With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Live At Leeds – Saturday 2nd May 2015 May 5, 2015


live-at-leeds

This year was the first time I have been around for Live At Leeds and thanks to my good friend John Hayhurst I even got a cheap ticket. On top of that John’s research on the bands, singers and venues was immaculate. After collecting our wrist bands at the First Direct arena we headed to the Key Club. The first band on stage were Forever Cult. I would describe them as a bit grunge, a bit indie and a bit classic rock. They were bloody good, “Yasmin” is a great song. All three were excellent musicians but the drummer attacked his kit like a reincarnated John Bonham. He even had a look of the great Bonzo about him too.

forever cult

We were entertained on the same stage next by the Treason Kings. They are full on heavy, hard and hairy rock at its best. Maybe with even a bit of a prog twinge. I mean who else but someone with an awareness of prog history would write a song about their chest of drawers called “Chest Of Drawers”? An excellent band in my opinion.

treason kings

After that it was a brisk walk to the O2 Academy for Gaz Coombes. I have seen him a few years ago when he was still with Supergrass, now they were a great band weren’t they? Mr Coombes solo is different from Supergrass but still su-fucking-perb.

gaz coombes

The Belgrave Rooms took us in next. We caught the last pert of Alex Burey’s set. He is a young london singer songwriter who is a bit like a jazzed up and more funky Jake Bugg with an extra added Orange Juice/ Edwyn Collins. Chloe Black was what drew us to the Belgrave. She owned the stage with her striking monochrome look and wowed us with just an iPad and a keyboard. For me she has a range of influences from Amy Winehouse to Bjork via Ballad Madge (a.k.a Madonna) She seemed a little nervous at first but it was a really packed house.

chloe black

We made a dash to get to a small bar called Milo’s for the highly recommended Crybabycry. The bar is quite small and rammed to the rafters with punters. That might have helped or hindered a performer or band. But I believe Crybabycry raised themselves for it. They are a truly stupendous band. Their songs are often underpinned by a classic glam rock drum beat from a very talented drummer. All three are very talented musicians and their songs are wonderful. I can hardly wait to see them again, but I will see them next month at the Apollo Festival in York.

crybabycry

After this and a brief burger stop we whizzed over to the Holy Trinity Church where we stayed for the rest of the afternoon and evening. Being an old church the acoustics are fabulous. Frances was first on for us. Great voice – Tick, great pianist – Tick, Great songs – tick. She clearly ticks all the boxes for me and has the gifts and talent to be really successful.

frances

The second act we saw in the Holy Trinity Church was Freddie Dickson and the Guard. What a fucking amazing find they were. I thought that I was detecting shades of Coldplay and Radiohead and then I thought nope these guys are very much of their own making. I believe that they are probably one of the best young bands that I have seen in years and believe me I have seen some great young bands; Avalanche Party and the Tuts to name but two. Freddie’s voice is off the scale of phenomenal rock voices. This band really ought to be huge!

freddie dickson and the guard

Having settled in to our prime spot on the pew just in front of the stage we were next entertained by Seafret. They might look a little like Simon and Garfunkel but they come across like a turbo charged and folky McAlmont and Butler. They are from Bridlington, they are Seafret and they are bloody marvellous.

seafret

 

The penultimate performer for our time at Live At Leeds was Laura Doggett. She has a brilliant band, an amazing voice and her songs are truly captivating. I felt there were quite a few influences in her songs and performance; Florence, Kate Bush and Stevie Nicks. It was a superb set, the one thing that didn’t work for me though was the often very twee between song conversation.

laura doggett

Finally it was time for Lucy Rose, or perhaps it wasn’t time. The were a multitude of equipment problems for which Lucy apologised, although clearly it wasn’t her fault. Eventually she had the techie set up a microphone and an acoustic amp, whereupon she came out and took requests, from her first album. Not many artists would have the commitment and the balls to do this, let alone actually pull it off. But Lucy Rose really did make it work. Eventually the equipment problems were sorted and she was able to perform some of her planned set. Lucy Rose; a trouper, a true performer and a great singer-songwriter. The packed audience loved her and frankly so did I.

lucy rose

 

And finally it’s the public service announcement. All the videos ( a selection of artists that we saw on the day) are courtesy of YouTube and all the photos are courtesy of rock photographer John Hayhurst. (I borrowed them from your Facebook page Mr H)

 

“And there won’t be snow in Africa, this Christmas time” December 23, 2010


Getting closer to the big day by the hour now and behind one of the few remaining perforated cardboard door flaps on my UK Christmas Number Ones Advent Calendar today, December 23rd, is a song that has been the Christmas number one on three separate occasions and technically by different acts each time. It was number one firstly in the Christmas of 1984, then in 1989 and most recently in 2004. It was the last UK Christmas number one before the X Factor winners had four years in a row, finally broken last year by Rage Against The Machine. You have probably guessed that the song is “Do They Know It’s Christmas” originally by Band Aid in 1984, then Band Aid II (1989) followed by Band Aid 20 (2004). Maybe it’ll be top again for the 30th anniversary in 2014.

It was number one fora total of 12 weeks; 5 weeks in 1984, 3 weeks in 1989 and 4 weeks in 2004. The song was written by Bob Geldof off of the Boomtown Rats and Midge Ure off of Ultravox after they had seen the news coverage of the 1984 famine in Ethiopia. They had aimed to raise money for famine relief and the single and subsequent Live Aid concert probably went way beyond their initial expectations. It sold more than a million copies in its first week alone and went on to sell 3.5 million copies. It remained the fastest and highest selling UK single until Elton John’s rerecording of “Candle In The Wind” following the death of Princess Diana in August 1997. The song was recorded on November 29th 1984 at SARM Studios in London after Geldof gathered the great and good of pop music at the time. The opening line was originally written for David Bowie, who was unfortunately unable to make it, so it was done by Paul Young. The single was released just 4 days after the recording on December 3rd 1984 and remember this was way before the days of downloads.

Midge Ure produced the original version, it was offered to Trevor Horn but he was not in the UK at the time. Stock, Aitken and Waterman produced the 1989 version. Some artists such as David Bowie and Paul McCartney were unable to be at the recording of the original so provided messages that appeared on the B-Side. Members of Bananarama appeared on the 1984 and 1989 version whilst Bono sang the same line in 1984 as he did in 2004; ‘Well, tonight, thank God it’s them, instead of you’. On the 2004 version Dizzee Rascal also added some new lyrics.

The artists that appeared on each version are listed below;

BAND AID (1984)


Bono, U2,   Phil Collins, Bob Geldof, Boomtown Rats,  Tony Hadley, Spandau Ballet, Midge Ure, Ultravox, Simon Le Bon, Duran Duran,  Paul Young,  Heaven 17,  Marilyn,  Bananarama,  Jody Watley,   Paul Weller, Kool & The Gang,  George Michael , Status Quo, Boy George, Culture Club,  Sting, Holly Johnson, Big Country

BAND AID II (1989)


Bananarama,  Big Fun, Bros, Cathy Dennis,  D Mob,  Jason Donovan,  Kevin Godley,  Glen Goldsmith,  Kylie Minogue,  Pasadenas,  Chris Rea,  Cliff Richard,  Jimmy Somerville,  Sonia, Lisa Stansfield,  Technotronic,  Wet Wet Wet

BAND AID 20 (2004)

Bono,  Daniel Bedingfield,  Natasha Bedingfield,  Vishal Das,  Busted,  Chris Martin, Dido, Dizzee Rascal, Ms Dynamite, Skye Edwards, Estelle,  Neil Hannon,  Justin Hawkins, Jamelia, Tom Chaplin, Tim Rice-Oxley, Beverley Knight, Lemar,  Shaznay Lewis, Katie Melua, Róisín Murphy,  Feeder,  Snow Patrol, Rachel Stevens,  Joss Stone,  Sugababes, Thrills,  Turin Brakes,  Robbie Williams, Will Young,  Francis Healy, Danny Goffey, Thom Yorke, Jonny Greenwood, Paul McCartney, Francis Healy, Andy Dunlop, Dougie Payne

If you would like to donate to Oxfam then click here

 

 
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