With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Brit Awards 2014 – Wednesday February 19th 2014 February 19, 2014


brits 2014The Brits has kicked off well with a storming “R U Mine” from those Sheffield scallywags the Arctic Monkeys. Will it all go downhill from here? Let’s find out shall we? Well at least James Corden was finally on fire for the first time hosting this show. Well the sleeve of his jacket was to set up a lame joke about the Arctic Monkey‘s pyrotechnics. Thankfully this will be his last Brits. The British Female Brit award was presented the shortest man in music Prince Rogers Nelson accompanied by his new band. Corden interrupted for a selfie with the purple one. Ellie Goulding won it and given the nominees deservedly so in my opinion. She was somewhat awed by meeting Prince too.

Katy Perry was next on stage and she went a bit Stargate Cleopatra on us. She sang “Dark Horse” from her new album ‘Prism’. I presume it’s not a George Harrison tribute. Kylie and Pharrell Williams presented the International Male solo Artist award after more inane and unfunny shite from Corden. It was won by Bruno Mars; personally I expected it to go to Justin Timberlake although I would have voted for Eminem.

Tinie Tempah and Fearne Cotton rocked up to present the British Breakthrough Act Award. It was well won by the rather excellent Bastille. I love the ‘Bad Blood’ album. Sadly Corden was back after that with a dreadful interview with One Direction which included some pathetic jokes about Justin Bieber in prison. Then we were subjected to Bruno Mars with “Treasure”. But to be fair I judged him too soon, that was a good performance. Really classy modern R & B.

Next up a welcome return from Lily Allen to present the award for Best British Group. Thank fuck it wasn’t won by Wand Erection. It went to a proper band instead. The marvellous Arctic Monkeys. The previously known winner of the newcomer award was the understated but talented Sam Smith.

Now we have the Global Success Award presented by Rosie double-barreled surname. Who the fuck is she? Was this Award manufactured for the ultimate manufactured band One Direction? Can’t we just sell them to the USA? Is Harry Styles having a wee the most controversial act of this years show? Sadly it probably is. The revolution doesn’t start here!

Beyonce live, now that was bloody good in my opinion. But was she lip syncing “XO”? The nest award was for best British single, presented by Katy Perry. Was she trying an English accent? Won by the fabulous Rudimental which thankfully beat Olly Murs and Wand Erection.

The first collaboration of this years show was Disclosure and Lorde with a really cool and funky take on Lorde’s “Royals”. Followed by a brilliant live rendition of “White Noise” with Aluna. The International Group award was presented by Cesc Fabregas (WTF?) and Nicole Scherzinger. The winners were Daft Punk. Could it really have been anyone else? The legend that is Nile Rodgers collected the award on their behalf.

Ellie Goulding was next to perform. She did “I Need Your Love” and “Burn”. I loved the massed percussion during “Burn”. I have really grown to like Ellie’s music. Noel Gallagher was there to present the best male solo artist award. Let’s hope he has a new album out soon. Fuck me Bowie’s only gone and won it! Kate Moss accepted it on Bowie’s behalf at his personal behest. A brilliant speech written by the Dame too. This has made my night!

Nick Grimshaw that bloke from Radio One who is moderately more talented than Chris Moyles stepped up to present the International Female solo artist award. Lorde was the winner and a bloody good choice too.  Bowie is a Lorde fan. Then we had yet another shite interview by Corden with Nile Rodgers and Pharrell Williams. The British Video award was voted for live on Twitter during the show and was presented by Jimmy Carr. Sadly it was won by Wand Erection with “Best Song Ever”, but it isn’t is it?

Rudimental and Bastille combined on stage to become Bastimental for the night. It certainly made up for a second 1D award for the night. Blimey just how sexy is Ella Eyre? Now we are onto the final award of the night, it’s the one that everyone wants. It’s best album and it was presented by Emilie Sande. It went to the Arctic Monkeys. It is a great album, but I was hoping for a second Brit of the night for David Robert Jones. But well done to Alex and the boys, although their acceptance speech was largely bollocks wasn’t it?

The show was closed by Pharrell Williams and Nile Rodgers. What a barnstorming performance from two music masters. “Get Lucky”, “Good Times”, “Happy” the hits just kept coming. Overall I think this years show was an improvement on last year. Some marks out of ten from me; James Corden 1/10, Bowie winning a Brit 10/10 and for the overall show 5/10 could do better.

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2013 in review December 31, 2013

Filed under: Review — justwilliam1959 @ 8:16 am

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 91,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.

Click here to see the complete report.

 

“All I Want For Christmas Is A Guitar” December 5, 2013


Let’s face it most new Christmas songs in recent years have been pretty shit haven’t they? You can almost hear the sound of the barrel being scraped with some Christmas albums as well. Leona Lewis another short-lived X Factor success has one out this year. I reckon that will go from stocking filler on a small-scale this year to the charity shop or the recycling plant next year.

tumblr_mw81u4QcjS1sv4c0bo1_1280But trust me all is not lost. Those feisty, punky and talented girls known to the world have released a Christmas song as part of the magnificent Kate Nash‘s first ever Christmas release, an EP entitled “Have Faith With Kate Nash This Christmas”. The Tuts contribution is called “Christmas Is In The Air”. It starts off in an acoustic vein, probably just to lullaby you into a false sense of security. But then it comes to life stupendously with a rather spiffing chorus. I loved this song after the first listen and it will definitely be on my Christmas playlist. The video is darned good too. Special guests include Colour Me Wednesday and a festive jumper sported by Nadia Tut that probably should never be allowed out on it’s own. Enjoy the video, listen to the song and then buy the EP ok? I know where Santa’s Evil Elves live and if I find out that you haven’t bought the EP I will send them to your house. You wouldn’t want me to do that would you? TUTS ROOL YULE OK!

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Bryan Ferry – York Barbican, Thursday 14th November 2013 November 15, 2013


m4Q25UnKTqm9lzFThbIJtAAFor the second time in my gig going life I have seen Bryan Ferry or Byron Ferrari as the NME once dubbed him. The first time I saw him he was fronting Roxy Music in about 1977 or 1978. He was good then and after tonight I can honestly say he has got even better. He owned the stage with his lounge lizard-like persona, a true consummate performer.

BryanFerry_2013_VBerdini_2_1383827066_crop_550x827The Bryan Ferry Orchestra opened proceedings with some excellent jazz readings of some of both Roxy and Ferry’s greatest songs including the not often heard “Bogus Man” and a later Roxy classic “Avalon”. The orchestra also made up the large part of his band. When the main man himself appeared they were augmented by an amazing guitarist, a very talented drummer and two incredibly entertaining backing singers.

safe_image.phpBryanFerry_2013_VBerdini_10_1383827093_crop_550x367Bryan had paced the show very well. Some early highlights for both myself and the delectable Catwoman were “Don’t Stop The Dance”, “On The Radio”, Bob Dylan’s “Knocking On Heaven’s Door” and “Carrickfergus”. The Charlie Parker tribute was also brilliant as was the images on the set of overhanging screens. There were even outings for “Sign Of The Times” from the ‘Bride Stripped Bare‘ album and the Platters cover “Smoke Gets In Your Eyes”.

maxresdefaultAfter an interval, yes an interval; it must be for those of us of a certain age the Bryan Ferry Orchestra kicked off the second half of the show. Mr Ferry had changed into a really slick suit and oh boy did he start to kick ass. He really built the show to a fine crescendo with John Lennon’s “Jealous Guy” (there really isn’t much live whistling any more is there?), “Street Life”, “Love Is The Drug“, “Let’s Stick Together” “Hold On I’m Coming” and “Shame, Shame, Shame before closing with a storming version of early Roxy Music classic taken from the ‘For Your Pleasure’ album, “Editions Of You”.

p01g9vltIn all perhaps one of the finest shows I have seen and I have seen plenty! The UK tour is almost over but if you’re going to see him play in Birmingham next Tuesday you’re going to have a blast! By the way none of the videos in this post were filmed by me an nor were any of the pictures mine.

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“I Think I’ll Hide Behind My Tofu” November 11, 2013


tumblr_mntsbznriB1qdsmyio1_500The wonderfully talented Colour Me Wednesday have just released an excellent video on YouTube which for me has the potential to become a YouTube Awards nominee for 2014. So to all my regular readers let’s make it viral and share the hell out of it. We’re relying on you and just remember that I know where you live!

tumblr_mlaq1pg9941qdsmyio2_1280The video is in support of their new single “(I’m Not Coming To Your) BBQ” which is taken from their brilliant début album ‘I Thought It Was Morning’. If you haven’t bought it yet then you jolly well ought to. It’s easy to do, just click here. The video was made by Harriet from the band and I love it! But even without the video it’s a great song too. Festival organisers if you’re reading this please can you get this band on your 2014 line up? You will not regret it!

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Colour Me Wednesday, Onsind, No Ditching, Elly Kingdon @ Wharf Chambers Leeds – Wednesday 28th August 2013 August 29, 2013


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Last night finally had the pleasure of seeing a wonderful band from my old stomping ground of Uxbridge playing live. I have championed them before on this blog and their name is Colour Me Wednesday. More them later though as there were other acts on the bill too. This was the first time I had ever visited Wharf Chambers and I will definitely be back. It is a superb venue with a great stage area and a fab little bar. Not only that but it is the only place I have been where even drinking tea could be considered very rock ‘n’ roll!WP_20130828_001

First on stage was the delightful, quirky and very entertaining Elly Kingdon. The poster described her as ukulele folk from Stoke. That much is true but there was a spirit of punk too. Elly manages to effortlessly make songs about depression sound so happy and bouncy. That has to be therapeutic right? I suggest that you check this woman out on-line. She has talent and a ukulele! I loved Elly’s sign on the merchant table, it simply read ‘Elly Kingdon has no merch as she is not a sell out! What’s not to love about that?

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Next up we’re Durham’s excellent No Ditching. A fine all girl five piece who incredibly were playing only their third gig! If that set and their demo CD (of course I bought it) are anything to go by these girls can go much further. The poster described them as Pop Punk from Durham which is a fitting description. But I suspect they have more than just pop punk if allowed to play and grow in the coming months. If they are appearing in your town then get out and show your support.

Next I must make an apology. The poster for the gig showed Onsind as second on the bill. Actually that was a typo and in fact they were top of the bill. Unfortunately having been able to see Colour Me Wednesday earlier than I expected I opted to avoid the last train from Leeds back to York. This meant I missed the whole of Onsind’s set. However after a brief chat with Harriet Doveton I decided to buy Onsind’s CD album Anaesthesiology. I have played it three times today and it’s bloody good. Especially ‘Pokemon City Limits’ with it’s wonderful ‘never trust a Tory‘ chorus. So Onsind please accept my humble apology I won’t miss you again, I promise. By the way your album will be on in the car again tomorrow!

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So on to the band that brought me to this gig; Jen, Harriet, Sam and Carmela collectively known as Colour Me Wednesday. They certainly coloured this Wednesday with their perky, punky, poppy tunes. The poster described them as anarcho-pop from Uxbridge and that is certainly true. They played a great clutch of songs from their new album ‘I Thought It Was Morning’ most of which I’m sure you know because you’ve bought the album. What? You haven’t bought it yet? Why the hell not it’s a great album. Get off your bum and go and buy it now, and I do mean immediately! Just click here and do it! Anyway my favourites on the night were “You’re Not My Number One Bastard”, “Bitter Boys” and what in my opinion should be released as a single (again?) “Purge Your Inner Tory”. This song deserves to become a classic. I am so pleased that I finally got to see this band live and I hope to see them again soon. Drop everything, change all your plans, sell your granny, do whatever it takes to see them play.

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All the acts who appeared have a great deal of talent and in a parallel universe where shit like the X Factor doesn’t exist they may already have become very succesful let’s hope they can do it in this universe. It’s on nights like this I really miss John Peel he definitely would have played all of tonights artists!

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Reading Festival 2013 – Day 3 – Sunday 25th August August 26, 2013


We began at the Main Stage today for We Are The In Crowd. Note to Nadia Tut; it’s looking ever so slightly less of a cock fest today. I also believe that you and your fellow band mates and bands are in a position to try to change that going forward. These folks have a female singer. We need the Tuts and Colour Me Wednesday  playing here next year. As for WATIC what a superb lively start to the day from this New York band.

Back to the NME/ Radio 1 Stage for the Villagers, we had seen them at Reading a couple of years ago. They were good then and are even better now. If you had not seen them before you might be forgiven for thinking you had walked in on the Hogwarts school band fronted by Harry Potter himself. The singer certainly looks like the young wizard. But their music is indeed a magical combination of influences. Once again great use of percussion too.

Aluna George have been subject to mucho hype lately and you know what? They are well worth it. Their music is spectacularly good and Aluna’s stage clothes show that Lady Gaga has jumped the shark fashionwise. Aluna herself is confident and sassy, she commands the stage. I will very soon be the owner of Aluna George’s album.

Over to the Festival Republic stage next for Twenty One Pilots. Unbelievably a drum based rock rap hybrid dressed as skeletons. It shouldn’t work but it does. It’s as though the Strokes were spliced with Eminem and Hawksley Workman in a parallel universe. These guys MUST be on the Main Stage mid afternoon next year; are you listening organisers? This was possibly one of the finest Reading Festival moments ever for us.

As for Chapel Club; very chilled soft rock with a hard edge. I would not have wanted to follow Twenty One Pilots. If I went to a chapel club when I was a kid it wouldn’t have been this much fun! After that we lay in the sun chilling to As Elephants Are. They were pretty good.

Back to the NME/ Radio 1 stage next for Haim. Bloody hell these girls can rock. This had to be the year of the drum with even more percussion from the Haim sisters. But did the bass player have to turn so much? That part was scary.

Fall Out Boy or FOB as they are now branded are back. On form on the Main Stage. But does everything have to be reduced to an acronym? But this band does what it says on the tin. Pop powered punk at its best. A band that has been an acronym for longer than many were next on the Main Stage; it was Nine Inch Nails or NIN as they prefer to be known, certainly on t-shirts. I was expecting great things from Trent Reznor and his chums. Sadly I was very disappointed, the music came across as samey and bland and Mr Reznor was severely lacking in the interaction with the crowd department. As a result we wandered off to pastures new. First to the Festival Republic stage where we saw the Jim Jones Revue; they are a hell of a powerful band. Imagine if AC/ DC, the Stones, the Troggs and Doctor Feelgood all drank in the same pub and became the house band. It would be very much like the Jim Jones Revue. We wandered over to the Rock Stage for the first part of Funeral For A Friend’s set. They definitely do what it says on the tin with their excellent brand of hard punky tunes. After that we returned to the Festival Republic stage for the magnificent Spector. I suppose you could compare them to the Killers in sound, but they are so much more than that. The audience loved them.

Then it was time for Sunday night’s headliners; the regal and magnificent Biffy Clyro. ‘Mon the Bif! This was the first time in eight Reading appearances that they have headlined the Main Stage and after this performance they will do it again in the future too. They were clearly well rehearsed and fired up for this show. For me they were the best headliner of the weekend by far and definitely in my top 5 of all time. The highlights for me were “Many To Horror” and “Black Chandelier”. The light show, the stage set and the pyrotechnics were amazing and added to a stonking performance from Scotland’s finest. Let’s hope they are back soon. As for myself and my good mate Nick Horslen; will we be back next year? I think there is a bloody good chance that we will be.

 

Reading Festival 2013 – Day 2 – Saturday 24th August August 25, 2013


We’ve made it to day 2 once again and so has the rain. But it wasn’t too bad when we arrived and we have never let the weather dampen our spirits before so we won’t this weekend either. We had earlier decided to spend most of the day in the NME/ Radio 1 tent; not because of the weather though. It was what looked like a great line up that drew us in. Was it a great line up in reality? Well you’re going to have to read on to find out aren’t you.

Sadly we missed Childhood (that’s the band and not our formative years). But we arrived in plenty of time to see the very fresh and very funky Theme Park. If you owned a giant blender that blended music you would need to add Talking Heads, Haircut 100, Fine Young Canibals and a dash of x factor to create this excellent band. I mean the true x factor, not the shit peddled by ITV in the disguise of a talent show. I can feel a Theme Park download or two coming on when I get home.

Then from New York we had the very original Darwin Deez. From their boy band/ Motown formation funky dancing routine interludes to their gutsy, funky, dirty rock sound they were tremendous. The crowd, including me and my good friend Nick loved them. If you have not heard them yet then you really should check them out because deez boyz are good. (Sorry I couldn’t resist that). Deaf Havana were the next band to arrive and oh boy did they arrive with a bang. Their lead singer told us at one point that they made honest music, i.e. without backing tracks. So for today these are my first  does what it says on the tin act. They have energy, funk (we have seen a lot of that this year so far), style, great songs and a really tight band. Their album comes out next month and I for one will be downloading it. Deaf Havana; not deaf, not from Havana, but for being such a great live band they deserve the finest cigars Cuba can offer.

Were Deaf Havana referring to Modestep when they talked about honest music and not using backing tracks? Possibly not but Modestep did use a lot of preprogrammed backing and samples. But let me clear this is not a band into lip synching. They had the deepest bass sound of the festival so far. It was so deep you could feel your internal organs start to melt. They were also incredibly loud. They really used the full power of smoke and pyrotechnic flame bursts too. For me they ought to be in the Guinness Book of Records for the most mentions of Reading in their interaction with the crowd. If I had to describe their sound I would say it suggest the kind of noise you might hear if the Prodigy had a bum sex orgy with Enter Shikari while being filmed by Lemmy Kilminster. Incidentally they seem to have a fanatically loyal following and the tent was packed very tight. Especially when the circle pits broke out. They were very good, but not the sort of band I would listen to outside the confines of a festival. But they probably had the most energetic crowd of the day too. Interestingly like many bands appearing in recent years they used to come to this festival as punters.

The Palma Violets were lively and punky and were clearly up for a good time and they gave us all a great time. Similar to Modestep these guys were festival goers who in fact met here four years ago at camp site Yellow 7. Is there anyone there this year who will be on stage in a few years? If they are this good then let’s hope so. You would n,t see this bunch as a blues band but I was interested to see that one of their vocalists was sporting a B B King t-shirt. You don’t get many of those at Reading do you? I would advise you to check out the Palma Violets, you won’t be disappointed. Can I ask who is Harry Violet please?

One of the acts I had been looking forward to this year was Johnny Marr, or according to a t-shirt I saw Johnny Fucking Marr. This was does what it says on the tin moment number 2 for me today. Although Johnny has a much bigger tin to draw from than many others. His new solo stuff sounds pretty fresh and vibrant. He also played a great cover of “I Fought The Law”. But of course this crowd was by far the most middle-aged of the day and there were mass outbreaks of Morrissey-like Dad dancing throughout the set especially when Johnny played a few songs from a band he once was in. You might have heard of them, they were called the Smiths! He played a number of Smiths songs including “Stop Me If You Heard This One Before”, “Big Mouth Strikes Again”, “How Soon Is Now”, “This Charming Man” and the set closer was a really heartfelt version of the delectable “There Is A Light That Never Goes Out”. This had us all singing along at the top of our lungs. On the count of three now, ‘if a double-decker bus crashes into us…….’

How had the Imagine Dragons had passed me by up to now I do not know. But I am glad I have found them now. They could be the most percussive band on the planet right now. There are elements of Arcade Fire and the Killers in their sound. They are in fact from Las Vegas just like the Killers. Their songs are powerful, catchy and memorable. I may just have to download their album as well. I would definitely pay to see these guys again as you should! What can I say about Tame Impala? They certainly seemed to channel Pink Floyd with a blend of dance music. Their psychedelic screen shows were brilliant. Their lighting almost suggests that they don’t really want to be seen. Their sound is based around extended psychedelic wig-outs wer excellent but it does make you wonder how the hell they rehearse their stuff. A fab band though.

Someone else I was looking forward to seeing, having seen him in York earlier this year was Jake Bugg. He did not disappoint he played a great selection from his first album and a couple of new songs that will probably form a part of his second. His acoustic version of “Broken” was emotional and incredible. Was there anyone who was not singing along? I doubt it. He also played a storming cover of Neil Young’s “Hey Hey My My”. Which magnificently made up for Neil cancelling on me last weekend. I am looking forward even more to Jake’s second album even more now. If you have never heard Jake Bugg, then where the bloody hell have you been?

Just after Jake Nick and I were joined by a woman who we believe was very much under the influence of something; more likely substance than alcohol. Her name was Amy and she decided that Nick and I were her new best mates. Her 14-year-old daughter and her niece were also at the festival but she seemed to have no idea where and no idea as to how to contact them. Nick was going to stay to watch Alt-J (and incidentally he tells me they were fantastic, really energetic and the crowd loved them) and I was going to the main stage for Eminem. Amy wasn’t going anywhere on her own and I drew the short straw as she accompanied me to see Mr Mathers. In fact she stayed with us until we left the arena; we left her at the taxi rank. Amy we hope that you got home ok. Anyway back to the music. I missed the first part of Eminem’s set as it clashed with Mr Bugg. But what I did see was fantastic. When I saw him here in 2002 I was a little disappointed and I felt that he could have been better. He was so much better this year. All the hits were there; including a great version of “Stan” with an appearance from Dido to reprise her previously sampled vocal live. The pinnacle of Marshall’s performance though was the encore and closer “Lose Yourself”. How good is that song? So we’re now two-thirds of the way through the 2013 festival and it has been superb so far. Bring on day 3.

 

Reading Festival 2013 – Day 1 – Friday 23rd August August 24, 2013


So here we are once again and Nick Horslen and I have arrived at the Reading Festival site for the umpteenth year. I think it’s more than 10 years for us as a team. As for me I have missed only two from the last 20 years. I attended my first ever Reading in 1976 and got in through a hole in the fence, which doesn’t seem so easy to do nowadays. Today turned out to be the hottest day at the Festival for a few years; for the weather at least!

Wytches (why is there a new wave of making your band’s name appear to be from ye olde English language?) were first up they sound a little Doorsy and their guitar wig-outs were like a harder edged garage band. Pretty good though.
King No-one from Leeds were on the BBC Introducing stage; fans of Vampire Weekend maybe? I like these dudes.
Night Engine are channeling the vocal ghost of Billy McKenzie and answering the questions can gingers rock and can they funk? The answer in my opinion is fuck yeah! Irish band  Kodaline come on like the bastard love sprogs of Bono and  Chris Martin but with more balls! This band deserves to  be HUGE!
If you want top performance power pop look no further than the fabulous Parquet Courts. Top band! So what were New Found Glory like? As the sign said ‘Pop Punk’s Not Dead! Right on. They played the whole of the  Sticks and Stones’ album.

Next came our first visit to the comedy stage for the excellent Shappi Khorsandi and Idiots of Ants who weren’t so good. They weren’t really able to engage with the audience.

Does what it says on the tin no. 1; Frank Turner – mightily awesome! Although perhaps not as awesome as I have known him to be in the past. His Mum introduced him, which was a nice touch. He also had a Cobain moment as he was pushed on to the stage in a wheelchair; his Mum explained that he had a bad back, however he stayed in the chair for about a minute! Interestingly he got the whole of the Main Stage crowd, including us, to sit down for one of the choruses of “Photosynthesis” to which we all sang along. Now that is a little ironic given that the chorus starts with the line ‘I won’t sit down’

We met 3 thirds of the Tuts and half of Colour Me Wednesday outside the Festival Republic Stage! I saw the Tuts earlier this year when they supported Kate Nash and I am looking forward to seeing Colour Me Wednesday later this week in Leeds. If you are reading this post and you haven’t heard the Tuts or Colour Me Wednesday then I order you to do something about that!

Has Marc Bolan been reincarnated? Nope it’s the Temples on the Festival Republic stage! Kate Nash is supremely talented and after her set I am now an even bigger fan than I was when I saw her in York earlier this year. It was great to see Nadia Tut make it onstage eventually too! A brief note to the festival organisers; what is wrong with a bit of a stage invasion instigated by Kate herself? It would have been fun and no harm would have been done. But at least three people made it up.
System of a Down on the Main Stage; loud, heavy, technically superb but would I ever listen to them outside the confines of a festival? I doubt it. Does what it says on the tin number 2; Green Day. They were very, very good and certainly had more energy than last years Friday headliners the Cure. But in a way it is kind of identikit pop punk. They played the whole of the ‘Dookie’ album, which will be 20 years old next year. I felt that apart from a few songs it hasn’t aged well. “Basket Case” will always be a classic though. The light show was superb and Billie Joe‘s stage presence is unquestionably great. The best part for me was the storming encore of “American Idiot” (I do believe I will never tire of that song) and “Jesus Of Suburbia“. Then just when we thought it was all over Mr Armstrong came back on for a solo acoustic rendition of “Time Of Your Life”. All in all a pretty good day. Now bring on Day 2!

 

“You’ll take me aside, and say ‘Well, David, what shall I do?'” – David Bowie Is Happening Now – Cinema Event 13th August 2013 August 13, 2013


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Back in May it was my pleasure to visit the marvellous ‘David Bowie Is’ exhibition at the Victoria and Albert Museum in London. Click here to see my post about the museum visit. Well that exhibition is now ready to go on tour and the exhibits will soon be on display in Toronto, Canada. The show at the V & A closed on Sunday 11th August, but as a special send off there has been a nationwide cinema event live from the museum as a kind of epilogue before it moves abroad.

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It was presented by the two curators Victoria Broackes and Geoffrey Marsh. Other guest presenters included author Hanif Kureishi who went to the same school as Bowie and wrote the Buddha Of Suburbia for which David wrote the soundtrack. Japanese fashion designer who provided many of Bowie’s more outlandish Ziggy garbs and choreographer Michael Clark also presented. The amusing and intelligent persona that is Jarvis Cocker had a chance to say his piece. There were many others too, but sadly no appearance from the main man himself.

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But a look behind the scenes and some wonderful background explanations from the curators made up for that to a small degree. It was a well put together and well-informed send off for such a major exhibition which was seen by more than 300,000 people and up to 20,000 in cinemas across the UK this evening. Like many people I was glued to the TV watching Top Of The Pops on July 6th 1972 when Bowie and the Spiders made that now seminal appearance to perform “Starman”. I was transfixed then and have been hooked ever since. If you plan to see this exhibition on its tour I would love to hear from you and I am sure it will blow you away!

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