a ticket then say bye bye Gran today!
I am sure that by now you are all aware of the ‘David Bowie Is’ exhibition at the Victoria and Albert Museum in Kensington, London. It began on 23rd March this year and runs until 11th August. It is also the fastest selling and best selling exhibition the museum has ever done. It includes many Bowie artefacts and costumes from his archive; many of which have never been shown to the public before. I booked my tickets ages ago and finally made it here on 5th May. ( I was joined by Catwoman and my good friends the Horslens)
There are handwritten lyrics from throughout his career and stage designs for most of his major tours from the Diamond Dogs US tour in 1974 to the Outside Tour of 1995 via 1983’s Serious Moonlight. The costumes range from those worn in all the aforementioned tours along with all the classic Ziggy outfits; including the classic one worn on that famous Top of the Pops performance of “Starman” from way back in July 1972.
The whole thing is incredibly arranged, directed and curated. The interactive audio headphones which trigger when you are near a particular exhibit are brilliant. I feel sure that Bowie has played a big part in the whole thing. There are some video shots and audio that have never legally seen the light of day before. I particularly loved the version of “Sweet Thing” from the 1974 US tour. There was also an excellent mock-up 3D stage set design for those shows. Those were possibly my two favourite things from the day.
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Bowie has always been an artist and not just a rock star and this is clearly shown by the volume of his own paintings and sketches on display. Including a series of storyboard pictures for a ‘Diamond Dogs’ film that never got made. There were also some detailed notes showing that he had definitely intended for 1995’s ‘1: Outside’ album to be the first in a trilogy that would have ended in 1999. I wonder if he’ll ever make those other two? Sadly I think not.
His set of oblique strategy cards used in the studio by Brian Eno are there along with the synthesiser used on the Berlin albums. Another room is dedicated to showing clips from his best known films including; ‘The Man Who Fell To Earth‘, ‘Labyrinth’, ‘The Prestige’, ‘Basquiat’, ‘Merry Christmas Mr Lawrence‘ and ‘Absolute Beginners‘. There is also a rare public outing for a clip from his 1967 black and white short ‘The Image’ (as a bit of a Bowie anorak I already have this on DVD).. Costumes and props from some of these films are also on show.
The Bowie items in the shop are quite tasteful too, in the main anyway! I had previously bought the David Bowie Is hardback book and today I bought the Ziggyology book along with the set of postcards that relate to the exhibition. Obviously I needed more stuff to continue the pimping of my man bag so I bought a pin badge emblazoned with the phrase ‘David Bowie Is turning us all into voyeurs’.
I was excited before the exhibition and that was well justified excitement in my opinion. It exceeded my very high expectations by a very long way. If you have been or are planning to go I’d love to hear your thoughts. If you are unable to attend then you have missed something really special. Now let me sign off with a few Bowie classics.
Once in a while you are presented with the opportunity to see a band that you have listened to a lot but have never really made the effort to see play live. I had a lucky break as my friend Andy Golborne’s partner Rachel was unable to attend a gig by the truly splendid Counting Crows. So I became the lucky owner of her ticket and went along to the O2 Apollo in Manchester last to see the band. This was the first time I have seen them but Andy has seen them on many occasions.
The support was provided by Lucy Rose a 23-year-old singer songwriter from Surrey. She has previously provided some vocals when recording with the Bombay Bicycle Club. She strikes me very much of a young Joni Mitchel but with even more jazz sensibilities. Her band is tight and very talented. To me there is almost an undercurrent of some of the better aspects of prog Rock in their delivery. The exposure of touring with Counting Crows can only enhance her profile and I would definitely see her again. In fact I would like to apologise for missing her at last years Reading Festival.
The Counting Crows. What can I say? Probably that they are even better live than they are on record and I do believe that their recorded output is bloody good! I can’t believe that this is the first time I have seen them in concert. Adam Duritz mentioned that he had woken up in the morning with a sore throat but that did not seem to mar his vocal performance which was brilliant. it did mean that we missed out on some of the story telling introductions that he often does when playing live. But that was a very small price to pay. The crowd was made up of mostly hard-core Crows fans. The bloke in front of me went nuts for almost every song and it looked like he had his kids with him, they also seemed to love it.
The band seems to really love what they are doing as well and this made for a stupendous all round performance which they enjoyed as much as the audience. I was really pleased that they raided their back catalogue excellently and didn’t stick with just the big hits; there was no “Mr Jones” for example. The band took to the stage to the sound of Bill Withers’ classic “Lean On Me” and left at the end of the evening to “California dreamin'” from the Mamas and Papas, to which Mr Duritz led us in a sing along. But obviously it’s what was sandwiched between those classic records that was most important. If I mentioned every highlight I would simply type in the set list! The first part of the show had excellent versions of “Omaha” and “I Wish I Was A Girl”.
The acoustic set in the middle of the show was beautiful, especially the arrangement of “Mercury”. acoustically this was accompanied by a cover of the Grateful Dead’s “Friend Of The Devil” and another Counting Crows classic, “When I Dream Of Michelangelo“. After that excellent trio the set kicked back into electric gear, starting with a rousing “Round Here”. The cover of Gillian Welch‘s “Look At Miss Ohio” was truly stunning and new arrangement (to me at least) of “Rain King” was a truly emotional experience. The encore included “Washington Square” and a gorgeous rendition of “Holiday In Spain”. are the Counting Crows the best live band I have ever seen? Not quite but they are definitely in my top 5 and I will certainly see them again. In fact next time I shall take the wonderful Catwoman (a.k.a. my beautiful wife Catherine) with me.
Please note that apart from the picture at the top of this post none of the images or films were taken by me.
For only the second time in my life I had the honour of being on the guest list for a gig. This came about after the advent of social networking let me get back in touch with an old school friend from Ryefield Primary School in Hillingdon. That friend is Chris Doveton and we left Ryefield School back in 1970 many years before Kate Nash or the Tuts were even a twinkle in anyones eye. But Chris’s daughter Harriet is one of the Tuts. It was thanks to those three wonderful punky minstrels that make up the Tuts that I was able to test my mettle as a roadie and manning a merchandise stand. I also got to watch Kate Nash and her band and the Tuts run through their sound checks. It was the most fun I have had at a gig in years! All that and Chris and I had our own mini school reunion after more than 30 years.
Anyway enough of me, this is a gig review after all. So first we had a blistering set from Harriet, Nadia and Bev, collectively known as the Tuts. They were only on stage for 30 minutes but boy did they use that time well. Shades of the Clash, theLibertines, the Runaways, the Donnas and the very best of pop punk. But while there were shades of these other influences there is so much originality and energy from these ladies that I would say the rest is 95% pure Tutness. They have some great self penned songs; “Dump Your Boyfriend” and “Tut Tut Tut” are particular favourites of mine and they also do an electrifying cover of the Clash’s “Rudie Can’t Fail“. The acid test for any band is of course would I go and see them again and the answer for the Tuts is of course I bloody would and so should you if you get the chance!
Kate Nash has been in the business for years now and she is still only 25. Her first big UK chart success came with the wonderful “Foundations” in 2007; it reached number 2. I had the opportunity to chat briefly to Kate before her show and at the end when Chris and I were loading the Tuts equipment into the car. Unlike many other people who have been in the business for so long she is bright, smart, friendly, articulate and really caring and decent toward her fans. She signed my copy of her current album ‘Girl Talk’Â too. I think it’s incredible that she has developed her music so much in just 6 years and three albums.
Kate is a superb perform and had the largely female audience rocking for most of the night. Old favourites were there in the shape of “Foundations” and a personal favourite of mine, “Mariella”. She also a played a song that is available on the deluxe edition of her current album “I’m A Feminist And You’re Still A Whore” which I thought was a great addition to the set. Apparently a dickhead on Twitter was giving her some grief over that song earlier in the day. Kate responding by tweeting Patti Smith‘s “Rock ‘n’ Roll Nigger” which went down even worse with the poor deluded twat! Kate is a very vocal supporter of women’s rights and played her song “Free My Pussy” in support of the Russian band Pussy Riot who were shamelessly jailed by the Putin Empire. It’s not my favourite song, but it works and the cause is spot on. There are nowhere near enough people speaking up for Pussy Riot in my opinion, so top marks to Kate!
I really don’t get how she was dropped by her label last year this girl is a supreme talent and her new album is testament to that. She is passionate about adjusting the balance of women in rock given that the majority of songs are still written by blokes. She encouraged her audience to pick up an instrument, write, play and make music. I hope that many people take that lead and do it. She was also very, very supportive of the Tuts too. We need more artists like Kate Nash. I was a kind of ‘I quite like Kate Nash’ fan before this gig, but now I am very big fan of Kate Nash. If you are going to see her elsewhere on this tour I guarantee that you will enjoy the show, you’ll love the Tuts as well. If you can’t make it to see her this time around you’d better make sure you get tickets for her next tour. I expect you to do your duty and if you don’t………………. I know where you live!
I was unable to get much video footage of any great quality so here are a trio of songs from Kate’s show at the Sebright Arms earlier in the year.
And finally this is me with Kate at the end of the evening.
Apart from the above picture and the one of the Tuts in action all were sourced on line.
Misty Miller was the support and she played a great 2o minute set. She has some really classy songs and a relaxed stage manner. Her drummer and bass player work well together too. I sensed a bit of Tina Weymouth from Talking Heads about her. Catwoman suggested a voice as strong as Deborah Harry‘s. Either way this young woman is pretty darned good. As well as supporting Mr Bugg she has also played a few support slots with Tom Odell; so she is getting some great exposure. I suggest that you check her out soon.
As for Jake Bugg. It’s hard to believe that he has only been around for such a short while. I mean he is 35 years younger than me and he was born more than 20 years after I went to my first gig. He is a truly consummate rock performer. Great songs, great playing, the band were great and Jake’s singing was excellent. On top of that I was supremely impressed with his guitar soloing. Jake Bugg will go a long, long way and deservedly so. If his stated mission is to kill off all the X Factor shit then he has the talent, the drive and the weaponry to do it. If your child or anyone you know is a big X Factor fan lock them in a room and make them listen to Jake Bugg. I don’t think it will take them long to convert to real music like Jake Bugg’s. The only downer of the evening was the two drunk tosspots in front of us who spent most of the show talking loudly to each other and on their phones.
As for the show Mr Bugg played most of his album. “Trouble Town” was superb and “Broken” certainly pulls on my heart-strings. Obviously the crowd went mental when he played “Lightning Bolt” including some people near us who danced to it while throwing some Usain Bolt shapes. I thought he might have used “Lightning Bolt” as his encore, but he had the balls to do it his way. He even played a couple of new songs and if they are a good sign of what musical direction he will take I think his next album might have a heavier sound.
He did a couple of songs to encore; notably a song that he introduced as one of his favourites. It was a cover of Johnny Cash’s “Folsom Prison Blues“. He did it proud. I get the impression that since his musical epiphany aged 12 while hearing Don McLean’s “Vincent” on an episode of the Simpsons he has been a sponge soaking up so many brilliant songs and influences. He is lauded by many people including Noel Gallagher and Paul Weller. But for me he is his own man, an original, definitely the one and only Jake Bugg. I also get the chance to see him again at the Reading Festival later this year and I can hardly wait! I should let you know that none of the pictures or videos in this post were taken by me at the gig.
Catwoman and me have a friend called Jo Bagshaw is a truly creative designer of some really superb jewellery. She designed the jewellery for our wedding in September 2011; including an excellent pair of cufflinks which take pride of place in my collection. It was through Jo that we came to be at a gig by the abundantly talented Lisbee Stainton on Friday night. Jo knows Lisbee as she has recently designed some fabulous jewellery pieces based on the award-winning angel wings/ guitar logo used by Lisbee. Click here to reach Jo’s website.
So how was the gig? Well first I have never been to such a packed house at the Basement in City Screen. It is a very small venue but there must have been more than 50 people there. There were two support acts starting with Lauren Varley who played a set of her own songs, including “Mr Cold Feet” and she also added two superb covers one of Johnny Cash and the second an inspirational and soulful version of “House Of The Rising Sun“. Lauren is York based and I would definitely go and see her again. Great voice, great songs and smart and brave choices for cover songs. Click here to hear more of her and click here to find her on Facebook.
The second of the support acts was Aimee J Ryan. When she said that she did ‘go on a bit’ between songs she was right! Aimee has some good songs but her sound didn’t seem to be very clear. This was surprising given that the vocal sound quality for both Lauren Varley and Lisbee Stainton was crystal clear. But she definitely has talent so click here to check her out on Facebook.
So now we get to Lisbee, from who we were expecting great things. It would be fair to say that she met our expectations. She not only has some excellent self penned songs, she plays guitar well and is a very accomplished singer. Her rapport with the audience is far better than some more established artists that I have seen playing live. She opened by walking straight into the audience from the dressing room to provide many of us with percussion instruments. I used mine throughout the show.
She also had us singing some multi part harmonies, well I say singing but…… at least we tried! I really loved “Girl On An Unmade Bed” along with a couple of new songs which may, hopefully, find their way on to her next album. Her band is also incredibly talented. I believe that Lisbee has the talent for greater success and if you get a chance to see her take it, you will not be disappointed. Click here to find Lisbee’s official website and make sure you check out the video for the wonderful song “Sidekick” which she also played on Friday. You can also find her on Facebook by clicking here. If you have been to any of the gigs on Lisbee’s tour I would love to hear from you.
