With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

Apollo Festival 2014 – York – Saturday 21st June June 30, 2014


 

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Unfortunately I was unable to attend last years Apollo Festival so I was quite excited about this one. On another unfortunate note for various reasons I ended up having to miss the set from Reverend and the Makers who headlined the day. But I did get to see absolutely loads of great music and I do hope to be back next year. This time for the full day!

I spent the day with my wonderful wife Catherine (regular readers will know her as Catwoman and our good friends Caron and John and their beautiful daughter Amelia. Catwoman and me are Odd parents to Amelia. the first stage we visited was the Access To Music Stage. Ruby was playing when we arrived, she looked very young, but she was also very, very good. Her own material had some very mature lyrics for someone so young and she even made an Olly Murs song sound good when she covered “Troublemaker”. We stayed in place to see the next act; Laura. Does nobody bother with surnames any more? Laura has an excellent voice and some great songs of her own. She also played two well-chosen and extremely well done covers. The first was the Beatles “Blackbird” and she finished her set with a storming acoustic cover of the Gnarls Barkley modern classic “Crazy”.

 

We wandered over to the Main Stage next where we saw We Could Be Astronauts last song. It was a pity that we weren’t able to see more because these guys sound bloody good! Redstar from Huddersfield were next and it would be difficult to find any fault with this superb band. Their playing is on the button and really tight. The vocalist has all the traits of a great front man and he backs that up with a great rock voice. Their songs are pretty damned good too. I reckon there may be some Kasabianesque influences in there and they made me think of what Beady Eye could have been had Liam retained any talent. But that is small stuff, they are very much their own band. The free CD album they handed out to us punters is brilliant and has been on heavy rotation in my car since the show. Chris Helme former singer of John Squire‘s first post Stone Roses project the Seahorses was next. he is clearly a talented bloke with a good voice but I found him a little dull.

It was back to the Access To Music Stage next where we saw the fabulous Barcode Zebra. probably the funkiest band of the day. A truly stupendous rhythm section and a vocalist for whom a description of awesome might not be quite enough. They are playing in York at a launch of their new EP in July and sadly I will be away that weekend. I would definitely pay to see this band again. also if you’re reading this good people of Barcode Zebra I would love to do an interview with you for this blog!

The Entertainment Co Stage was our next port of call where we found it impossible not to dance and sing along to the curators of that stage; The Entertainment Company! They don’t just play cover versions they own them! Are they the best party band ever?  Very probably! shall we book them for Catwoman’s 50th birthday party (yes she doesn’t look even close to 50 does she)? I hope they do private party bookings because I’d love them to play for us in September 2016!

After that it was a return to the Main Stage where we saw the Black Delta Movement. We didn’t catch their whole set but they come across as very accomplished rockers with a swampy blues rock feel. Not bad at all. Former Bluetones frontman the ‘Legendary’ Mark Morriss was on next with a rather brilliant acoustic set. He is wonderfully self-deprecating and even his new songs have an air of classics about them.

Next it was a quick jog back to the Entertainment Co Stage where we were hoping to see the highly recommended And The Hangnails (thank you Mr Pattinson). before they took to the stage those wonderful people from the Entertainment Company had allowed a young singer from LA to play a few songs. His name is Ben Caron and he is soulful and funky. A bit like Bruno Mars but with more of an R & B edge. He has a truly great voice with which he wowed the all too small crowd. I bought his album, a steal at £7 and he struck me as a really good bloke too. You really should check him out. And The Hangails came on the stage and it is fair to say that for just two people they make a massive noise. I don’t mean that in a negative way either, this pair know how to rock. I sensed some influence from the likes of the White Stripes, the Black Keys and the Strokes. Would I pay to see this mighty duo again? Hell yeah!

Target By Numbers were next on the Access To Music Stage. Good musicians and some ok songs, but they really didn’t do it for me. The last band we saw on the day was the Supermodels on the Main Stage. They are a covers band, but to simply say that really doesn’t do them justice. They cover some classic rock songs with such verve and talent that you could almost imagine you were listening to the real thing if your eyes were shut. Their cover of the Who’s “Baba O’Riley” would give Daltrey and Townshend a run for their money. I really want to see them play again. Sadly we had to leave just before the Supermodels left the stage. But although we missed the headliners we had a fantastic day! well done to the organisers and for all the money raised for an excellent cause; the Smiley Riley Fund!

 

 

The Tuts – Wharf Chambers, Leeds – Thursday 27th March 2014 March 28, 2014


tuts - wharf chambersThe Tuts are headlining their own exclusive UK tour in some excellent and intimate venues. I had the opportunity to see them play live again last night. The last time I saw them they were supporting Kate Nash at Fibbers in York back in early 2013. Things have gone well for them since then. They have another EP out next month and an album next year. I can hardly wait! On top of that they met the great Billy Bragg at Glasto last year and he has bagged them a slot on the left field stage for this years Glasto. If you’re there in June DO NOT MISS THEM! THAT IS AN ORDER!

jesusandhisjudgementalfatherAnyway more of the Tuts later, because they also had some great support. Unfortunately I only caught the last song from Elopes but they did sound pretty feisty. Sorry folks I’ll blame the train for missing your set. The other support band won me over with their name before they had even played a note. They are called Jesus And His Judgemental Father. How good is that name? Often when seeing a band for the first time, especially if I’ve not heard them before, I look for influences. I did that with Jesus And His Judgemental Father (I just felt like repeating that excellent name! For me there were shades of the Beat, Blink 182, 80s metal, the Pogues and I could probably come up with more. But for every small trace of influences they show they have stacks more originality. Harriet from the Tuts said that they sounded like the type of band that might appear at the High School dance in an 80s or 90s teen horror flick. That works for me. They are a really tight and very together band with a fabulously talented guitarist. The drummer showed support for Pussy Riot with the bright red balaclava. Given the chance I will definitely pay to see this band again and I bought their album last night too. It’s bloody good!

tutsandjenIt was fantastic to see the Tuts headlining at last. They are well worth that top slot. Fun, funky, punky and different they are the Tuts and there is no one quite like them. Their cover of the Clash’sRudie Can’t Fail” would make Joe Strummer proud. They were even joined on stage by Jen Doveton, Harriet’s sister from Colour Me Wednesday for one song. Their own songs top tunes. I was still singing “Tut Tut Tut” in my head when I woke up this morning and “Dump Your Boyfriend” has probably been number one in the charts for weeks in a parallel universe where there is no shit like the X Factor on TV. These girls ooze talent and charisma and if they don’t make it to even bigger stages and audiences soon then there is no justice. Harriet, Bev and Nadia good luck with the rest of the tour, Glastonbury and York in October. I need more details about the latter obviously! If the Tuts are playing in a venue near you just get off your lazy arse and go and see them. You will not regret it!

They might look like angels but they rock like fuck when they're on stage!

They might look like angels but they rock like fuck when they’re on stage!

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Bryan Ferry – York Barbican, Thursday 14th November 2013 November 15, 2013


m4Q25UnKTqm9lzFThbIJtAAFor the second time in my gig going life I have seen Bryan Ferry or Byron Ferrari as the NME once dubbed him. The first time I saw him he was fronting Roxy Music in about 1977 or 1978. He was good then and after tonight I can honestly say he has got even better. He owned the stage with his lounge lizard-like persona, a true consummate performer.

BryanFerry_2013_VBerdini_2_1383827066_crop_550x827The Bryan Ferry Orchestra opened proceedings with some excellent jazz readings of some of both Roxy and Ferry’s greatest songs including the not often heard “Bogus Man” and a later Roxy classic “Avalon”. The orchestra also made up the large part of his band. When the main man himself appeared they were augmented by an amazing guitarist, a very talented drummer and two incredibly entertaining backing singers.

safe_image.phpBryanFerry_2013_VBerdini_10_1383827093_crop_550x367Bryan had paced the show very well. Some early highlights for both myself and the delectable Catwoman were “Don’t Stop The Dance”, “On The Radio”, Bob Dylan’sKnocking On Heaven’s Door” and “Carrickfergus”. The Charlie Parker tribute was also brilliant as was the images on the set of overhanging screens. There were even outings for “Sign Of The Times” from the ‘Bride Stripped Bare‘ album and the Platters cover “Smoke Gets In Your Eyes”.

maxresdefaultAfter an interval, yes an interval; it must be for those of us of a certain age the Bryan Ferry Orchestra kicked off the second half of the show. Mr Ferry had changed into a really slick suit and oh boy did he start to kick ass. He really built the show to a fine crescendo with John Lennon’sJealous Guy” (there really isn’t much live whistling any more is there?), “Street Life”, “Love Is The Drug“, “Let’s Stick Together” “Hold On I’m Coming” and “Shame, Shame, Shame before closing with a storming version of early Roxy Music classic taken from the ‘For Your Pleasure’ album, “Editions Of You”.

p01g9vltIn all perhaps one of the finest shows I have seen and I have seen plenty! The UK tour is almost over but if you’re going to see him play in Birmingham next Tuesday you’re going to have a blast! By the way none of the videos in this post were filmed by me an nor were any of the pictures mine.

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Colour Me Wednesday, Onsind, No Ditching, Elly Kingdon @ Wharf Chambers Leeds – Wednesday 28th August 2013 August 29, 2013


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Last night finally had the pleasure of seeing a wonderful band from my old stomping ground of Uxbridge playing live. I have championed them before on this blog and their name is Colour Me Wednesday. More them later though as there were other acts on the bill too. This was the first time I had ever visited Wharf Chambers and I will definitely be back. It is a superb venue with a great stage area and a fab little bar. Not only that but it is the only place I have been where even drinking tea could be considered very rock ‘n’ roll!WP_20130828_001

First on stage was the delightful, quirky and very entertaining Elly Kingdon. The poster described her as ukulele folk from Stoke. That much is true but there was a spirit of punk too. Elly manages to effortlessly make songs about depression sound so happy and bouncy. That has to be therapeutic right? I suggest that you check this woman out on-line. She has talent and a ukulele! I loved Elly’s sign on the merchant table, it simply read ‘Elly Kingdon has no merch as she is not a sell out! What’s not to love about that?

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Next up we’re Durham’s excellent No Ditching. A fine all girl five piece who incredibly were playing only their third gig! If that set and their demo CD (of course I bought it) are anything to go by these girls can go much further. The poster described them as Pop Punk from Durham which is a fitting description. But I suspect they have more than just pop punk if allowed to play and grow in the coming months. If they are appearing in your town then get out and show your support.

Next I must make an apology. The poster for the gig showed Onsind as second on the bill. Actually that was a typo and in fact they were top of the bill. Unfortunately having been able to see Colour Me Wednesday earlier than I expected I opted to avoid the last train from Leeds back to York. This meant I missed the whole of Onsind’s set. However after a brief chat with Harriet Doveton I decided to buy Onsind’s CD album Anaesthesiology. I have played it three times today and it’s bloody good. Especially ‘Pokemon City Limits’ with it’s wonderful ‘never trust a Tory‘ chorus. So Onsind please accept my humble apology I won’t miss you again, I promise. By the way your album will be on in the car again tomorrow!

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So on to the band that brought me to this gig; Jen, Harriet, Sam and Carmela collectively known as Colour Me Wednesday. They certainly coloured this Wednesday with their perky, punky, poppy tunes. The poster described them as anarcho-pop from Uxbridge and that is certainly true. They played a great clutch of songs from their new album ‘I Thought It Was Morning’ most of which I’m sure you know because you’ve bought the album. What? You haven’t bought it yet? Why the hell not it’s a great album. Get off your bum and go and buy it now, and I do mean immediately! Just click here and do it! Anyway my favourites on the night were “You’re Not My Number One Bastard”, “Bitter Boys” and what in my opinion should be released as a single (again?) “Purge Your Inner Tory”. This song deserves to become a classic. I am so pleased that I finally got to see this band live and I hope to see them again soon. Drop everything, change all your plans, sell your granny, do whatever it takes to see them play.

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All the acts who appeared have a great deal of talent and in a parallel universe where shit like the X Factor doesn’t exist they may already have become very succesful let’s hope they can do it in this universe. It’s on nights like this I really miss John Peel he definitely would have played all of tonights artists!

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“Got a feeling that I’m angry, but I can’t quite tell I could’ve slept badly” August 7, 2013

Filed under: Review — justwilliam1959 @ 10:57 pm
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Some Germ Free Adolescent Tuts :-)

Some Germ Free Adolescent Tuts 🙂

Earlier this year I had the pleasure of seeing a young band called the Tuts in York when they were supporting the wonderful Kate Nash. They hail from my birth place and old stomping ground of Hillingdon to the west of London. They are Nadia, Harriet and Beverley and they are a three girl punk powerhouse. Why am I telling you this? Well largely because the girls have just launched a new track into cyberspace. It’s called “Worry Warrior” and I must say it’s bloody good. I’d like to know what you think of it. I’ve already purchased it and I urge you to do the same.

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Back in those heady days of the late 70s when even I was a mere teenager punk was in some people’s eyes the new fashion, the new style and the new order. But I always saw punk as much more than that. At its core, for me, punk is all about attitude and the Tuts have that in abundance. On top of that they are three very talented people. You’d better check them out and buy their new song. If you don’t then you need to remember that…….. I know where you live! “Worry Warrior” by the Tuts; I’ll give it five out of five and I’m looking forward to the album even more now!  Click here to download the song from bandcamp.com.

 

Elvis Costello and the Imposters – York Barbican, Monday 17th June 2013 June 17, 2013


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Tonight I saw Elvis Costello for the first time since I saw him in London in 1977. I was struck by the sheer volume of classic songs he has recorded in a career spanning close to 40 years. I love that he often strays from the path trodden by many contemporaries by recording a country album, recording with the Brodsky Quartet and producing the Specials. He arrived at York as part of his 13 Revolver Tour with a show featuring the Spectacular Spinning Song Wheel.

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He opened the set with a blast of four or five loud and powerful power pop songs culminating in the magnificent “Radio Radio“. The principle of the wheel is that members of the audience are picked to spin the wheel and the band play the song that is randomly selected. Tracey and Carol were given a storming version of “(I Don’t Want To Go To) Chelsea”.

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Later a Catherine and Alex took to the stage and when asked her favourite song Catherine replied “She” the Charles Aznavour song. Now that is a song I really dislike so I was very pleased when Mr Costello said “I fucking hate that song”. However Alex and Catherine spun the Joker and were allowed to choose their favourite. After Costello had sung “She” for them they danced in the cage podium for a while. As they were about to leave the stage Costello’s assistant, the Mysterious Josephine whispered to Elvis and young Alex and Catherine took the microphone for Alex to propose to his beau live in front of thousands of people. He did a great job. Catwoman, who accompanied me to the gig, was in tears! Oh and Alex had a yes from Catherine. If they are reading this I would like to wish them all the best.

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My favourite song of the evening was a stupendous “Watching The Detectives” which included Costello walking through the crowd singing with a radio mic. He is clearly a great showman and he is gifted in stage craft. The band are very tight and are made up of Drummer Pete Thomas and keyboard maestro Steve Nieve formerly of the Attractions and Davey Faragher on bass. I was very pleased that they played two classic anti Thatcher songs; “Shipbuilding” and “Tramp The Dirt Down”. The latter received a massive cheer I am pleased to say. He showcased his true and pure vocal talent by stepping away from the mic at the end of “Jimmie Standing In The Rain” for a few lines of “Brother Can You Spare A Dime

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The show kicked off at 8 o’clock and it was nearly 10.30 before the house lights came back on. Just when you thought it couldn’t get any better the band returned after a minute or two off stage for an astounding encore. Kicking off with “Alison” and closing with “Pump It Up” and “(What’s So Funny About) Peace Love And Understanding” whilst finding time for “I Can’t Stand Up For Falling Down” and “High Fidelity”. The encore provided a fabulous climax for the excellent go-go dancer too.

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This show sits easily in the top 5 gigs I have ever seen in my nearly 40 years of gig going. I will definitely go to see Elvis again and you should too. Trust me you will not regret it! Oh and by the way, none of the pics or videos in this post were taken by me. I can’t be arsed to keep getting my camera out at gigs, I’d rather enjoy the show!

 

Lisbee Stainton – York City Screen Basement – Friday 15th March 2013 March 17, 2013


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Catwoman and me have a friend called Jo Bagshaw is a truly creative designer of some really superb jewellery. She designed the jewellery for our wedding in September 2011; including an excellent pair of cufflinks which take pride of place in my collection. It was through Jo that we came to be at a gig by the abundantly talented Lisbee Stainton on Friday night. Jo knows Lisbee as she has recently designed some fabulous jewellery pieces based on the award-winning angel wings/ guitar logo used by Lisbee. Click here to reach Jo’s website.

So how was the gig? Well first I have never been to such a packed house at the Basement in City Screen. It is a very small venue but there must have been more than 50 people there. There were two support acts starting with Lauren Varley who played a set of her own songs, including “Mr Cold Feet” and she also added two superb covers one of Johnny Cash and the second an inspirational and soulful version of “House Of The Rising Sun“. Lauren is York based and I would definitely go and see her again. Great voice, great songs and smart and brave choices for cover songs. Click here to hear more of her and click here to find her on Facebook.

The second of the support acts was Aimee J Ryan. When she said that she did ‘go on a bit’ between songs she was right! Aimee has some good songs but her sound didn’t seem to be very clear. This was surprising given that the vocal sound quality for both Lauren Varley and Lisbee Stainton was crystal clear. But she definitely has talent so click here to check her out on Facebook.

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So now we get to Lisbee, from who we were expecting great things. It would be fair to say that she met our expectations. She not only has some excellent self penned songs, she plays guitar well and is a very accomplished singer. Her rapport with the audience is far better than some more established artists that I have seen playing live. She opened by walking straight into the audience from the dressing room to provide many of us with percussion instruments. I used mine throughout the show.

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She also had us singing some multi part harmonies, well I say singing but…… at least we tried!  I really loved “Girl On An Unmade Bed” along with a couple of new songs which may, hopefully, find their way on to her next album. Her band is also incredibly talented. I believe that Lisbee has the talent for greater success and if you get a chance to see her take it, you will not be disappointed. Click here to find Lisbee’s official website and make sure you check out the video for the wonderful song “Sidekick” which she also played on Friday. You can also find her on Facebook by clicking here. If you have been to any of the gigs on Lisbee’s tour I would love to hear from you.

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Fascinating Aida – Grand Opera House, York – Wednesday 14th November 2012 November 18, 2012


Last Wednesday I went to see an act that has been around for thirty years. I had been conscious of them but never really aware of what they were. My interest was raised when my good friend John Williams (not the composer or the classical guitarist but a better bloke altogether) sent me a clip of this act from YouTube. I came close to wetting myself while watching it. The act was Fascinating Aida and that clip was for their excellent take on budget airlines “Cheap Flights“. If you have never seen them live or on-line the best way I could describe them would be a satirical, singing cabaret ensemble who are also bloody hilarious!

They kicked off their show with a superb song attacking the banking and big business fraternity which made an excellent acronym from their ‘Companies Using Nifty Taxation Schemes’ I’ll let you guess the actual acronym. They included their biggest internet hits; the aforementioned “Cheap Flights” and the not to be missed “Dogging”. You don’t know what dogging is? I suggest you ask your parents or maybe Stan Collymore.

The group managed to take a dig at so many people in such a short space of time including Tom Cruise, Pamela Anderson, U2, the Germans and many politicians to but a few. In fact their Belgian Song Cycle (at least I think that is what it was called) contained many of these put downs. As a result of that song cycle I will never be able to look at Cheryl Cole again without thinking ladyboy!

Their show is also very topical and referred amusingly to the austerity protests in Europe earlier in the week. These are three very talented women who I would like to thank very much for a hilarious evening out with Catwoman, Caron and John. So Dillie, Adele and Liza we loved your show and we would be delighted to see you again sometime. I would also advise any of my readers who have never seen Fascinating Aida on-line or in concert to check them out immediately!

 

“What Happened To The Fambly Cat?” July 2, 2012


Our little cat Betty, or to give her full name, Mrs Betty Slocombe has gone missing. She is also affectionately known as Betty Boo. She is just over a year old and blind in one eye. She has a very sweet nature and has never been gone for more than a couple of hours before. We last saw her on Saturday morning, 30th June. We miss her terribly and can’t help thinking how scared she must be.

We have put leaflets through the doors of about 70 houses, notices on local notice boards and in local shops. we have searched empty properties and walked up and down the riverbank a few times. we have given her details to the RSPCA and Cats Protection and a number of local veterinary practices. She is also the subject of a missing cat advert on gumtree.co.uk (click here to read it) and now has a Facebook group (click here to see that) But as yet we still don’t have her back.

We live in Huntington in York in the UK. If you have any friends in the area please pass this post on to them. People have been incredibly supportive with possible sightings and happy ending stories of their own cats going missing. We are incredibly grateful to everyone who has responded so far.

I will certainly keep you updated on progress and will post again when she comes home. I know that this is almost certainly nothing like the pain of having a child go missing, but that doesn’t mean that it doesn’t hurt. I keep thinking that maybe I didn’t look after her well enough, however stupid that sounds that is how it feels sometimes. I feel like I have let Betty down. Both Catwoman (aka my beautiful wife Catherine) and I are very worried about her and can’t help thinking how scared she probably is. Even her older brother Benny seems out of sorts since she disappeared too. We hope that maybe she has been trapped in an outhouse or shed or something and that it will be opened soon so that she can make her escape.

I have said on many occasions that this is a music blog, so to stick with that I couldn’t really think of anything more appropriate than this excellent piece from Grandaddy; “What Happened ………..?” (Incidentally and sadly Betty is not one of the cats in the video). Betty is one of our Fambly Cats and all of us would like to know where she is and have her come home very soon.

 

The Woman In Black March 11, 2012


Earlier this evening we went to the local Vue multiplex, which frankly isn’t as nice as the Picturehouse City Screen cinema in York. However putting that aside the film we saw was ‘The Woman In Black‘, it is an adaptation of Scarborough born Susan Hill‘s 1983 novel of the same name. Incidentally the book is bloody good too. It is the first production from a newly reincarnated Hammer Studios.

Daniel Radcliffe plays the main character, Arthur Kipps. He is a lawyer sent to a desolate coastal town in the north-east of England to close the estate of a recently deceased woman. I won’t add any spoilers in this post but if you like classic horror in a gothic style take a trip to the cinema as soon as you can. In the UK it is a 12A certificate, but I’m not sure I can think of any 12 year olds that wouldn’t be scared shitless!

Was it scary? Well there were a few ‘make you jump’ moments but personally a film has never scared me and this one was no exception. It did scare the living daylights out of my beautiful wife Catherine a.k.a Catwoman. It is a great film though; excellent acting, brilliant script, perfect casting and wonderful locations and cinematography. On this showing there is clearly a long life after Harry Potter for Mr Radcliffe, he has the makings of an award-winning actor.

Hammer is back with a vengeance with this slice of classic British Horror. (My late uncle, Ron Jackson, would have been proud. He was Production Manager of many of the great Hammer Horror films).  Hollywood couldn’t have made this and let’s hope they don’t try. This is not a musical nor is it a music related film, but I felt the need to talk about it. So in keeping with this being a music blog please enjoy a few appropriate songs. Also click here to see a great spoof based on the film.

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