With Just A Hint Of Mayhem

Music trivia, useless info, extra added random stuff and the odd rant from me

Clutch – Leeds O2 Academy – Thursday 19th December 2019 December 28, 2019

Filed under: Review — justwilliam1959 @ 9:38 pm
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This gig review was written by Phil Marsland

I had so been looking forward to Clutch at the O2 Leeds. Tickets were bought months ago, for me and my oldest school mate (both now 53!) and a pre-Christmas spectacular was planned. Two days before I got flu. Disaster. Massive fever, delirium, and doom pending massive disappointment. But I don’t let folk down. I would do everything within my power to be dosed up and present. This was probably foolish, but we made it there. Walking in during the support Graveyard to face an absolute wall of bodies and heat. I now understood the depths of my foolishness. Standing with Deano at the bar, I asked for a coke. First gig sober. Graveyard may have been good NWOCRers, but my review can’t do them justice as I was adjusting to the heat and noise and trying to stay upright. The last 2 cold and flu tablets were taken to hopefully get me through. We sidled our way to 6 back from the stage, just left of centre, and as it turned out, within bumping distance of the mad mosh.

Clutch was on, roaring “Rats” as an opener. The crowd went wild. These guys are hard southern rockin’ masters with a huge chunk of storytelling and a slice of funk. Clutch were formed in 1991 in Maryland and are 12 albums in and a real crowd favourite. Next Summer they will complete a UK festival first by playing 3 different sets at Ramblin Man in Kent. Back to the show. Neil Fallon, on lead vocals, sometimes guitar and one-time cowbell, is a crowd master. A master storyteller, performer, and actor. A southern rockin’ latterday Shakespearean performer. Never better than on “Army Of Bono” or “In Walks Barbarella”. You may choose others, and indeed there were many Clutch classics missing from their short set. But they did cram in 15 in just over an hour, including “A Shogun Named Marcus” which lit the blue touch paper in the mosh! Their encore contained their number one Spotify streamed “Electric Worry”, and the Southern classic “Fortunate Son”. And that was that. Much anticipated and much appreciated and left me wanting more. Rock n roll adrenalin got me through the flu, at least for a few hours. Onwards into 2020 and their triple set in Kent, along with a little known band called Lynyrd Skynyrd.

All the photos apart from the gig poster were taken Phil Marsland. The videos were all found on YouTube if one of them is yours and you would like a credit or for me to remove it please let me know. 

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Live At Leeds – Saturday 2nd May 2015 May 5, 2015


live-at-leeds

This year was the first time I have been around for Live At Leeds and thanks to my good friend John Hayhurst I even got a cheap ticket. On top of that John’s research on the bands, singers and venues was immaculate. After collecting our wrist bands at the First Direct arena we headed to the Key Club. The first band on stage were Forever Cult. I would describe them as a bit grunge, a bit indie and a bit classic rock. They were bloody good, “Yasmin” is a great song. All three were excellent musicians but the drummer attacked his kit like a reincarnated John Bonham. He even had a look of the great Bonzo about him too.

forever cult

We were entertained on the same stage next by the Treason Kings. They are full on heavy, hard and hairy rock at its best. Maybe with even a bit of a prog twinge. I mean who else but someone with an awareness of prog history would write a song about their chest of drawers called “Chest Of Drawers”? An excellent band in my opinion.

treason kings

After that it was a brisk walk to the O2 Academy for Gaz Coombes. I have seen him a few years ago when he was still with Supergrass, now they were a great band weren’t they? Mr Coombes solo is different from Supergrass but still su-fucking-perb.

gaz coombes

The Belgrave Rooms took us in next. We caught the last pert of Alex Burey’s set. He is a young london singer songwriter who is a bit like a jazzed up and more funky Jake Bugg with an extra added Orange Juice/ Edwyn Collins. Chloe Black was what drew us to the Belgrave. She owned the stage with her striking monochrome look and wowed us with just an iPad and a keyboard. For me she has a range of influences from Amy Winehouse to Bjork via Ballad Madge (a.k.a Madonna) She seemed a little nervous at first but it was a really packed house.

chloe black

We made a dash to get to a small bar called Milo’s for the highly recommended Crybabycry. The bar is quite small and rammed to the rafters with punters. That might have helped or hindered a performer or band. But I believe Crybabycry raised themselves for it. They are a truly stupendous band. Their songs are often underpinned by a classic glam rock drum beat from a very talented drummer. All three are very talented musicians and their songs are wonderful. I can hardly wait to see them again, but I will see them next month at the Apollo Festival in York.

crybabycry

After this and a brief burger stop we whizzed over to the Holy Trinity Church where we stayed for the rest of the afternoon and evening. Being an old church the acoustics are fabulous. Frances was first on for us. Great voice – Tick, great pianist – Tick, Great songs – tick. She clearly ticks all the boxes for me and has the gifts and talent to be really successful.

frances

The second act we saw in the Holy Trinity Church was Freddie Dickson and the Guard. What a fucking amazing find they were. I thought that I was detecting shades of Coldplay and Radiohead and then I thought nope these guys are very much of their own making. I believe that they are probably one of the best young bands that I have seen in years and believe me I have seen some great young bands; Avalanche Party and the Tuts to name but two. Freddie’s voice is off the scale of phenomenal rock voices. This band really ought to be huge!

freddie dickson and the guard

Having settled in to our prime spot on the pew just in front of the stage we were next entertained by Seafret. They might look a little like Simon and Garfunkel but they come across like a turbo charged and folky McAlmont and Butler. They are from Bridlington, they are Seafret and they are bloody marvellous.

seafret

 

The penultimate performer for our time at Live At Leeds was Laura Doggett. She has a brilliant band, an amazing voice and her songs are truly captivating. I felt there were quite a few influences in her songs and performance; Florence, Kate Bush and Stevie Nicks. It was a superb set, the one thing that didn’t work for me though was the often very twee between song conversation.

laura doggett

Finally it was time for Lucy Rose, or perhaps it wasn’t time. The were a multitude of equipment problems for which Lucy apologised, although clearly it wasn’t her fault. Eventually she had the techie set up a microphone and an acoustic amp, whereupon she came out and took requests, from her first album. Not many artists would have the commitment and the balls to do this, let alone actually pull it off. But Lucy Rose really did make it work. Eventually the equipment problems were sorted and she was able to perform some of her planned set. Lucy Rose; a trouper, a true performer and a great singer-songwriter. The packed audience loved her and frankly so did I.

lucy rose

 

And finally it’s the public service announcement. All the videos ( a selection of artists that we saw on the day) are courtesy of YouTube and all the photos are courtesy of rock photographer John Hayhurst. (I borrowed them from your Facebook page Mr H)

 

Jimmy Cliff – O2 Academy, Leeds – Monday 18th August 2014 August 19, 2014


Jimmy-Cliff_2604887b

I bought a couple of tickets for this gig on a whim a few weeks ago. I have always liked Jimmy Cliff and I still have a ‘best of’ and the soundtrack for ‘The Harder They Come’ in my collection. Back in the olden days I owned maybe half a dozen Jimmy Cliff 7 inch vinyl 45 rpm records. My lovely wife Catherine (a.k.a. Catwoman) came with me. But I had warned her that the Academy was not a seated venue.

Anyway the lack of seats was not a problem at all as this quickly became one of the best gigs either of us had ever been to. Jimmy is a true entertainer; magnificent stage presence, fabulous rapport with his audience, an amazing band and, even after all these years a wonderful voice. It’s so hard to believe that he has been recording and playing live for more than 50 years! He opened with the sparse but supreme “Bongo Man A Come” which he seamlessly blended into a cover of the classic Ethiopians song “Rivers Of Babylon”. The proper one that includes the Far-I references, not the bland and sanitised rubbish that Boney M had a hit with in the late 70s. from the off Mr Cliff had the whole audience eating out of his hands. When he said sing, we did. When he said shout, we did. When he said wave your hands, we did. When he said jump, we did. When he said clap, yes you guessed it, we did!

jimmy cliff

All the hits were there “You Can Get It If You Really Want”, “Miss Jamaica”, “Wonderful World, Beautiful People”, “Many Rivers To Cross”, “The Harder They Come”, “Sitting In Limbo”, “The World Is Upside Down”, “Hard Road To Travel” and an excellent “Vietnam” which he used as a chance to plead for world peace by replacing the chorus with references to other world conflicts and trouble spots; Afghanistan, Pakistan, Israel and more.

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The cover versions that Jimmy has done over the years always seemed carefully selected and he performed them magnificently tonight. These included Cat Stevens’ “Wild World”, Johnny Nash’s “I Can see Clearly Now” and a rather excellent song from the Lion King, “Hakuna Matata”. Catwoman and I had sore feet by the end of the evening from all the fancy footwork we attempted. We danced the Ska, rocksteady, reggae and others like nobody was watching. There was some really mental dancing going on around us too. In fact the audience may have been more worn out than Jimmy Cliff at the end. He still looked fresh after remaining on stage for nearly two hours including three encores. When he comes back to dear old Blighty I will definitely be in the queue for tickets and I urge you to do the same. You will not be disappointed! And finally, please note that none of the pictures or the videos on this post were filmed by me. I was too busy enjoying the show! None f them are actually from this show either.

 

 
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