With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

The Ukrainians – The Crescent, York – Saturday 9th April 2022 April 17, 2022

Filed under: Review — justwilliam1959 @ 3:09 pm
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This was a benefit for the refugees fleeing from Putin’s war and brutality in Ukraine and fittingly was headlined by the Ukrainians, an English band of Ukrainian heritage. They are the first band to fuse western rock and punk music with traditional Ukrainian Folk Music. But more of them later as there were some rather classy support acts on first. La Rissa was the opening act, on her own rather than the usual duo as the drummer was sidelined thanks to that bastard Covid. What does La Rissa sound like? Like the legacy of the early 80s Blitz Kids. The illegitimate offspring of Steve Strange and a post-Vince Clarke Depeche Mode with David Bowie acting as midwife. She has a great selection of simply gorgeous synth sounds which at times took me back to very early Human League. Her voice soars over the music and she has some rather excellent songs. The highlights for me were “Ultraviolence” and “A Man’s World”. But the track that topped even both of those was “Eat The Rich”, which definitely deserves to be described as awesome! Get La Rissa into your lives now.

La Rissa

Next up was 1919, a band who have a considerably lengthy timeline having originally formed in Bradford back in 1980. They went their separate ways in 1984, however, thanks to the birth of streaming their early recordings saw a hearty interest in 1919 maintained. This culminated in the band reforming in 2014 with most of the original members. They have released two albums since then and appear to be building up a great following. The band’s sound has so much in it. There is punk, post-punk, and goth amongst so much more. Imagine the Psychedelic Furs forming a supergroup with the Sisters Of Mercy but only playing punk songs with passion and supported by a guitarist who sounds like a fully punked-up The Edge from U2. 1919 have some staggeringly good songs in their canon. In particular “Caged”, “Dream” and “Anxiety”. Although, despite such great competition and quality, for me, nothing could top the towering splendour of “Cry Wolf”. If you love great music check out 1919.

1919

Finally, it was time for the headliners, the Ukrainians. These guys are a truly awesome party band fusing traditional Ukrainian folk with western rock influences drawn from classic rock, punk, and post-punk. They are a band that proves very strongly the point that music is a universal language. I only speak English, but did that stop me from enjoying a set in which all the songs were sung in Ukrainian? Of course, it didn’t! The super, super-fast workout out on the traditional Ukrainian folk dance number “Hopak” was truly immense beyond words. Everyone in the crowd, particularly the hardcore fans near the front, performed their own interpretive dance to it, as requested by the band. As for me I just performed a very light Frug near the speakers. The band’s cover of the Velvet Underground’s “Venus In Furs” with Ukrainian lyrics, which might have been about drinking, was a work of genius. During a short tuning break, one of the band read out the words to the Ukraine National Anthem. Very powerful and inspiring words which show up the UK National Anthem for the vile, dull dirge that it is. There was another cover, this time of the 60s Mamas and Papas smash, “California Dreamin'” and this was a total psych fest. They played one of the first songs that they ever wrote, which is about a soldier going away to fight for his country and asking his countrymen to pray for him. As the band said the world has come full circle since then. They wrote this song 30 years ago, around the time that Ukraine became an independent state back in 1991. перемога україни!

All pictures, except the gig poster, were taken by me using my very cheap Chinese Android phone. The videos were found on YouTube. If the video is yours and you would like a credit or for it to be removed please let me know.

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Mik Artistik’s Ego Trip – The Crescent, York – Saturday 5th March 2022 March 8, 2022


I was able to attend this gig with our newest writer, Juan Brooks, and just before the gig over a couple of hot coffees (we’re proper rock ‘n’ roll) we decided to do this review as a collaboration. So while it is written in the first person the thoughts and words are from both of us. This is a different approach for us and we hope that you like it! being back at the Crescent (a first-time visit for Juan) was great and Joe, Head Honcho of Please Please You, and one of the Crescent’s Kingpins had lined up a great show. Sadly one great band, Cowgirl, had to pull out thanks to that bastard Covid. First up were the Surfing Magazines a relatively new garage-rock group from Leeds. They are made up of two-thirds of The Wave Pictures and one-half of Slow Club. Their surf-style instrumentals were spectacularly good and on these the Surfing Magazines really came into their own. The Dick Dale guitar licks were brilliant. Their cover of Jonathan Richman’s “Egyptian Reggae” transformed the tune into something that would be perfect on a Tarantino soundtrack. In fact, the Surfing Magazines would make an excellent choice as a bar band in a Tarantino film. Their country rock vocal harmonies were incredibly powerful and at times were reminiscent of the Everly Brothers, Crosby, Stills, Nash & Young, and even Beatlesesque in some parts. The guitarist was supremely versatile going from the aforementioned Dick Dale, some Bo Diddley riffs, and the intricacy of Television’s Tom Verlaine. Even the broken guitar string didn’t phase the ace axeman. A powerfully good band!

We had both listened to some tracks from the headliner, Mik Artistik’s Ego Trip before the gig and neither of us could put them into any specific genre. Mik has elements of observational comedy across a great rock sound. But that is only part of what and who he is. Both of us had perma grins for the whole set, if you failed to smile during Mik’s set then you need your happy muscles checked. Mik is a very funny bloke and a great observer of the minutiae of human life. Almost every song has some everyday references from Dad muscles, playing horsey, betting shop pens, stuff you find down the back of the armchair and libraries. Indeed “Libraries” is an awesome track. Mik appears to be completely chaotic, but clearly knows what he is doing and that just plays to him putting on a great performance and a wonderful show. His energy is boundless, is he really 66? While he uses the spoken word approach a lot he does possess a fabulous singing voice that flits from punk, to rock, to folk, and onto ballads. There were so many highlights, “The Zumba Sign’s Come Down” and “Acoustic Synthesiser” are weird, wacky, and wonderfully hilarious. Meanwhile “DB Was A Funny Man” is a song of genius about the Dame himself, Mr. Bowie. Mik weaves in a few excerpts from Bowie hits into it too, notably “run for the shadows, run for the shadows” and “whop whop whop” from Bowie’s “Golden Years”. He also manages o get some Van Morrison elements in there too. The main highlight for both of us was “Sweet Leaf Of The North”, the whole introductory preamble and story, and then the song itself. Apparently Iggy Pop chose this as one of his highlights of the last decade. Sounds like he’s a big fan. Mik creates a sense of northern belonging and togetherness with his followers and has great fun with the audience. His affectionate and heartfelt mickey take of Vinny the sound guy was excellent too. It is worth pointing out that his band, particularly the guitarist Jonny Flockton are blessed with huge musical talent and are the perfect foil for Mik’s performance. Juan perhaps summed up Mik in one sentence by saying “for me, he is a modern-day Northern Ian Dury“! So difficult to argue with that. Both Juan and I have become Mik Artistik evangelists and will be telling everyone we meet that they need to see Mik Artistik’s Ego Trip live!

Written by Bill Adamson and Juan Brooks

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Pennine Suite – The Crescent, York – Friday 21st January 2022 January 30, 2022


This was a rescheduled show from that slack period between Christmas and New Year and I was so pleased it was rescheduled as otherwise, I would have missed it. It was also amazing to catch up with so many old friends, maybe, just maybe, we are getting back to some kind of normal. This was going to be my first opportunity to see the headliners, Pennine Suite. But before I talk about them there were three support bands who were rather spiffingly good!

The first band to take the stage was Honeytrap who I first saw back in November 2021 at the Fulford Arms when they supported Seagoth. Back then I described their set as fucking awesome! I stand by that for this show too, although I will add one word to the original two and say that they were super fucking awesome! I can sense an ancestral link with some of the finest British bands, including the Verve and the Small Faces. Kell Chambers’s vocals suggested he could give Steve Marriott and Richard Ashcroft a run for their money. His voice is soulful, passionate and at times shows he can make delicate sounds just like Kurt Cobain in the quieter Nirvana moments. Will Daniels’s guitar work is among the finest of his generation and has at least some roots back to Jonny Greenwood, John Squire, and Bernard Butler. Bassist James Butterworth kept the band ticking over with his finely tuned Rolls Royce bass lines. Meanwhile, drummer John Gilbert was absolutely on fire. This was a near-perfect set, but if you made me pick my favourite part under threat of death then I would plump for “Renegade” which was stunning. If you haven’t seen or heard Honeytrap yet then you need to rectify that immediately!

Next, it was the turn of Trueman and the Indoor League who I first saw back in October at the Crescent when they were supporting Avalanche Party. In those few months, the band has upped their game even further. Trueman is a real showman who puts across his kitchen sink, soap opera, everyday life stories like Jarvis Cocker on speed. Lyrically they are perhaps bedfellows with early Suede, the Arctic Monkeys, and Pulp, which is good company in my opinion. The band has a saxophonist this time and that broadens their sound wonderfully. As a result, they came across like a Poundland E Street Band (and I mean that in a good way) with a shot of 80s live Bowie!

 Tonight’s penultimate band was Pavilion. I last saw them back in those heady pre-Covid days of February 2020 at the Victoria Vaults in York when they supported the Golden Age Of TV. They were good then and they are even better now. Definitely one of York’s finest bands. The set tonight sounded at times like a stripped-down Cream with the odd injection of Inspiral Carpets. Olly’s guitar was at times sublime, while Noah’s vocals were first class. Even more impressive was that Olly and Noah had also played as a part of the Indoor League just before.

This was my first opportunity to see Pennine Suite live, I had seen their previous incarnation the Receivers, who are sadly no more. The band retains Nick, Louis, and Harry from that band and now they have become a five-piece with the addition of Louise and Moses. Would they just be the Receivers 2.0? Most certainly not, the expansion to a bigger band has enhanced the sound magnificently. Nick was a good frontman in the Receivers and now he is a great frontman his confidence, swagger, and voice have grown at an explosively exponential rate! There were some Receivers songs in the set, “Only Human” and “Impatience” were particular standouts. The band showed their added versatility with Louise taking vocal duties for one tune. Pennine Suite have hit the ground running and tonight they played with the firepower of a Saturn V rocket. Particularly Louis who played the drums like the fate of the planet depended on it! The Receivers are dead, long live Pennine Suite!

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A Slow Education – Day 2 – The Crescent, York – Saturday 23rd October 2021 November 7, 2021


Three bands down after Day 1 just seven to go on Day 2 of the rather marvellous A Slow Education mini Festival at one of York’s finest venues, the Crescent. Perspex took to the stage first and it is always good to have such a lively band to kick off proceedings at the start of what looked like a great day of music. Perspex have a tank full of energy and probably a whole bunch of jerry cans full of the stuff too. At their peak, they sound like prime time Clash with vocal phrasings like Steve Harley. Who doesn’t love Perspex? I was lucky enough to review Cowgirl’s eponymously titled first album a couple of months back so I was looking forward to hearing some of the new songs played live and they did not disappoint. If Carlsberg made garage rock it would probably sound like Cowgirl. This band is an MC5 for the 21st Century. The Lounge Society were next and lounge is not something they do. This is psyched up, punchy, funky rock with a hard edge, definitely not music for a relaxing night in your lounge. It is music made to make you move around maniacally while balancing like a crazed high wire walker on that fine line between genius and madness. Bands are definitely looking so much younger to old farts like me these days, but lead singer Cameron Davey belies those youthful looks with just the right measure of rock-star swagger and menace. The Lounge Society are truly a band for our age.

Cowgirl
Bull

If you like your rock sharp, funky and angular a la Talking Heads then I have no doubt that you will love the majestic Treeboy & Arc. There are some heartfelt punky vocals across some outstanding tunes that tell of real life. Bass player James Kay is bloody good and must be close to the bass skills of Flea from the Red Hot Chilli Peppers. This is funk-punk for music maniacs. This band is not afraid to show off their skyscraping, jacked-up riffs that underpin some colossal, towering tunes. Next on stage were the band that I have seen more than any other in 2021, but thanks to these bastard Covid days that is only three times. I am talking about one of York’s mightiest bands, Bull. This was another stunning set from a band that is great on record and truly awesome in the live environment. The new songs take their sublime harmonies to another level, definitely to Beach Boys proportions. Not sure why, but I have a strange vision of Bull recording and acapella cover of They Might Be Giants’ “Birdhouse In Your Soul”. Also how about a Monkees style TV show featuring scenes from Bull mansions where the ban get into all kinds of surreal adventures and psychedelic japes. That needs to be made, right? Billy Nomates might genuinely have no mates and no band on stage with her but she has balls. To take to the stage with just a laptop and stun the crowd into a trancey submission so easily takes supreme skill and she has that in abundance. Her beats are huge and so is her social conscience. Vocally she scores 11/10 for me, I am now most definitely a Billy Nomates fan. Headliners Warmduscher was highly recommended to me and I had listened to a lot of their stuff before this show. The name “Warmduscher” is German and the term literally means ‘hot showerer’, which implies the idea of someone unwilling to step out of their comfort zone or do things that make them feel uncomfortable. It stems from a German myth that taking a cold shower is considered masculine. So is this a band unwilling to step out of their comfort zone, I don’t think so. This is a great bunch of musicians from Fat White Family and Paranoid London. Their post-punk sound is enhanced by some great tunes but I felt their performance was lacklustre and lacked sparkle on the night. Maybe it was the ridiculously long soundcheck or the heavy reliance on vocal effects pedals by vocalist Clams Baker Jr. Mate you have a good voice stop messing with all the effects stuff. The jury is out for me on Warmduscher, so I hope I caught them on an off night, but I need to see them again to confirm.

Treeboy & Arc

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A Slow Education – Day 1 – The Crescent, York – Friday 22nd October 2021 November 6, 2021


A two day mini-festival at the Crescent in York, now that was a proposition too good to miss, so I didn’t, I was there for the whole caboodle and now I need to tell you what I thought of the bands and artists that appeared. Missing Kids were first and they have some great guitar work and incredibly tight drumming. I found them to be a bit shoegaze but with much bigger beats, certainly at the start of their set, but the riffage towards the end was very Strokesy. This is most definitely a good band. The second band to take the stage was Bleach Lab who produce dream indie-pop straight from the DNA of Liz Fraser (Cocteau Twins). Their sometimes inward-looking songs are brought to life by their captivating and enchanting frontwoman Jenna Kyle. The bass was deep and thunderous at times with a dub feel akin to Jah Wobble.

Bleach Lab

Headliners for day 1 were Yard Act from Leeds, a band that on paper probably wouldn’t work, but on stage and on record there really is no stopping them. Instrumentally they have classic rock, prog rock, and a powerful and hypnotic Burundi style dual drummer sound, but with only one drummer. Guitarist Sammy Robinson is an understated axe genius from the same planet as Bill Nelson. Singer James Smith hits you like John Cooper Clarke on steroids. He makes the punky story tunes come to life and he has a superb interaction with the audience. Sir Elton John is a big fan too. Their debut album drops in January and based on this evidence it will be immense!

Yard Act

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Avalanche Party – The Crescent, York – Sunday 17th October 2021 October 27, 2021


Finally, real gigs are coming back and on a regular basis too. This was the first full-on Avalanche Party gig I have seen since Covid hit, although they did do a great socially distanced show at the Crescent last December. Anyway, it is now official that I have seen this great band more times than I ever saw David Bowie, but a couple less than I have seen Frank Turner. But before I say more about Avalanche Party there were a couple of great support bands. First up was the Hazy Janes who exploded onto the stage like a two-man Led Zeppelin. Drummer Bron and guitarist and singer Ellis formed during lockdown and are clear proof that some good things did happen during the darkest of Covid days. Very regular readers might recognise Bron from previous mentions of Hunter-Gatherer and Ellis from previous mentions of Freek. Bron’s drumming huge and Ellis’s guitar skills have a lineage back through classic British rock to the Yardbirds. Meanwhile, his voice could compete with Paul Rodgers, Robert Plant, and many more. Next, it was the turn of Trueman whose songs are soap opera kitchen sink dramas that cover topics like cold calls, Flares (the awful nightclub chain where your feet usually stick to the floor), and boredom to name just a few. The frontman is like a very angry Ian McNabb at times, and I do mean that in a good way. The band is an incredibly tight unit, but what stands out most are the great tunes, especially the lyrics!

Those magnificent, sumptuous, unmatchable, mighty, matchless, sublime, peerless, resplendent, swanky, clinquant delinquents of Avalanche Party, probably the best band on the planet right now, took to the stage with moody menace and the crowd was singer Jordan’s from the first note. To steal a quote from a good friend (thank you Simon P) “there ain’t no party like an Avalanche Party” and this was a spectacular call to arms from a great band. The boys tore the roof off the Crescent and left us all feeling happy and high. Jordan was on great form and no one does that 10,000 yard stare better than he does, if you think differently bite me! Every song was a highlight from set opener “I’m So Wet” all the way to “Dream Jonny Dream”. But if you forced me to pick the highlights it would have to be “Million Dollar Man”, “Rebel Forever” and an absolutely glam storming version of “Howl”. In a parallel universe “Howl” has been at the top of the singles chart for three years. The sophomore Avalanche Party album when it arrives will be something very special!

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Bull – The Crescent, York – Friday 24th September 2021 September 27, 2021

Filed under: Review — justwilliam1959 @ 11:03 pm
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A sell out gig at the Crescent in York? Yes I kid you not, the first sell out I have been to since before Covid and it feels damned good to be back to proper gigs. This was a delayed album launch tour from local heroes Bull who released their fabulous debut album ‘Discover Effortless Living’. But before the main attraction there were a couple of support bands that I need to tell you about. First it was the wonderfully named Fat Spatula. They put on an intense and powerful performance and they are clearly a tight band. But what are Fat Spatula actually like? Well the recipe for me was a few ounces of Talking Heads from David Byrne’s oversized jacket peak, a couple of fried Devo stock cubes. a hugely rich Modern Lovers sauce all served with the funkiest condiments you could imagine. I guess it was all mixed nicely using a fat spatula, right? Anyway, I like this band a lot and I will definitely be queueing up for second helpings sometime in the future.

Next it was the turn of a Hull band who are clearly not particularly enamoured by vowels, they are called bdrmm. They are a kind proggy shoegazey style but with extra added industrial sound and drone at times. Maybe there was even a bit of a Cure influence in there too. I think bdrmm are clearly accomplished musicians and they also feel like the sort of band I might listen to while smoking a fat one! I particularly liked the drums, although the drums on one track were very reminiscent of Toni Basil’s “Mickey” (thank you for pointing that out Eddie P).

Finally it was time for the main attraction, Bull. They are a 21st century Byrds with a distinctly heavier psych vibe than Roger McGuinn’s gang. Bull are a band that really know what they are doing and they do it supremely well. This was a local crowd for them and we were captivated by every note. Someone that I spoke to before the show described Bull as ramshackle, I disagree, I would say intense and informal, while never hiding their sense of fun. If this band do not become huge then the matrix or the multiverse (pick your cinematic universe) is broken. They were joined by an awesome brass section towards the end of the set which included singer Tom Beer on trombone. Get out and see this band and buy or stream their debut album, you need Bull in your life!

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Sunflower Thieves and Epilogues – Songs Under Skies – National Centre For Early Music (NCEM), York – Wednesday 16th June 2021 July 5, 2021


This was the final show of 5 of the second series of Songs Under Skies (the last was September 2020) in the grounds of the iconic and frankly gorgeous York venue the National Centre For Early Music (NCEM). Tonight we had even more local talent proving once again that York and Yorkshire bloody rock it! Before it all started though, I had the opportunity for a long chat with the supremely talented Laura Kindelan. I am definitely looking to more music from her! (No pressure Laura!) First up was Epilogues a.k.a. Mikey who regular readers will have spotted on these pages before. By his own admission Mikey writes many sad songs, but he does fill them with truly stupendous lyrics. His second song of the evening was “Sixteen” from his new EP released a few months back, yes it was a sad song, but truly beautiful too. “The Gap” was absolute epic Epilogues, even with what Mikey referred to as a nightmare chord. I loved “Two Weeks” which I believe is about a broken relationship. Mikey gave us some idiosyncratic ad libs while tuning his guitar, including the line “and the crowd went mild”. I may have to borrow that in the future. My favourite song from this set was a new one, “I’m Just Glad That You Stayed”.

Next up were an act that I had not seen or heard before, Sunflower Thieves. They are purveyors of perfectly matched voices and heavenly harmonies. They kicked off their set with the sublime “Don’t mind The Weather” which was released as a single this year. It is the perfect song for a beautiful, balmy summer evening. They played a couple of new songs, apologies if I got the titles wrong. “34 Days” and “Going Out With You”. The latter has an early 70s US West Coast coffee bar vibe. It would have fitted perfectly in an acoustic afternoon session at the Troubadour in Los Angeles back in the day. I adore “Hide And Seek” which is about being carefree and being nostalgic for childhood. It evoked many wonderful carefree and youthful memories for me. They played a tune that they wrote with the multi talented Sam Griffiths of the Howl And The Hum, but I missed the title, but it was probably my favourite of the whole night. I also really love “Heavyweight” a song about social anxiety, which I suppose couldn’t be more topical right now. I definitely want to hear more from the Sunflower Thieves and I am sure that I will!

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Alice Simmons and Zak Ford – Songs Under Skies – National Centre For Early Music (NCEM), York – Tuesday 15th June 2021 June 22, 2021

Filed under: Review — justwilliam1959 @ 9:36 pm
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This was show 4 of 5 of the second series of Songs Under Skies (the last was September 2020) in the grounds of the iconic York venue the National Centre For Early Music (NCEM). Tonight it was the turn of some musical talent that help showcase just what a wonderful hotbed of music York actually is. First to take the tiny stage was Zak Ford who has featured on this blog before as a solo artist and also as vocalist for This House Is Haunted. This was apparently his first gig in two years thanks to Covid. His first song, which I think was called “Use A Light” was very Jeff Buckleyesque in style and delivery. On his next song he unleashed some sublime guitar work which was reminiscent of Jonny Greenwood in one of his more mellow moments. I love “Healing Place”, it is a yearning, proto ballad with an underlying happy vibe. One of my favourite Zak Ford songs is “My Body” and tonight’s rendition maintained the songs haunting beauty. Zak did Bon Iver proud with a sublime cover of “Hey Ma”. Like many musicians Zak has continued to write and he played us a lovely tune called “Hopes And Fears” which he wrote in a very positive frame of mind during the first lockdown last year. I am looking forward to seeing Zak play live again, either solo or as a part of This House Is Haunted.

Next up is another artist who has been featured in these pages before, Alice Simmons. A very talented singer songwriter and performer who I believe has the talent and potential to go a long way. I spoke to Alice earlier in the evening and understandably she was nervous, as almost every artist probably is after a year or more of not being able to perform. But on stage there was not even a hint of nerves from Alice as she glided through a wonderful set with support from the guitar maestro known as Tim Downie. “Bridges” is a plaintive ballad over which Alice’s smoky vocal glides over the tune like a banished angel seeking a return to heaven. Next up was a stunning cover of James Brown’s “It’s Man’s Man’s World” which in the hands of a female vocalist transforms into a feminist anthem. Alice was on top form for this, she has a Winehouse sized talent. She readily admits that she writes mostly sad songs and maybe there is some truth in that, but when they have the depth and quality of the sublime, lilting ballad “State Of Mind” I don’t really mind at all. But for all the sad songs Alice is most definitely a happy person. Alice ran through a great cover of Paolo Nutini’s “Candy”, a song I must confess that I am not very familiar with, but she made it her own. Perhaps my favourite of Alice’s original songs is “Black Coffee”, it has depression, desolation and despair, proving again that she does write sad songs, but oh so very well. She closed her set with an inspired choice of cover, the 25 year old Blackstreet smash “No Diggity”. Alice performed the song like it was made for her, but the real star for this finale was the incredibly funky acoustic guitar sounds from Tim Downie. I recommend you explore both of tonights incredibly talented artists further, you will not be disappointed!

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Katy J Pearson – The Crescent, York – Saturday 5th June 2021

Filed under: Review — justwilliam1959 @ 9:29 pm
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This Covid bastard has been hanging around too long, but we will get to the other side. Anyway there is still the occasional socially distanced gig to attend and this was one of those, from the wonderful Joe Coates of Please Please You. This would be my first experience of Katy J Pearson. But before that it was the turn of support act Elkyn. I have seen Elkyn, a.k.a. Joey perform before and I have also previously reviewed a couple of Elkyn singles. I am most definitely an Elkyn fan and I was looking forward to this set. However I was somewhat disappointed, there was a real lack of clarity on the vocals, particularly on the bottom end. It felt like the sound wasn’t mixed well for Joey’s voice. Did he get a sound check? Was he singing too close to the microphone? Was it just where I was sitting? I don’t think it was the latter because the sound for Katy J Pearson was great. I don’t know what it was, but I really felt for him, the crowd, as expected, were very polite. But overall I felt it didn’t really work. So sorry Joey, this is simply my opinion and I remain a fan. The next time will work better I am sure! But regardless of my opinion do check out Elkyn’s music, some other reviews of the night paint a very different picture. (If you want to check out my previous reviews of Elkyn click here, here and here!)

As I said I knew next to nothing about Katy J Pearson, other than she is from the West Country. This date was among a number that were lined up to continue to promote her rather excellent album ‘Return’. If you like US West Coast country rock from the early 70s, or Americana and alt. country nowadays then I reckon you will love Katy J Pearson. She has the slightly warped pop sensibility that Nick Lowe possessed in abundance. On the first song she rocked like a folk rock Clare Grogan. I suspect that for some her voice might be a little Marmite, in that you’ll probably love it or hate it. Personally I love it! “Beautiful Soul” was definitely a highlight for me, a stunningly gorgeous song. “Tonight” also has the makings of a great classic. The US West Coast vibe was most apparent on “Hey You” where Katy channelled Linda Ronstadt with a small vein of Imelda May. The band were incredibly tight and really seemed to be enjoying themselves. Give her album a listen and catch her live when you get the chance.

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