With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

This is it, my 1,000th blog post! January 22, 2017


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Well blow me down with a feather, knock me down with an empty washing up liquid container, hit me on the head with a silk handkerchief or spank me with  a lollystick! This is my 1,000th post on this blog. It has taken eight years, but wow I am amazed that I have got this far with it. As a special offer to my blog followers and Facebook friends I opened this post up to you. I asked you to send me one song or artist and those songs and artists would form the content of this post. I did promise to say something nice about your choice and I will certainly try to stand by that, even if you have sent me a song that you know I do not really like, actually there were very few of those.  So here we go and there is no particular order or sequence to this by the way.

First up was suggested by a man who is exactly one year older than me, Vijay Ragoonanan. His choice is the first one that I received and it is a pretty classy one too. It’s “Train In Vain” by one of my favourite bands, the Clash. It was their first top 30 hit in the US and was largely called “Train In Vain” to avoid confusion with the Ben E King classic “Stand By Me” as the common refrain throughout the song is ‘stand by me’

Next up are three songs from the same family Caron Godbold Darbyshire Williams, John Williams and their wonderful daughter (who is also my Odd Daughter) Amelia. Caron chose “High” from the Lighthouse Family which was hers and John’s first dance song at their wedding. This remains the band’s most successful song, it reached the top ten in eleven countries, including number one in Australia back in 1998. John chose the timeless Don McLean song “American Pie”.  McLean has spoken very infrequently about the meaning of the song other than to confirm that the day the music died refers to the death of Buddy Holly in a plane crash on February 3rd 1959. However many people have speculated that it summarises much of America’s relatively recent history along with some related music history, for example ‘the quartet practised in the park’ is believed by many to refer to the Beatles. Amelia’s offering was One Direction with “History”. One Direction are one of the handful of acts that have remained a success long after their reality TV star burned out. This song gives a co writing credit to band members Louis Tomlinson and Liam Payne along with Julian Bunetta, John Ryan, Wayne Hector and Ed Drewett. Released at the end of 2015 it currently sits as the final single from the group now that they all appear to have gone their own way. It made it to number 6 in the UK and only hit 65 in the USA.

Sam Claypole has the next song and it’s American crooner Barry Manilow with “Could It Be Magic”. The lyrics were written by Adrienne Anderson and the music by Bazza himself. As with most Manilow songs the production is damned good. It was produced by Barry along with Ron Dante. It has been covered by many acts, notably by Take That and Donna Summer. My favourite version of the song is Donna Summer’s and I don’t really like the bombastic over production on the Take That cover.

The next offering is from someone who I went to school with back in the 1970s, Susan Norris. She has given us the sublime UK number one from 1968 by Fleetwood Mac, “Albatross”. This remains the band’s only UK number one, albeit with a very different incarnation of the group from the mega selling troupe that straddled the globe with ‘Rumours’ in the late 70s. Did you know that “Albatross” allegedly influenced a Beatles song? Apparently it was a strong influence on “Sun King” from 1969’s ‘Abbey Road’ album.

Top bloke Andy Copeland has selected the next track, I work with Andy and he sees me as some kind of old cockney geezer and provided me with the nickname Albert! Anyway as a result Andy proposed anything from Chas ‘n’ Dave, so in order not to disappoint I will treat you to “The Sideboard Song” from those cheeky London chappies. The song just missed out on a top 50 UK chart placing peaking at number 55 in 1979. It was taken from their very cockney titled album ‘Don’t Give A Monkey’s’

Someone else that I work with has the next song in the list and it is in my opinion an all time rock classic. Adrian Caines thank you for bring us Rush with “Spirit Of Radio”. Interestingly this is the only act that will feature twice on this list, more from them later. The song was released in 1980 and comes from what I believe is their seventh studio album ‘Permanent Waves’. It is still the band’s biggest UK hit having peaked at number thirteen. The song has been covered by the Catherine Wheel and sampled by Saint Etienne.

Simon Pattinson, a tireless promoter of new (and often local) music brings us York band Faux Pas who launched their first EP at Fibbers in York a few weeks ago. They have already performed at the Leeds Festival and have had some airplay on Radio 1. This teenage 4-piece have a very bright future I reckon, what do you think? The song is “I Hate Dancing”.

David Burr requested Barbara Thompson’s Paraphernalia with “Unity Hymn” which I have struggled to share with you as I can’t find a link that will play you any more than 30 seconds of this classy song. If you have a link feel free to share it. I have listened to the track on Spotify where it is credited to Barbara Thompson’s Paraphernalia (featuring John Hiseman, Peter Lemer, Malcolm Macfarlane, Paul Westwood, Anna Gracey Hiseman and the London Gospel Singers). I have added a link to a whole show from 1991 though. Barbara is a very experienced and skilled jazz saxophonist who has been playing professionally for many years. She received an MBE in 1996 and in the early part of this century she had to retire from playing for a while due to Parkinson’s Disease, but she is back now and is a permanent member of Colosseum for whom her husband Jon Hiseman is the drummer.

Among the liveliest of my Facebook friends is Katie Jane Hardy and she has chosen “Ain’t It Fun” by the Dead Boys. Originally fronted by Stiv Bators this band from Cleveland, Ohio were around at the first flush of punk from 1976 to 1979. Stiv sadly died in 1990 after being run over by a taxi, although the band did get back together in 2004 and 2005. “Ain’t It Fun” comes from their 1978 album ‘We Have Come For Your Children’.

Someone else that I went to school with in the 70s, Jane Price, selected the next song and it is a 70s classic; “Heart Of Gold” from Ole Shakey himself, Neil Young.  Taken from the album ‘Harvest’ in 1972 it is so far Neil’s only US number one single. Backing vocals on the track are courtesy of James Taylor and Linda Ronstadt.

I would like you to thank Shaun Flannery for the next song, it is “Angels” by Robbie Williams, who as Shaun pointed out to me is a Brits Icon winner, personally that just proves to me how meaningless the Brits actually are. Now many of my regular readers know that I am not a big Robbie fan and one of my least favourite songs ever is “Angels” (along with John Lennon’s “Imagine”). But I did say I would try to be nice. The song was co written by Robbie, Guy Chambers and Ray Heffernan. In 2005 a UK poll voted it the most popular song that was requested at funerals in the UK, I’m not quite sure what that says about it. Robbie has had seven solo UK number one hits in the UK, although “Angels” only made it to number four back in 1997.

I used to work with our next contributor and we have also been to a few gigs together too, Simon Hernaman has chosen “Rockwrok” by the John Foxx incarnation of Ultravox. It was released in 1977 and was taken from their ‘Ha! Ha! Ha!’ album. The B -Side of the single was an alternate version of “Hiroshima Mon Amour” from the one on the ‘Ha! Ha! Ha!’ album

Karen McPoland struggled to choose just one song, in fact she offered me three and asked me to choose. A couple of you gave me an initial choice and then changed your mind, so who knows, perhaps they might all appear on a future post, 1,001 perhaps? Anyway I chose the Eels from Karen’s list with “The Look You Give That Guy”. The Eels were formed in 1995 by Mark Oliver Everett also known as E or Mr E. His father Hugh was a physicist who was one of the first people to propose the potential existence of multiple universes or the Many Worlds Interpretation of Quantum Physics. The song is taken from their 2009 album ‘Hombre Lobo’ and was a big hit in Belgium.

My good friend and regular Reading Festival buddy wanted the Glass Animals to be included, so obviously they will be. They originate from Oxford where they formed in 2012. They have played a number of festivals around the world and released their second album ‘How To Be A Human Being’ last year. I have chosen “Youth” from that album.

Someone else that I used to work with many years ago picked the next song and it’s a bit of a Prog classic from Yes, thank your Graeme Card. It comes from ‘Yessongs’ which was the band’s first live album. The track originally appeared on the studio album ‘Close To The Edge’.

Jon Reeton is next up with “No Bravery” from James Blunt. I was never a big fan of Blunt, but I have great respect for his deftness at self-deprecation. I think he has an incredible sense of humour, but his music doesn’t do too much for me. However Jon pointed out how meaningful the lyrics are even now and I find it hard to disagree with that. The song was written by Blunt with Sacha Skarbek and can be found on his debut album ‘Back To Bedlam’ from 2005.

A little bit of reggae next with “You Don’t Love Me (No, No, No)” by Dawn Penn, thank you to Carl Rogers for this one. The song reached number three in the UK charts in 1994. Penn first recorded a song with this title in 1967 and it was based on a track by US R & B singer Willie Cobbs which in turn was heavily influenced by a Bo Diddley song. That is why the 1994 release from Dawn Penn credits both Cobbs and Diddley as writers.

Paul Terry offered me two choices and I wonder if he might be surprised that I chose Justin Bieber from the two? Anyway while I can’t say I am a Belieber I do like some of his more recent stuff. Especially “Love Yourself” which was written by Ed Sheerhan along with Benjamin Levin (a.k.a. Benny Blanco) and Bieber. It spent six weeks at number one in the UK chart.

Suzi Stacey my online witchy sister has picked a Rolling Stones classic “Mothers Little Helper”. Obviously this is not a drug related song, well ok it definitely is. Don’t do drugs kids otherwise you might live as long as Keith Richards. Hang on that sounds like a good thing though right? OK I sound like I’m high now, just enjoy the song ok.

I told you that there would be another entry from Canadian rockers Rush and I wasn’t lying. This time it is “Tom Sawyer” chosen by my mate Andy Golborne. It was the opening track on their 1981 album ‘Moving Pictures’. VH1 named it the 19th Greatest Hard Rock song of all time in 2009.

Now we have a track from the late, great Gary Moore which also features the late, great Phil Lynott. Thank you for Jacqui Parkin for choosing this one, I think it is a true classic. The song made it to number 8 in the UK singles chart in 1979. It was written by Moore and Lynott. Thin Lizzy drummer Brian Downey also plays on the track.

The next song is very much one of my favourites as it was the first dance after marrying my beautiful wife Catherine. In fact this is Catherine (a.k.a. Catwoman)’s choice. It is the truly sublime “Into My Arms” by Nick Cave. Just listen to it, is there anyone out there that doesn’t like this song? It is also the only song that I know that includes a reference to an ‘interventionist God’.

Sara Hayes has chosen the 25th song which spookily has the number 25 in the title, it s Edwin Starr with “25 Miles” a fabulous slice of Motown genius. It reached number 6 in the US chart and 36 in the UK chart when issued as a single in 1969. It was written by Johnny Bristol, Harvey Fuqua and Edwin Starr. This song was also a big hit on the Northern Soul scene in the UK.

Rachael Baines-Holmes picked the next song and it is a slice of punky class; the Dead Kennedys with “Holiday In Cambodia”. It was written by the band’s front man Jello Biafra and John Greenway and it was the second single to be released by the group when it came out in 1980. It followed “California Über Alles”. Both songs were included on the album ‘Fresh Fruit For Rotting Vegetables’.

So there you have it twenty-six songs provided by a selection of my friends. Thank you for being a part of this and for reading my blog and putting up with all the puns and shit that I post on Facebook. Finally though I will leave you with my selection. I have said loads about it on previous blog posts and it is without doubt my favourite song of all time. “No Woman No Cry” Bob Marley and the Wailers taken from the ‘Live At The Lyceum’ album from 1975

 

The Specials – York Barbican – Tuesday 1st November 2016 November 3, 2016


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Once again I have attended a gig at the York Barbican where the sound was not great quality. Maybe that has something to do with relocating the sound desk to the side of the stage and therefore behind the main audience speakers. The support band for this gig were General Roots, an excellent reggae band from London. Initially I put the sound down to just not allowing sound check for a support band, but I doubt that was the case. They did come across as a very talented band even with the poor sound production. The biggest impact on them was not being able to hear their MC Mr Minister. I particularly liked their songs “Special” and “Walk Tall”. My beautiful wife Catherine (a.k.a. Catwoman) also loved the latter.

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Now i did have some misgivings about seeing the Specials with only three original members left (Terry, Lynval and Horace). I last saw them in around 1980 and I have always felt that Jerry Dammers was the real heart and drive behind the band and I was disappointed that he chose not to get involved in the reunion back in 2008. Dammers had a writing credit on the majority of Specials songs. Having seen them again for the first time in 36 years I don’t believe that this incarnation of the band is a patch on the original line up for the first two albums.

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As with the support band the sound was not of great quality and at times lacked clarity and was a little ‘muddy’. They kicked off their set with “Ghost Town” which was probably their biggest hit based on chart positions around the world. It was also their second UK number one. It remains a great song but as the set progressed I felt like they had played their set list in reverse and in my opinion peaked (if indeed they did peak) much too soon. Terry Hall was by his own admission in a shitty mood and for me this was reflected in his sullen and at times spoilt brat performance. In my opinion I felt like we were watching an average Specials tribute band. There were some highlights, notably Steve Cradock who played to his usual high standards. Lynval’s acoustic rendition of Bob Marley’sRedemption Song” was alright.

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I know that many people will not share my opinion given by the volume of people who sang and danced the night away. But in my opinion this is a band that should not have reformed I think they are a very pale imitation of what they were, more like The Averages than The Specials. Sorry boys but that really wasn’t a great gig in my opinion, I gave it an hour before leaving but I doubt that myself and Catwoman will be coming to see you anytime soon.

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Lazarus – Kings Cross Theatre London Saturday 29th October 2016 November 2, 2016


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Many regular readers will know that I am not a big fan of musicals. However there have been some exceptions to that rule for me; Sweeney Todd and Grease are two of those. But a musical that David Bowie wrote with Enda Walsh which debuted in New York a few weeks before he died? Well I was never going to miss that was I? My lovely wife Catherine a.k.a Catwoman accompanied me to London on Saturday for the matinee performance of Lazarus which opened in October and runs through to January. It is in the Kings Cross Theatre which is effectively a pop-up theatre on land owned by Google at the back of Kings Cross station. For a pop-up it is pretty damned good.

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Lazarus is a sequel to The Man Who Fell To Earth and most of you probably know that David Bowie played the lead role of Thomas Jerome Newton in the Nic Roeg directed film version of the Walter Tevis book in 1976. It was his first major film role. The stage musical recounts the life of Newton after he was prevented from leaving earth. He is spiralling into a total mental meltdown and spends his day becoming more paranoid, watching TV, drinking gin and reminiscing of past loves; his wife on his own planet and Mary Lou here on earth.

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The lead role of Thomas Jerome Newton is taken by Michael C Hall off of Dexter. We were lucky enough to see him, despite our tickets being for the matinée. He has a great singing voice although occasionally his speaking voice did simply sound like Dexter. But that is by no means a distraction he is an incredibly talented actor and singer. In fact the whole cast are supremely talented. When I first saw the songs included within the Lazarus musical I was a little surprised. There are a few big hits and the ones that worked best for me were “The Man Who Sold The World” and a magnificent and very different version of “Heroes” which closed the show. There are some songs written especially for the musical; “No Plan”, “Killing A Little Time” and “When I Met You”. Those three as recorded by David Bowie were recently released as CD 2 of the cast recording. I have never had great affection for Bowie’s 80s albums however there were some fabulous singles in that time and “This Is Not America” and “Absolute Beginners” work incredibly well in this context.

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I was amazed at how well all the songs fitted the musical’s story line so well. It was as if they were all written especially for it. I never would have expected “It’s No Game” from ‘Scary Monsters’ to work as part of a stage musical but it really does as does “Always Crashing In The Same Car” from ‘Low’. But the highlights for me were “Valentine’s Day” and “Where Are We Now” (both taken from ‘The Next Day), “Lazarus” from ‘Black Star’ and the previously mentioned “Heroes”. The story is very cleverly written and flows really smoothly. The set is quite sparse and this allows a total free space for the cast to weave their magic. The use of some very different lighting and the giant TV screen contributes in a complimentary way to the whole experience. There are seventeen songs performed during the show along with two songs that get played in the background; Mr Bowie’s “Sound And Vision” and Ricky Nelson‘s “Hello Mary Lou“. You will have needed to have watched the film of ‘The Man Who Fell To Earth’ to get the inclusion of that Ricky Nelson classic.

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All in all this is a magnificent, heart warming and heart-rending show and it acts as a poignant reminder of the true talent that left this world when David Bowie died in January. My good lad Catwoman said that had she not been married to me she probably wouldn’t have bothered to come and see Lazarus. However she enthused about it just as much as me afterwards. We both loved it and I am sure that you will too whether you are a Bowie fan or not. I would love to hear your thoughts if you have already seen it in London or New York.

 

Beth Orton – The Stage, Leeds Beckett Uni, Students Union – Monday 3rd October 2016 October 5, 2016

Filed under: Review — justwilliam1959 @ 8:35 pm
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I had the opportunity to go and see Beth Orton in Leeds on Monday night, courtesy of those lovely people at subba-cultcha. Click here to read my review. I thought it was a good gig, but Catwoman wasn’t very keen at all.

 

Jordan Mackampa – City Screen Basement York – Tuesday 20th September 2016 September 20, 2016


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Here I am at yet another gig put on by my good friend Simon Pattinson. He has never let me down yet, will he keep his 100% record? Read the whole review to figure out the answer. (No pressure Mr P!). This was a gig that the delightful Catwoman (a.k.a. my beautiful wife Catherine) joined me for and unlike the Gary Numan debacle from a few years ago she really enjoyed it, as did I.

First up was a young man called Mikey who appeared under the name Epilogues. He is a singer songwriter with some really good songs and an excellent and savvy use of technology including playing through his phone some elements that he had recorded earlier. He had some problems with his G String and before you go all Carry On Films on me I mean on his guitar. He overcame that and a slight bit of nervousness with aplomb and played a great set. To me he came across as a more folk based and influenced multi instrumentalist along the lines of Jack Garratt. Mikey also possesses a great voice, this bloke has a lot of potential. Incidentally I need to apologise to Mikey as I didn’t get a picture of him for this post, sorry mate!

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Crispin Halcrow

Crispin Halcrow was next up, I first saw him supporting Adams French back in January at this same venue. He was good then and he has also improved too. He has some beautiful songs some of which are easily on a par with Billy Joel‘s “So It Goes” which he covered tonight. One of Crispin’ s compositions “Say Goodbye” (at least that is what I think it was called) was a wonderfully sad song that also contained great beauty. Maybe I’m mad here, but I reckon Rod Stewart would make an excellent cover of that song. Crispin from Kendal remains reminiscent of the likes of Seth Lakeman for me. He is most definitely an artist with great potential.

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The next act to take the stage was Amy May Ellis accompanied by her ukulele. She is a great talent with a haunting and siren like voice which weaves the words of her songs with a soaring grace. I reckon she would be one of the few artists that I have seen that could also do her whole set acapella with no detrimental effect. She readily admits to being no comedian, but here jokes (one about a polar bear and the other about snowmen) were pretty good. As for the swearing song, was it called “Existential Life Crisis”? That was brilliantly and wickedly funny. Amy is a prodigious talent and someone that I would definitely pay to see again.

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Jordan Mackampa

Now it was time for the main man, Jordan Mackampa on what was the seventh show of his first UK headline tour. He is a proper and very talented showman. Imagine how John Legend might sound if he sang behind a guitar rather than a keyboard. Jordan plays and writes supremely soulful and emotional folk rock music. I also really enjoyed those woo woo backing vocals he had us in the audience performing too. Catwoman and I harmonised really well, at least I think that we did! “Colours” is an amazingly poignant song. It brought tears to my eyes and made me think of two people very close to me that are currently battling that evil bastard of a disease known as cancer. You both know who you are and I want you to know that I love you and I will always be there for you. Jordan has some immensely inspirational songs which really touch our simple human emotions. I can see myself listening to him a lot in future.

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Leeds Festival 2016 Day 3 – Sunday 28th August September 1, 2016


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Going to hit Mud City – yaaaay! It was a later start than the previous two days, my old bones are suffering from walking through gallons of thick, cloggy mud, In fact part of me wanted to stay home today, but I really didn’t want to miss Avalanche Party. The good news is that I was able to blag my way into guest parking. So sometimes looking old, well-worn and grizzled is a good thing, right? As I walked onto the festival site plenty of kids were leaving saying that they couldn’t face another night camping in the mud. I can’t say I blame them.

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I went to the Main Stage first just after stopping off for some excellent festival food, a fish finger sandwich! British band Skindred were just about to come on stage as I arrived. You really have to admire a band that enters the stage to a kind of dance mix of the Imperial March from Star Wars. Skindred? Wow what can I say? This is a really hard-hitting Stupendous band. Think Rage Against The Machine, the Prodigy, Metal, dub, toasting and humour. This lot knows how to rock hard and how to entertain. The frontman is among the best that I have ever seen. Then of course there is the Newport Helicopter……..wait for it bitches! You really need to check this band out if you haven’t already. After that it was off to the BBC Introducing Stage for Tiny Giant. There is nothing tiny about their sound, it’s gigantic. Imagine a cross between Kate Bush and Lene Lovich fronting a powerful indie pop band. That is kind of what Tiny Giant seemed like to me.

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Now it was time for the big event of the day, Avalanche Party on the BBC Introducing Stage. This is a big deal from this superb north-east band (they played the same stage at Reading the previous day). Regular readers will know that I am a big fan of Avalanche Party and that I have seen them quite a few times. But one question I have is how can a band get better every time you see them? Well if they’re Avalanche Party they can and they do. This lot doesn’t play at being a rock band, they ARE a rock band!Punk, psych and everything in between is what they deliver. Front man Jordan Bell stalks the stage like he owns it (and in effect he does). He comes across as the bastard son of Jarvis Cocker and Jim Morrison with one of the most piercing stares in music today. Without doubt Avalanche Party smashed Leeds. If you were here and had never seen them before then you must be a fan now, otherwise I fear for your mental health and your taste! Festival organisers can we have them on one of the other stages next year please? I would also like to give a special shout out to some of the folks who travelled from Avalanche Party’s home town in a minibus, especially Debbie Hutchinson, Emma and Danjo. Lovely people and great fans of the band.

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Well that was really all I was at the festival for on Sunday, but I persevered a little longer in the mud. I turned up at the NME/ Radio 1 tent next for Netsky. This is yet another dance act (ok I am being somewhat curmudgeonly about dance acts at this festival, but it’s just my opinion folks). Netsky in my opinion is a dance act emanating from a lineage that stretches back to rave, the Prodigy, Pendulum and Chase & Status. Obviously talented and skilled, but for me, well it feels like I’ve heard it all before.

Back to the Main Stage again next for the supreme festival good time party band the Eagles Of Death Metal. I must confess that I had forgotten just how good this band are. Jesse Hughes is yet another magnificent front,am and there have been some brilliant ones today. As an extra bonus their cover of David Bowie’s “Moonage Daydream” was ace. In fact I forgot to mention Fall Out Boy’s little Bowie tribute in my day 1 post, that was a nice touch.

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Next it was Jack Garratt on the NME/ Radio 1 stage. Jack arrived via the BBC Introducing route a couple of years back (as did Everything Everything). There is a lot of what the BBC does that I really don’t like, but what they do with the BBC Introducing set up is simply first class. Jack is a fantastically talented singer, songwriter and multi instrumentalist. The last time I saw him play he was very nervous, but now, with an excellent first album under his belt he oozes confidence. He is also clearly enjoying himself too. He smiled through the whole set like a kid let loose in a sweet shop. It really is hard not to like this guy.

After this I am afraid that I wimped out somewhat. I was knackered and mud fatigued. I decided to head on home to my beautiful wife Catwoman (a.k.a. Catherine). I had planned to stick around for Imagine Dragons and the Red Hot Chilli Peppers on the Main Stage so I ought to apologise to those two magnificent bands. Anyway having aqua-planed out of the car park just behind a car being towed out by a tractor it felt to me like I had made the right decision. So after all those Reading visits how was my first Leeds Festival? Well apart from the mud it was magnificent. I will be back here next year although it does leave me tinged with sadness to be finally saying goodbye to the Reading Festival, Leeds is every bit as good and in fact in many areas it is better. In particular that it is a more compact site and that the Main Stage is at the bottom of a slope which means even those of us who aren’t super tall can see quite well from a distance! I would love to hear your experiences of this years Reading and Leeds Festivals.

These boots were made for walking, walking in the mud!

 

 

Apollo Festival – York – Saturday 25th June 2016 June 30, 2016


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I wonder how long it will be before folk start referring to the last weekend in June as Apollo weekend and not Glasto weekend. Well many people in York already do, and rightly so this relatively new festival is still very vibrant, friendly and fun even in its fourth year. I have now been three times and I enjoyed each visit immensely. If you like good music and a good day out for the family in Yorkshire then look no further than York’s Apollo Festival.

Anyway this year I was a bit of a lazy stage hopper in that I only visited one other stage apart from the Main Stage. I arrived at about 11.15 along with my beautiful wife Catherine a.k.a. Catwoman our good friend Caron and our amazing Odd Daughter Amelia. The first act we saw was the Ainsty’s Got Talent winner B Boy Swirl, aged just nine years old he is just three years older than Amelia. He proved himself to be a talented whirlwind of beatbox noise and break dance frenzy. What a brilliant start to the day.

Next up on the Main Stage was someone with a vocal talent that could easily compare and compete with Adele. The magnificent and truly soulful Kymberley Kennedy. Definitely check this lady out, she has a gorgeous voice. After that it was a quick dash to the Rick Witter Premier Stage for me to catch the final part of a stunning set from those magnificent scamps, the Mallrats. Just like the last time I saw them they were awesome!

I made my way back to the Main Stage for the second half of the Jackobins set. These scousers owe a debt to Brit Pop, but only a small one. Their talent goes much deeper than that. Ace mod covers band the outstanding 5:15’s were up next. What a party band these boys are, covers of the Jam, solo Weller, the Specials, the Yardbirds and so much more. They were followed by Chris Helme the former front man of the Seahorses. He is clearly a very talented and very chilled kind of bloke. But I’m afraid his music just doesn’t do it for me. But to each their own right?

I was disappointed that I had to miss the Supermodels this year. But I did have good reason,  I had earlier bumped into the fabulous Rachel Brown of Northern Exposure who has recommended the Velcro Teddy Bears for ages. So clearly I was not going to miss them. Rachel and her fella Ash were also in the audience in the Rick Witter Premier Stage for the Velcro Teddy Bears Apollo début. So what were this highly rated Sheffield four piece band like? The were bloody stupendous. They rocked the place hard. If you love Led Zep, the softer side of Sabbath and hard but soulful rock then you will become a fan of the Velcro Teddy Bears. An incredibly tight band with a vocalist who could probably make any song his own. Their songs have the hallmarks of future classics. For me they were the band of the day. Thank you Rachel! I was also pleased to see my mate Kevin Forth in attendance too.

Dave McCabe and the Ramifications were next to entertain us from the Main Stage. Dave in case you wondered is a former Zuton. The band was excellent from start to finish in my opinion although I really would have liked to have seen them close with “Valerie” but Dave was having none of that.

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Dodgy were the penultimate Main Stage band and it is fair to say that they were far more than just “Good Enough”. A stonking version of “Staying Out For The Summer” even managed to keep the rain at bay for a while. Sadly the rain really kicked in after Cast’s arrival, what a “Fine Time” for a downpour? So I must apologise to the marvellous Cast as we left about halfway through their set as we were soaked. But they are clearly still a great festival band. I saw them back in the 90s and if anything they have got even better.

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So once again I have had the pleasure of attending another wonderful Apollo festival. This is one small wacky step for Dad dancing but one giant leap for festival kind. If you’re not already thinking about getting your tickets for next year, well frankly you’re not well!

http://www.youtube.com/watch?v=uaD-5Vzfz1c

http://www.youtube.com/watch?v=baa9Txea2gI

http://www.youtube.com/watch?v=U8VpumtJut4

http://www.youtube.com/watch?v=0Ds3QbnTL0E

http://www.youtube.com/watch?v=Wf0jPZF21sI

http://www.youtube.com/watch?v=ZmYiRN7-zyU

http://www.youtube.com/watch?v=V_tY2LHq_9M

http://www.youtube.com/watch?v=ptVTeRpkaKU

Public Service Announcement – None of the pictures or videos were taken or filmed by me. I ‘borrowed’ them all from t’interweb.

 

“Should I pursue a path so twisted?” June 5, 2016

Filed under: Observation — justwilliam1959 @ 7:24 am
Tags: ,

"Patti with Bolex-1, 1969"

Last night I dreamt that I met with Patti Smith before one of her gigs. Which is strange as up to now I have sadly never seen her play live, although I would love to. She was stood behind the Merch stand when I came into the dream. But she wasn’t selling badges, posters, stickers and t-shirts, she was making and selling a wide range of sandwiches. She was also offering advice about how to make the perfect sandwich, regretfully I am unable to recall that advice from my dream memory.

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Incidentally I had a magnificent egg mayo sandwich. As often happens in dreams Patti asked me a totally unrelated question. “Are you married?” she said. I replied “Yes I am, to my beautiful second wife Catherine a.k.a Catwoman“. “I see” said Patti, “So you have an ex-wife?”. I responded with “Yes and I have two ex kids too”.

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It was at this point that I woke up. No drugs were consumed in the making of this dream and just a small amount of alcohol. I am really not sure what this dream says about me. As for ex kids, well my children have chosen to be estranged from me, so ex kids is as good a description as any! Finally this does give me a chance to share some classic Patti Smith tunes.

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http://www.youtube.com/watch?v=xxygqSTO1lQ

http://www.youtube.com/watch?v=M_ciiCyxOJA

http://www.youtube.com/watch?v=gcbuG2w0Kzo

http://www.youtube.com/watch?v=izZuDxb84W0

http://www.youtube.com/watch?v=bkwkzzuaJds

http://www.youtube.com/watch?v=nwTRlLit57o

http://www.youtube.com/watch?v=OReJIwNVOz4

 

Adam Ant – Kings Of The Wild Frontier Tour – Barbican York – Tuesday 31st May 2016 June 1, 2016

Filed under: Review — justwilliam1959 @ 8:17 pm
Tags: , , , , , ,

Adam Ant A5

I must confess that this is only the second time that I have seen Adam Ant play live. The first time was back in the late 70s, probably 1978 in London. I remember thinking of this relatively new band, Adam and the Ants, that they were ok and had a good name. I certainly never expected the Ants Invasion that followed a few years later. Nor would I have predicted that I would be watching Mr Ant play a gig in my adopted home city of York all these years later. More of the headline show in a moment.

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But first let me say what a stonkingly brilliant support act there was last night. It was a young band called the UK Feds who hail from somewhere near Birmingham I believe. They play superbly crafted power pop punk songs with the gravitas and style of great bands like the Ruts, the Members, the Clash and early Manic Street Preachers. The UK Feds are a political band, but in a good way. Personally anyone who states that they believe that this country is run by a bunch of pricks is alright with me. They have some excellent songs, many of which are included on their exclusive tour CD which I bought for a mere £10 and which has been my commute to and from work soundtrack all day. “Pissed Up World” and “London” are my current favourites. The Feds also played a deft, tight and brilliant cover of Prince’s “Sign Of The Times”. If you are going to see any of the Adam Ant shows on this tour then make sure you turn up in time to see the UK Feds. They have the potential to go a long way. I for one would definitely pay to see them again. Well done lads!

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It was then time for the main attraction Adam Ant and his band played the whole of the classic 1980 album ‘Kings Of The Wild Frontier‘. From album and show opener “Dog Eat Dog” everyone stood up and pretty much most of us never sat down for the rest of the night. Yes even at our advanced ages! As well as the first song the other singles “Ant Music” and “Kings Of The Wild Frontier” went down a storm. But for me some of the other tracks were enhanced in a live environment. Notably “Los Rancheros”, “Making History” and “Jolly Roger”. The latter two being among my favourite Adam Ant songs. Adam waited until after an amazing run through of the whole album before speaking to the audience, very much his audience. This is a man who is totally at home on stage and who totally understands his audience. If there is such a thing then Adam Ant is a true showman.

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His stage antics are not those of a 61-year-old man. I hope I can move as well as him when I am his age in three and a half years! Although I doubt that I would look as good in leather trousers. The second half of the show was made up of a great mix of big hits, B-sides and obscurities. When you hear just the big hits you realise what a great talent the former Stuart Goddard is. He played “Stand And Deliver”, “Desperate But Not Serious”, “Prince Charming”, “Vive Le Rock” and “Goody Two Shoes” and I would have left satisfied with just that and the entire album from the first half. But on top of that we got “Car Trouble” and “Never Trust A Man With Egg On His Face” from the early days and classic B-Sides “Physical” and “Press Darlings”. The crowd sang along to every song even if they (including me) couldn’t remember all the words. Adam Ant turned “Prince Charming” into a proper crowd sing along even allowing us a short a capella moment. I must also mention his incredible band including the expected two drummers providing that loud Burundi style beat.

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One of the encore songs was a surprising but rather good cover of the T Rex number one “Get It On”. Let me end with a message to Adam Ant; thank you for a truly excellent show which ranks among the best gigs I have seen and I’m sorry it took so long to see you again. My good wife Catwoman also loved the show and that is high praise indeed and obviously I mean that in a very, very good way. There are still a few UK dates left on this tour and if you’re not already booked then I suggest you get hold of a ticket by any means necessary, well as long as no one gets hurt. Also selling your Granny might not be a good idea as she might want to come to the show with you! Adam Ant a legend among Ants and Men. Enjoy a few videos courtesy of YouTube, starting with some recent live recordings and followed by some classic Ant videos. (Pictures were all taken using my bashed up Nokia phone.

http://www.youtube.com/watch?v=dTLVkavohUM

 

Apollo Festival York 2015 – Saturday 27th June 2015 July 2, 2015


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Sadly I missed the first Apollo Festival back in 2013 and then last year I had to leave early so I missed the headliner. However this year I was there for the day and what a bloody good day it was! With something like 50 acts across 5 stages I was never going to be able to see everyone but I did see a fair few acts. I was there with my wonderful wife Catherine ak.a. Catwoman and our great friends John and Caron who brought their daughter and our Odd Daughter (that’s another story) Amelia with them. Amelia proved beyond doubt that she is indeed a 5-year-old dancing dynamo of perpetual motion. Anyway enough of us, who did I see?

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First up it was 4 Pint Milk in the Rick Witter tent. They are from Huntington School and seemed all of 16 (apologies if you’re older than that lads!). But they rock like they’re much older. The part of their set that John and I saw was cover versions, but damned good cover versions. Jake Bugg’s “Green Man”, the Smiths’ “This Charming Man”, Stone Roses “I Am The Resurrection” and my particular favourite, “Brianstorm” originally done by the Arctic Monkeys. I hope these boys succeed, they play really well and they have an excellent dour and dry northern wit.

Back at the main stage I only caught Fat Spatula’s last song. On the evidence of that I thought they sounded pretty good and I wished I could have heard more of them. I should add that Catwoman didn’t like them at all. Next on the main stage was the winner of this years Ainsty’s Got Talent contest, Beth Bryers. She undoubtedly has a great operatic style voice which she used over a number of dancey beats including Bastille. I get the appeal to some, however for me Beth is an acquired taste that I unfortunately didn’t acquire.

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Rime Suspex though were something else, absolutely brilliant in my opinion. A relatively simple set up of a guitarist, singer and rapper. They were also accompanied by a number of samples I think. Imagine if South Africa’s Die Antwoord came from Blackburn and had better rhymes, well that is Rime Suspex in my view.My particular favourites from their set were “Money” and “Sick And Tired”. Given the lyrical content I almost certainly support their sentiments and politics. They didn’t hit the spot for my friend John, but he has never been a fan of white rappers. But I’ll work on him! Anyway I would definitely pay to see Rime Suspex again.

Our first visit to the Access Music stage brought us Matt Philpot. For me he was a pretty average singer songwriter singing 70s with a mostly laid back 70s vibe. The highlight of his set was a reggaefied arrangement of Aha’s “Take On Me” which I enjoyed. Next we saw the Rusty Pegs who are a bit alt. country and come across like a slightly more Nashville version of Fairground Attraction. I quite liked them.

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On our return to the main stage the Happy Daggers were on. I missed the first part of their set but what I did see showed me that these fellows  are funkin’ good and I want more! Rupert Stroud was on next, he and his band were very tight and well rehearsed. He is a rock influenced singer songwriter and he is bloody good. Imagine James Blunt with bigger balls, well that is Rupert Stroud.

After that it was a quick hop across to the Access Music stage for the magnificent Barcode Zebra. I saw them play at last year’s Apollo Festival and they were very good then. This year they were even better. Soul, funk, rock, jazz all in a musical blender supported by a really skilful band and an immensely powerful vocalist. I certainly hope to see more of them.

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Now it was time for the wonderful Crybabycry on the main stage. They had been caught in traffic on their way, but believe me it was worth the wait. I saw them earlier this year in a tiny venue during Live In Leeds. On their performance then and at the Apollo Festival I will stick my neck out and say that I believe that they are one of the finest bands in the UK at the moment. Along with my other favourite UK bands; Avalanche Party, Colour Me Wednesday and the Tuts. Powerful three-piece Crybabycry deserve to be on bigger stages and if you don’t like them then I suggest that you pop out and get your hearing examined. Can we have them at Reading and Leeds please?

Awesome covers band the Mothers followed Crybabycry onto the main stage and they rocked their socks off. I danced near the stage for their whole set which included storming versions of songs by the Beatles, Rolling Stones, songs from the Stax back catalogue among many others. They were fucking brilliant and I might try to book them for my 60th birthday party, although that isn’t until January 2019. After that I paid a final visit to the Access Music Stage where Catwoman and I saw Armonia. They played some really chilled and laid back acoustic songs including a wonderful cover of Lordes’ “Royals”

Classic 90s scouse indie pop band Space were next on the main stage and they were blooming amazing. I had forgotten how many great songs they have recorded. Favourites like “Neighbourhood” and “Female Of The Species” were there along with some new songs and stuff that I have never heard before. There wasn’t a duff song in their set. My favourite is one that I hadn’t heard before, the rather fabulous “Boy In A Body Bag” which is a bloody fantastic tune.

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Finally it was time for the head-liners the supremely talented Inspiral Carpets. I had seen them many years ago and they were always a band whose new release I would always check out. No other band of their generation rocks the Farsifa like these blokes do. The have some excellent songs in their canon including “Dragging Me Down”, “This Is How It Feels”, “Spitfire” and one of my all time favourite songs from any band or singer “Saturn Five”. Quite an appropriate song for the Apollo Festival don’t you think? The Inspiral Carpets used to refer to themselves as ‘cool as fuck’ and in my opinion they remain so. If you get a chance to see them you would be foolish not to.

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Finally let me say a big, big thank you to the organisers of the Apollo Festival especially Mr Apollo himself Stuart Kelly. Also a big shout out to my good friend Simon Pattinson who is on the organising team. Everything was brilliant folks, including the weather. If you change anything for next year then I suggest that you increase the food outlets and vary them a bit. Can I also offer to volunteer to help with organising Apollo 2016?

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This really is the final finally! If you haven’t done so already please click here to vote for the Apollo Festival in the Yorkshire Gig Guide Grass Roots Awards. I have!

Well given the weather it seemed somewhat appropriate :-)

Well given the weather it seemed somewhat appropriate 🙂

Public service announcement – none of the media contained in this post was filmed or photographed by me.