With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Leeds Festival 2021 – A Stream Of Consciousness August 26, 2021


I have grown up with Reading Festival and some time after I moved to the frozen north I switched to the other part of this great festival, Leeds. I went to my first Reading in 1975, me and some mates bunked under the fence and in the limited time we had on the site (we had to catch the last train home) we saw Osibisa. We got in that way for three years in a row, I doubt that is even close to possible these days, but back then we felt like highwaymen or the last gang in town, proper rebels. In truth though, we were a bunch of teenage chancers who thought they knew everything. I was 16 at the time and I did know everything, then I got a bit older and realised quite easily that I really knew nothing and had so much to learn. Even at my advanced years (shhhh….. don’t tell anyone, but I’m 62) I still learn something every day. But one thing I learned back on the fateful night in 1975 is that I bloody love this festival and I still do. I haven’t missed many since 1975. The last year, apart from 2020 when it was Covid cancelled, that I didn’t attend was in 2007. I switched to Leeds in 2015 (I think) after my Reading Festival buddy decided he was too old for three days in a muddy field. I plan to keep going until I physically can’t or until I’m dead! My ashes can be scattered on the fields of Richfield Avenue and at Bramham Park. Anyway the reason for this confusing stream of consciousness is that after 18 months of suffering for everyone thanks to Covid, festivals are back and for the first time in two years I will be stood in a, hopefully not too, muddy field near Leeds watching some incredible bands and artists. Highlights for me will I am sure be those listed below. I hear there is an Oasis tribute act on the Main Stage on Friday too 😉

Biffy Clyro, Yungblud, Wolf Alice, The Hunna, Sophie and the Giants and Baby Queen (Friday)

Stormzy, Mabel, AJ Tracey, the Snuts, Catfish and the Bottlemen, MK, Sam Fender, Yonaka, Boston Manor and Dinosaur Pile-Up (Saturday)

Two Door Cinema Club, Beabadoobe, Disclosure, Slowthai, I Don’t Know How But They Found Me, You Me At Six, Bob Vylan, Bull and Police Car Collective (Sunday)

Who are you looking forward to? Who do you recommend that I haven’t mentioned?

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Mayhem Virgins – Velvet Insane August 18, 2021

Filed under: Mayhem Virgins — justwilliam1959 @ 5:32 pm
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Unlucky for all you triskaidekaphobics out there but this is the thirteenth Mayhem Virgins entry. This time it is the turn of Velvet Insane who have taken Glam Rock, dusted it off, wrung its neck and made it ready for the 21st Century. These Glam Glitterati are from Sweden and take the best of the Sweet, Bowie, Mott The Hoople and others and make a sound that, while still glam based, is uniquely their own. Their social media presence and bio on Spotify describe them as “a 3-piece gang of rockers that reinvented glam rock by mixing the pop harmonies of the 70’s with the heavy sound of today” They add that they “have been moving forwards since their debut album and now they’re ready to deliver a swaggering statement” and “In fact Velvet Insane’s star is shining so bright they might be the next thing to explode!” Having listened to their debut album, ‘Rock ‘N’ Roll Glitter Suit’ a few times those statements are hard to disagree with. I think this bunch would be a brilliant support act on the next Darkness tour, so Justin and the boys, if you’re reading this please give them a shot!

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Play It Again Mayhem – “The World Must Revolve Around Me” – Little Jackie


This is the eighth song in the Play It Again Mayhem series which began earlier this year. Check out the earlier posts by clicking here (Betty Wright), here (Elton John), here (Roxy Music)  here (The O’Jays), here (John Miles) here (Steely Dan) and here (Climax Blues Band). Once I get to the tenth Play It again post there will be a Spotify Playlist! This is the first Play It again Mayhem post so far that isn’t from the 60s or 70s, this one is from the noughties, 2008 to be precise. It is Little Jackie’s “The World Must Revolve Around Me”. It is taken from ‘The Stoop’ which, for me, is one of the finest modern R & B records by a country mile. Despite the name Little Jackie are in fact a duo consisting of of Imani Coppola and Adam Pallin. Both have worked on other musical projects since 2008, but personally I think the Little Jackie work will be hard to top. The duo took their name from the Lisa Lisa versus Cult Jam 1989 hit “Little Jackie Wants To Be A Star”. “The World Must Revolve Around Me” reached the top 30 in the UK and top 30 in Ireland, it remains one of my favourite songs from the noughties, I hope that you enjoy it too.

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The Sparks Brothers – Film August 13, 2021

Filed under: Film,Review — justwilliam1959 @ 7:06 pm
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Allegedly John Lennon once said that avant-garde was French for shit. Well maybe in some cases that might be true, although not in a Gallic linguistic way of course. I know of many exceptions, notably Sparks, I remember speaking to my cousin about them many years ago and she said they are a bit avant-garde, but she meant in the true sense of the phrase. Avant-garde describes “experimental or innovative art or design, or the group of people who make them and push the envelope in their field” and for me that sums up what Sparks are and have always been, true avant-garde and definitely not shit! Sparks, for me, are the kind of musicians that kind of disappear for a while and then when they make a return it is always worth checking out what they are doing. It is now 47 years since their first major hit, “This Town Ain’t Big Enough For Both Of Us”. Since their first in 1971 they have released 26 albums, and apart from, perhaps, 1997’s ‘Plagiarism’ there have been no duds and some absolute crackers. “Kimono My House’ (1974), ‘No. 1 in Heaven’ (1979) and ‘Lil’ Beethoven’ (2002) are my favourites, what are yours.

An act who have been around as long as Ron and Russell Mael deserve further exploration and investigation and Director Edgar Wright’s wonderful new documentary film does exactly that. I saw it at the cinema recently and I was totally captivated for the full 140 minutes. Along with some great historical TV and live concert footage what I really love about it is the ongoing interviewing and narration from the brothers Mael. On top of that there are great insights from fans from Steve Jones to Franz Ferdinand via Duran Duran and many more. I will go so far as to say this is one of the best music documentaries I have ever seen and I think most music fans will enjoy even if they don’t consider themselves Sparks fans. It is a really refreshingly honest film, at times brutally so which shows Ron and Russell as outstanding human beings and obviously magnificent and massive musical talents. Of all the “out there” and envelope pushing duos such as Soft Cell and the Pet Shop Boys, let’s be honest without Sparks they probably wouldn’t have happened in such a huge way! Get yourself to your local cinema and check this film out, you will not be disappointed!

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Heartsink – Fulford Arms, York – Sunday 8th August 2021 August 10, 2021

Filed under: Review — justwilliam1959 @ 11:14 pm
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After such a long period deprived of gigs thanks to Covid this was my second in three days. I have listened a lot to Heartsink, but this was to be the first time that I saw them live, in the headline slot too. But more of them later, there were also three fine support acts. The evening kicked off with Friday Night Lights, to me they are pop punk with a much heavier and classic punk undercurrent. They have some great songs and the shared lead/ counterpoint vocals add real depth. My one small criticism is that they felt a little under rehearsed. But to be fair that is probably the case for many bands after the last 18 months we have lived through. I bought their CD, for a quid, now that is a bargain. On top of that the CD has some cracking tunes too.

Friday Night Lights

Next up were Covent, the name means Church or Monastery apparently. This lot are very heavy with an added dash of prog rock thrown into the mix. The lead singe has a brilliantly gruff vocal which conveys emotion really well. The drummer could give Animal (from the Muppets) and Keith Moon a run for their money. The break down on “Colour Drain” shows a softer, more soulful side to Covent. They also win the evenings best beard award which I award to the bass player in honour of the late, great Dusty Hill.

Covent

Shark Bait from Leeds were next and what a supremely tight band they are. Some amazing songs with a heavy take on kitchen sink dramas in the lyrics. “Drip”, about a leak in a crap house they shared in Doncaster, is a particularly good example of this. The front man/ lead vocalist is clearly also a great entertainer who really understands the crowd. The cover of Cyndi Lauper’s “Girls Just Want To Have Fun” was an inspired and exceptional choice of a cover. It was everything a cover version should be, very different and not just some bland boy band facsimile. The rhythm is an absolute powerhouse, the bass player even makes the full Lemmy pose when playing. How the fuck have I not come across this band before now?

Finally it was time for Heartsink, playing their first gig since March 2020. Badge this lot as just another pop punk band at your peril. Sure they have a lot of pop punk elements but they are so much broader and deeper than that. The acoustic tune was very special. This band has definitely not reached their peak but they are clearly on a very fast trajectory to get there. It is seeing bands like this, who are clearly having fun, which makes me realise how much I have missed gigs during these awful Covid times. All the bands on the bill tonight were very god and some were very tough acts to follow. But I reckon Heartsink smashed it, although Shark Bait were a very close second.

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Tommyrot – York Vaults – York – Friday 6th August 2021 August 9, 2021


This was my first proper non-seated gig for 18 months and it felt great, a little weird, but great nonetheless. First on stage were Where’s Slater? These guys formed while at York University and on their social media they say that they “could be defined as a band, we prefer ‘search party'”. Personally I reckon they are a good band, I have no evidence to say how good a search party they are though. Although I think they were missing two band members so maybe they aren’t ready to be a search party just yet. Anyway they played a barnstorming set the forefront of which was the great vocals from their singer who has a touch of Kurt Cobain spliced with a pinch of Jim Morrison. They did some great covers including Nirvana and Queens Of The Stone Age. But the highlight for me was their quirky and brilliant cover of XTC’s “Making Plans For Nigel”.

Where’s Slater?

Unfortunately YouVee were unable to make it so their last minute stand in was Leeds band Flat Moon. The hit the stage like they owned it. The drummer is one of the finest that I have heard in a long while. That added to booming and choppy bass and Billy Whizz funky guitar made a sound like Parliament/ Funkadelic fronted by Nile Rogers but with a deep rock vibe. Their cover of the James Brown classic “Sex Machine” was off the scale and through the stratosphere. I loved the way they had so much fun with it, even changing it briefly to a funky love song about a washing machine! One of their own compositions, “Demise” I think was late night jazz club in style, and my good mate Eddie Parkinson remarked that the band could do a great take on the theme tune to any Pink Panther remake. Their Hendrix cover was hard heavy and oozed funky blues. So if George Clinton had P-Funk I reckon Flat Moon have F-Punk with their funk sounds supported by a punk attitude. I am now a huge Flat Moon fan!

Flat Moon

Pleasure Centre from Sacrbados were next and at the start I thought they sounded a bit proggy, but I mean that in a good way. I think the band have great potential but I don’t think they are quite there yet, not for me at least. The guitarist and the drummer are extremely bloody good at what they do. I felt the vocals were mixed a little low down tonight, which was a shame as it felt like the singer had a good voice, which was more apparent standing near the stage. and I need to explore some of the bands recorded output to get a better feel for them. I mentioned Prog earlier but maybe they are a bit shoegazey too. A hard band to put into a specific genre box.

Pleasure Centre

Finally it was time for Tommyrot who formed while at the Access Creative College in York. I have reviewed a few of their singles before and everyone of them has been great. They are a truly eclectic band who looked like they were having great fun while they were on stage. I once described them as “Weird, wacky, wayward, waggish, witty, wonky, whimsical, wonderfully eclectic, stylistic nut jobs” and having finally seen them live I stand by every word of that. They transfer their recorded work to the live environment incredibly well. The highlight for me was my favourite Tommyrot song “Drugs”, even if you don’t do drugs you need to do that song and you need to become a Tommyrot fan!

Tommyrot
Drummer Rhys focussing really hard while hand writing the Tommyrot set lists!

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The Mayhem Monthly Top 20 Artist Chart – August 2021 (and July 2021) August 8, 2021

Filed under: Mayhem Top 20 Chart — justwilliam1959 @ 11:30 pm
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In the first post in this series I told you that in January I discovered a site called Obscurify. It claims to tell you how obscure your listening on Spotify is. Compared to the rest of the UK I am now supposedly 90% more obscure than other users, while I will take that it has dropped from 91% since June! It also lists my most obscure artists, which currently are

Woke Up Dead

Promethium

Hats Off Gentlemen It’s Adequate

Penfriend

Stackridge

So who were the top artists for July (9th) and August (1st)? Check the full lists below, but I can reveal that the Eagles were top in July and no surprise, David Bowie was back on top in August. There are a few new artists in there but also plenty of classic acts. It would be fair to say that as I share this Spotify account with my wonderful wife Catherine (a.k.a. Catwoman) a few artists finished much higher than they might have done if they were only my choices 🙂 Notably Julia Fordham and Neil Diamond.

Mayhem’s Top 20 Artists on Spotify (July 9th 2021)

Eagles
Julia Fordham
Biffy Clyro
Paul Weller
Liz Phair
Neil Young
Little Feat
Avalanche Party
Jackson Browne
Sunflower Thieves
George Michael
Alice Simmons
Children Of Zeus
James Brown
Detroit Cobras
Billy Paul
Harold Melvin and the Blue Notes
O’Jays
Eels
Delilah Bon

Mayhem’s Top 20 Artists on Spotify (August 1st 2021)

David Bowie
Neil Diamond
Beatles
Linda Ronstadt
Paul Simon
Paul Weller
Curtis Mayfield
Durand Jones and the Indications
Marvin Gaye
Rod Stewart
David Essex
Sunflower Thieves
Temptations
Jackson Browne
Queen
Sex Pistols
Rolling Stones
Tavares
Stackridge
Dave

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Access Creative College York Showcase – York Vaults – Thursday 24th June 2021


I attended this rather wonderful gig more than a month ago and it may well be my final socially distanced gig. I certainly hope so! Why is the review so late? Well I only went and lost my note pad, but now it is back and here comes that long overdue review. The show highlighted the immense talent that exists and is nurtured by the Access Creative College in York. First up was Kieran of excellent local band Tommyrot. He is a talented, idiosyncratic and original songwriter and performer who at times reminded me of Jonathan Richman in his prime. The ‘sad song’ was something special and the penultimate tune was a proper happy take on life even though, as we all know, life isn’t perfect. Kieran was joined by another member of Tommyrot, Felix for the final song.

The mega talented singer songwriter Ruby Addy took the stage next armed with just a keyboard and a heavenly voice. She brought a late night, smoky, New York City jazz club vibe to proceedings. Is anything more exceptional and extraordinarily stunning as Ruby’s songs? Well I can only think of one thing more exceptional and that is Ruby’s voice! Could anyone write a more heartbreaking song than “Lady Jane”? Possibly but not many could achieve that level of sadness in a song. Ruby played her gorgeous and ethereal new single “St Philomena” and that performance convinced me that I had seen the future of torch singers and that future is named Ruby Addy! Just to prove how multi talented she is Ruby was joined by her friend and fellow student Dyl and the pair performed some rather excellent children’s songs which they had written and for this part they are called Pickleshark. There was “An Agitated Shrew Sounds Like A Digeridoo”, who knew that? Along with a song about Tom The Lizard. I love the line “I know I’m a lizard, but I wish I was a cool guy”! It won’t only be kids who fall in love with these songs.

The rather excellent Alice Simmons was next and this was pretty much the same set as I saw her do at the Centre For Early Music for the Songs Under Skies series of shows. But that does not take anything away from it. Alice was again on top form vocally and her guitar work shines. But once again I have to mention the talented Tim Downie who provided some stunning funky fretwork, particularly on the cover of “No Diggity”. On paper and acoustic cover of that song should not work, but Alice and Tim take it not just to another level, but also in a completely and refreshingly new direction! “Bridges” and “Black Coffee” were particular stand outs for me.

Michelle Jade graced the stage next with more great guitar accompaniment from the talented Mr Dowie. I heard their soundcheck earlier of and I was quite excited as that included “Freefalling” and I was right to be excited Michelle performed a stunning cover of the classic Tom Petty tune. Apparently she used the John Mayer arrangement, which was new to me. Michelle performed some of her original songs along with a few more covers. Her original tunes showcase that she has a great future while the covers amplify and enhance that raw talent. The Shinedown cover was very special indeed. She has an incredibly powerful voice, I am definitely a fan!

Next up was another talented woman with a great voice, Lily Honey. Her delivery has a clarity that is on a par with Karen Carpenter. She opened with a song called “Now You’re Gone”, at least that is what I think it was called. I think it is a break up tune and it has the makings of an epic. Lily also treated us to an unfinished song which she only started writing a few days before this gig. It is an emotionally charged, yearning love song and I loved it. Lily’s choice of covers was smart and the highlight of those for me was Baby Queen’s “These Drugs”. She proved how broad her talent is by closing with a few house tracks, including a cover of Monica’s “Shoulda Known Better”. Lily’s hosue vocals have a lilting, lamenting feel of Tracey Thorn about them and that makes these tracks very special. She played a song, written during lockdown, and released last year called “Leaving All My Love” which I think is awesome. This whole gig was a magnificent showcase for the Access Creative College in York, which is clearly oozing with supremely talented people. A big shout out to the sound guy too, another student and this was his first big gig manning the sound desk, great job!

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The WJAHOM Interview Podcast – Alice Simmons July 9, 2021

Filed under: Podcast — justwilliam1959 @ 11:12 pm
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A short while ago I had the pleasure of interviewing the supremely talented singer songwriter Alice Simmons, who in my opinion has a great future ahead of her! Alice talks about her musical influences, songwriting, ambient folk, driving a taxi and collecting bus tickets!

Click here listen to the interview, I certainly had a lot of fun doing it and I hope that Alice enjoyed it too. My dog Ziggy crashed the interview and really enjoyed meeting Alice 🙂

If you want to listen to any of the other interviews in this podcast series steer your mouse over here and click!

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Sunflower Thieves and Epilogues – Songs Under Skies – National Centre For Early Music (NCEM), York – Wednesday 16th June 2021 July 5, 2021


This was the final show of 5 of the second series of Songs Under Skies (the last was September 2020) in the grounds of the iconic and frankly gorgeous York venue the National Centre For Early Music (NCEM). Tonight we had even more local talent proving once again that York and Yorkshire bloody rock it! Before it all started though, I had the opportunity for a long chat with the supremely talented Laura Kindelan. I am definitely looking to more music from her! (No pressure Laura!) First up was Epilogues a.k.a. Mikey who regular readers will have spotted on these pages before. By his own admission Mikey writes many sad songs, but he does fill them with truly stupendous lyrics. His second song of the evening was “Sixteen” from his new EP released a few months back, yes it was a sad song, but truly beautiful too. “The Gap” was absolute epic Epilogues, even with what Mikey referred to as a nightmare chord. I loved “Two Weeks” which I believe is about a broken relationship. Mikey gave us some idiosyncratic ad libs while tuning his guitar, including the line “and the crowd went mild”. I may have to borrow that in the future. My favourite song from this set was a new one, “I’m Just Glad That You Stayed”.

Next up were an act that I had not seen or heard before, Sunflower Thieves. They are purveyors of perfectly matched voices and heavenly harmonies. They kicked off their set with the sublime “Don’t mind The Weather” which was released as a single this year. It is the perfect song for a beautiful, balmy summer evening. They played a couple of new songs, apologies if I got the titles wrong. “34 Days” and “Going Out With You”. The latter has an early 70s US West Coast coffee bar vibe. It would have fitted perfectly in an acoustic afternoon session at the Troubadour in Los Angeles back in the day. I adore “Hide And Seek” which is about being carefree and being nostalgic for childhood. It evoked many wonderful carefree and youthful memories for me. They played a tune that they wrote with the multi talented Sam Griffiths of the Howl And The Hum, but I missed the title, but it was probably my favourite of the whole night. I also really love “Heavyweight” a song about social anxiety, which I suppose couldn’t be more topical right now. I definitely want to hear more from the Sunflower Thieves and I am sure that I will!

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