With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

The Velts – Fulford Arms, York – Thursday 26th July 2018 August 1, 2018

Filed under: Review — justwilliam1959 @ 10:29 pm
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You can’t beat a gig showing four bands for four quid can you? Especially when it is at the Fulford Arms in York and even more especially when you know and love three of the bands playing; thank you Glass Traps, Honours and Tax! The gig was set up to launch a new York record label, Safe Suburban Home (SSH). The label specialises in releasing exclusive seven-inch vinyl singles by up and coming bands. This gig was to support the launch of the first SSH single by Maltese band the Velts. It is a shame it wasn’t a local band, but I am sure that will come. But before the Velts hit the stage there was the little matter of three fabulous support bands. Before I tell you about them I have to air a little gripe; the sound and mix at times was utterly atrocious. Was it atmospherics caused by the extreme heat or was the sound man having a particularly bad day? I am not sure what the sound was like from the monitors, but I got over the worst of it by standing closer to the stage.

Glass Traps

First up were the Glass Traps, they are quite a young band and they have tons of potential. At times a little Beatlesesque and Byrdsian with a smattering of Tom Petty. The Beatles thing was compounded by the bass player using what I think was a Hofner bass, but not just that, he was also left-handed like Macca! The Glass Traps have some excellent songs, but like all of tonight’s bands the sound let them down a little.

Honours

The second band to take the stage were the mighty Honours, without a doubt one of Yorks finest young bands. Even with the issues with the sound this bunch were fucking awesome. The sound was definitely better closer to the stage, perhaps we got a bleed from the monitors. Honours have the potential to be their generation’s Oasis, only better. Jordan has more stage presence than Liam Gallagher as a front man. Meanwhile Struan’s guitar playing at times hits the majesty of Mick Ronson at his peak. “Freedom” and “Duchess” are outstanding tunes and “Higher Than A Mountain” is heading that way too. It doesn’t matter whereabouts on the bill Honours are, they always play like a headliner!

Tax

I had the pleasure of reviewing the ‘Averageism’ EP from another great York band, Tax, back in January. So I was looking forward to finally seeing them play live. It feels like their sound has developed immensely in those few months. Not just Space Cadets, but proper spaced out cadets! There is definitely a whiff of Tom Verlaine and Television about them while the Mark E Smith influence is also clear. But they are influences and Tax are very much a band mining their own eccentric seam of great music.

The Velts

Headliners were the Velts from Malta here for the launch of their exclusive seven-inch release “Rollercoaster” b/w “Rattle The Cage” which is also the first release on Safe Suburban Home Records. It was a real shame that the bulk of the crowd had disappeared by the time the Velts arrived on stage. Those that left early missed a treat, well apart from the poor sound mix which never really improved the whole night. The Velts are to me what the Beatles might have been like if they had arrived on the scene in the late 90s with a fully formed more modern take on ‘The White Album’. George Harrison would have been proud of some of their left field wig outs! Both tracks from the single were played and they have some other great songs too.

So in summary this was a good gig that might have been great if the sound was better and the crowd was bigger. I hope the safe Suburban Records is a very successful venture and maybe they should try out a few releases from local bands in the next few months. I feel pretty sure that would pull bigger crowds and more sales. But I am the very proud owner of the single, mine is numbered 11 of 250!

All photos were taken by me using my cheap Chinese android mobile phone, hence the quality!

 

 

‘Duchess’ – Honours May 23, 2018

Filed under: Review — justwilliam1959 @ 9:50 pm
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One of York‘s finest bands, Honours, release their second single “Duchess” hot on the heels of their stunning début with “Freedom”. I truly believe that this band have the talent to become one of the classic British bands. They contain the DNA of everyone from the Kinks, Blur and Paul Weller. In fact the first time I listened to “Duchess” I thought of the Modfather. The guitar lines are comparable with some of Steve Cradock‘s finest. This new song isn’t as instant as “Freedom” however it is still a very classy tune indeed that grows in stature with each listen. If “Duchess” and its predecessor “Freedom” are a harbinger of the first Honours album then that record will be a towering success. Check it out now on Spotify, iTunes and SoundCloud!

 

 

Lower Than Atlantis – Fibbers, York – Sunday 13th May May 15, 2018

Filed under: Review — justwilliam1959 @ 11:25 pm
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Last Sunday I had the absolute pleasure of going to see one of Watford’s finest bands, Lower Than Atlantis playing live at Fibbers in York. It was courtesy of those doyens of decibels over at 3 Songs & Out. Click here to read my review and feel free to stick around on 3 Songs & Out.

 

“YRA 2018” – Skylights April 24, 2018


Too many bands and so little time! I just received a tip from an insider about a band called Skylights who hail from Yorkshire; York and Leeds to be precise. They have a spiffing little tune out right now and after a couple of listens I really love it. “YRA 2018” is the tune and the acronym describes Yorkshire’s Republican Army. As a former southerner who has lived in York for eleven years I would be happy to support the YRA!

Skylights are most definitely a 21st century band but they draw some great influence from the BritPop era, but the classy end of the so called movement. They have a swagger in their sound that evokes Oasis in their prime, a confidence in their playing that is reminiscent of Richard Ashcroft at his peak and Bobby Gillespie would be proud of this song. Skylights pull no punches with some sky reaching power riffs and epic melodies which build to a chorus that is hard to lose from your brain, not that I am trying to lose it though.

The band is Rob Scarisbrick on vocals, Turnbull Smith on guitar, Jonny Scarisbrick on bass and Myles Soley beating the drums.They have been picked up by a few local radio stations, including the fabulous YO1 and BBC Introducing. York’s own Rick Witter is a fan of this song. They are playing Fibbers on 18th August and there will be other gigs. I haven’t had the opportunity to see the band live yet, but if they can translate the power and energy of their recorded music on stage then I reckon their sets could become epic! Click here to check out “YRA 2018” on SoundCloud along with a couple of other excellent Skylights tunes.

 

Lost Trends – City Screen Basement, York – Saturday 21st April 2018 April 23, 2018


A headline show in York from the mighty Lost Trends, I mean you have to get yourself along to that don’t you, and I did. But before I tell you about one of York’s finest bands let me say a few words about the support bands. First up were Jerry who are very definitely a British band in the long genealogical line of the best British bands. They have a great sound in which I can hear the influence of The Fall, later period Blur, Pavement, Lou Reed and on occasions even Frank Zappa. Will this band go on to bigger and better things? Well I believe that Jerry can! Sorry about the terrible pun, but while I am on it how come so many bands these days have names that are so difficult to find in Google? (Other search engines are available). Is it because all the good names have been used?

Jerry

Talking of easy to find names next on stage were the Asphodels and oh boy are this bunch different. Imagine some Prog Rock opuses as played by a 90s grunge band. The rhythm section performed like a fuzzed out, punked up, psychedelic version of John Paul Jones and John Bonham off of Led Zeppelin. There were times that I was reminded of the best creations of Paul Draper and Mansun. I should add that their drummer is top draw and for me keeps the band in perfect sonic and rhythmic shape. I am looking forward to hearing more from the Asphodels.

Asphodels

Finally it was time for tonight’s main attraction, Lost Trends, I had met Rusty and Pete from the band earlier in the bar and they were properly up for this. Jerry and the Asphodels are two tough bands to follow but Lost Trends are highly skilled at upping the ante and they did it yet again with a stunning set. I have seen countless bands that give 100% in every performance but not many who go beyond that. Lost Trends are very much a 110% band. I have seen this band only twice before and I know that I will see them many more times in years to come. They have a new drummer who, it is fair to say, is a great fit. They play and perform with incredibly high energy levels with everything turned up to 11. By the end of the night everyone one of us punters were up on our feet frugging and chugging to some of the best dance/ rock hybrid songs out there. These boys know how to engage an audience and do it with buckets of style. They entertain a crowd in a way that many of their contemporaries can’t match. Lost Trends are scholars at intertwining tight, funky dance sounds with phenomenal, soaring rock vocals and punk attitude. In a parallel universe Lost Trends are playing stadiums supported by U2. get out and see them the next chance that you have, you will not be disappointed.

Lost Trends

Also it was great to catch up with my good friend, the stubbornest little bitch on the planet! You know who you are, stay strong!

 

Isaac Gracie – The Crescent, York – Monday 16th April 2018 April 17, 2018


Another school night, another gig at the fabulous Crescent in York. Tonight was another excellent show from Northern Radar this time headlined by Isaac Gracie. But before I give you my opinion of Mr Gracie how about a big hand for the most amazing support act Matt Maltese. He has an album coming out in June and after seeing him play live that is a very, very exciting prospect. He is like a lounge version of Rufus Wainwright who wears his politics on his sleeve in 72 point bold font. “As The World Caves In” is an incredible song and a very worthy single, a copy of which I bought on the night. Matt’s between song bonhomie and sardonic wit is wonderfully original. I think perhaps that “Guilty” was my favourite highlight, but there were many, so that might change if you ask me again. I would unreservedly pay to see Mr Maltese again.

It would be somewhat of a cliché to say that I have seen the future of rock ‘n’ roll, let’s face it Jon Landau said that about Bruce Springsteen in 1974. However I have seen a very bright future for British music in the shape of Isaac Gracie. Twenty One year old Gracie is a former chorister with the Ealing Abbey Choir. He first came to the attention of the music industry after “Last Words” a song recorded on GarageBand in his bedroom was unleashed into the world in 2015. His songs are far more mature than his years and on top of that he comes across as wonderfully affable and self-deprecating on stage. For me he has all the finest qualities of a young Jeff Buckley. I had the privilege of seeing Buckley at the Reading Festival many, many years ago and Gracie has the same qualities in his songs, performance, raw talent, passion and demeanour. Check out his cover of Radiohead’s “No Surprises” and the Arctic Monkeys “Fluorescent Adolescent” on YouTube and see the ghost of Buckley made real. My wonderful wife Catherine a.k.a. Catwoman doesn’t come to many gigs with me, but she was blown away by this one.

His first album is a truly accomplished début “Terrified”, “Last Words”, “Reverie”, “Running On Empty” and “Silhouettes Of You” all feel like classic songs that have been with you your whole life and Isaac played all of them tonight. There was not a single dud song in his set, my particular highlights were “All In My Mind” and the haunting song of sadness that is “Darkness Of The Day”. “Was our love a work of art, before the painting fell apart”, is that not one of the best lyrical couplets ever written? It is almost 46 years since I attended my first gig and there have been hundreds since then, but this is without doubt one of the finest shows that I have ever seen. If Isaac Gracie does not become a world straddling star then there is something horribly wrong with this planet.

 

Cabbage – The Crescent, York – Wednesday 11th April 2018 April 13, 2018


Well isn’t the Crescent turning into a fab venue. Tonight in a show put together by the talented Mr Dean Shakespeare of Under The Influence we had one of the most hyped bands in ages headlining ; those delightful lads from Cabbage. This would make it four times that I had seen them live, so what did I think of them this time? Well dear reader you will need to read on to find out, because I need to tell you about the excellent support acts first. The Grimm Twins took to the stage before anyone else and sadly the early crowd held back for far too long for such a stunning band. They are punk and post punk rolled into one. They contain a pinch of the Fall and a dash of the Buzzcocks which given that their DNA is close geographically, they are from Macclesfield, I am not surprised. Their song “Generation Z” is a venerable and honourable anthem for this bands generation. After hearing this I would be happy to hand over the mantle as my baby boomer generation have royally fucked things up. Their closing number “Theme Of The Grimm” is a top tune, it is deep, meaningful, powerful, special and anthemic. Definitely a band to watch out for.

The next band up were She Drew The Gun who to me appeared to be influenced by everything and nothing at the same time, this is no criticism they are a wonderful and truly original band. They are a band with a conscience and bucket loads of passion. Imagine Dick Dale backing a torch singer or Kate Tempest fronting early Roxy Music and this will give you just a small insight into exactly how good She Drew The Gun are. If you saw them at the Crescent tonight and you didn’t become a fan then I seriously believe that you need to have your musical taste examined!

Finally it was time for the main attraction and one of your five a day, it is only the mighty Cabbage! This is the fourth time that I have experienced the band known as Cabbage and this was the first time that I had seen them outside of a festival. So this was very much their own crowd and oh boy did they whip us into a frenzy. Cabbage play punk, funk, pop, post punk and many other styles in between but they are nigh on impossible to drop into a genre. They are bombastic, lovingly chaotic and they carry off a healthy dollop of arrogance too. We were treated to some proper choice cuts from their new album ‘Nihilistic Glamour Shots’ and some of the finest songs from their ever-expanding repertoire. They were at their explosive best for “Arms of Pleonexia” and “Gibraltar Ape” was a towering masterpiece that shook the room, but to be fair I was standing right next to the speaker stack! From their earlier songs “Uber Capitalist Death Trade”, “Terrorist Synthesizer” and “Dinner Lady” were particular highlights for me. On top of that who can resist the genius that is “Necroflat in the Palace”. After seeing them at the Latitude Festival last year I made a prediction that they would headline a major festival in three years. I stand by that and hopefully it will be by or before 2020! Get yourself out to see Cabbage now before they start playing just the enormodomes!

It was also great to catch up with Simon P; kingpin of Northern Radar, Joe Coates; Head Honcho of Please Please You and Joe and Jared from one of my most favourite bands the rather awesome Avalanche Party! so as gig nights go this one was among the very best!

Public service announcement – all photographs emanated from by cheap little android phone and the videos were all discovered on YouTube.

 

“Freedom” – Honours April 2, 2018

Filed under: Review — justwilliam1959 @ 11:01 pm
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Ever since going to my first gig more than 45 years ago live music still excites me. Especially the chance to see bands and singers that I have never heard of before. Festivals are perhaps the best at providing that opportunity, but so are the small gigs put on by tireless local promoters. My adopted city of York has a thriving music scene with an amazing diversity of acts and I was lucky to catch one of those bands at the Crescent in York last week. I am talking about Honours, a powerful and soulful four piece rock band who have just released their single “Freedom” via SoundCloud. Click on the link attached to the song title to hear it.

It has a funky guitar vibe with a great “ooh ooh” hook. The vocals have a hard edge that compares with some of the best British rock singers over the years. This is underpinned by a rhythm section that really controls the beat and really understands what rhythm means. I think that their rock lineage can be traced back to the Small Faces and all the way to Oasis and beyond. The song was recorded at the Nave in Leeds. This is a band that is oozing with potential and I am really looking forward to seeing them play live again and to hear more stuff from them. Jordan, Daniel, Struan and Tom, this is a top tune! Check Honours out, give “Freedom” a listen now, you know it makes sense!

 

 

Interview – Laura Kindelan – March 19th 2018 March 22, 2018


Laura checks out an excellent, if somewhat expensive, Toots & the Maytals LP at the Vinyl Cafe.

I had the absolute pleasure of interviewing York singer, songwriter and ace musician Laura Kindelan earlier this week in 45 The Vinyl Cafe on Micklegate. Laura was eloquent, effervescent and spoke about her major influences, where she might take her sound next, her musical guilty pleasures and her favourite chocolate among many other things. Check out that conversation below.

  1. Who is your biggest musical influence and why?

Well there isn’t just one person, for me it’s the sound and the performance. For the sound, it has to be Lianne La Havas; I love her jazz guitar, melodic vocals and song writing. I particularly love her lyrical patterns and use of unusual words. My history teacher introduced me to her.

As for performance, I would have to name two people; Amy Winehouse and Damien Rice. I believe that both of them show the beauty of imperfections. Damien Rice’s mix of his first album “O” massively fluctuates in volume within songs, which could be considered wrong but I believe it’s emotive.

  1. What is next for you, where do you go from here?

I am very happy to be a slow burner. I am not focussed at all on becoming a product or a brand. I want to be a well-respected musician, singer and song writer. That has to include maintaining respect for myself and my craft. I want my music to speak for me, not the image. I would also love to work with a really tight rhythm section in the future.

  1. Musically do you have any of what you might consider guilty pleasures, if so what are they?

That is a tough one, the first one that I can think of is Abba. However, I don’t feel too guilty about it as they wrote, produced and released such great songs. But perhaps my real guilty pleasure is my ‘go to’ party song; “Bitch Better Have My Money” by Rihanna.

Photo by Michael Parr

  1. How do you prepare for a gig?

First, I always do some vocal warm ups. I like to make myself feel nice, to feel good. I don’t often wear much make-up, but for a show, I choose to get dressed up with make-up and nice clothes. Everything I do to prepare for a gig contributes to making me feel comfortable and confident on stage. I really believe that a performer should invest the audience in what they do by personally connecting with them, and to do that, you need to be happy and comfortable with yourself. Confidence is key to any good performance.

  1. Name one thing in your musical career that you are most proud of and feel free to tell us why?

My headline show last year at the National Centre for Early Music in York. It felt like such a magical night and I am so proud that I did it. I can’t quite believe that it happened. There were around 180 people there, really listening and enjoying the night – It’s definitely something I’ll never forget.

Click here to check out my review of that show on this blog last year

  1. What drives you to write songs?

Sometimes it is all about getting something off my mind; a feeling or a relationship perhaps. Currently I really love to experiment with harmonies, shapes and different tunings on my guitar. I think I draw influence in this experimentation from Jeff Buckley and Tom Misch, particularly with pretty harmony and rhythm from the latter. I see my sound as evolving into something similar to Tom Misch, only much grottier!

Photograph by Tomorrow’s Photos

  1. How does your song writing process work?

I have lots of lyrics stored on my phone that I’ve written as they come to me and I sometimes go there for inspiration. Although, as I said before, I love to experiment with harmony and chord progressions so I often begin here.

  1. Name a song that you believe you could cover and make it better than the original?

At the moment I am playing around with a very different arrangement of “Do I Wanna Know” by the Arctic Monkeys. I am trying out a very slowed down version which is more ‘head bobby’, with more dissonance and harmonics. I think this new vibe adds more meaning to the lyrics.

  1. Which of your songs would you like to see covered by someone else and who would be your top choice to do it?

I would like it to be someone completely different from me, how about Hello Operator? That could actually be amazing, we should make it happen!

Photo by Tim Downie

  1. Tell me something that you have never told an interviewer before (and this does not need to be music related)?

My signature dish, that I make incredibly well (if I do say so myself), is Carbonara with mushrooms, bacon and cream. Bon appétit.

  1. Name three things that you simply cannot live without?

My family, good food and Doctor Martens. I’m hoping to build a collection of Docs – I currently have four pairs, including one with a snake-skin pattern.

  1. What is your favourite confectionary item?

Terry’s Chocolate Orange, beyond any doubt the best there is!

Now check out some of Laura’s rather excellent tunes.

All photographs were provided to me by Laura and are credited to the photographer in the caption. The first picture was a rare good one taken on my phone. Video links were specially selected by Laura herself.

 

‘Loved By Trouble, Troubled By Love’ – Boss Caine March 10, 2018


It has been a long wait but finally we have a new album from the mighty Boss Caine. The album is called  ‘Loved By Trouble, Troubled By Love’, and oh boy has Boss Caine main man Dan Lucas shifted up the gears on this release. He has never released a dud album and this one takes the quality to a mountainous peak. The songwriting here is among the best you will find in the current generation of British musicians. If the previous albums built the foundations of the distinct and wonderful Boss Caine sound this album completes and finely decorates the first couple of floors.

The lyrics here are beyond just sharp and clever they are stories woven into song. “Champagne” and “Evidence” open the record and draw you deep into Boss Caine World where you will neither want or need to leave before the album finishes. For me”Champagne” evokes the very best of Dr John’s finest deep south cuts. If you want an inspiring and heart-felt love song then look no further than “Star Crossed Lovers”. It totally encapsulates what it feels like to have that special someone in your life. Of all the albums I have reviewed over the years this is the first that my wife has really loved from the first play. While the style here has some of the best ingredients of alt.country, Americana and electric folk it is still a very British sound. This is most notable on the title track “Loved By Trouble, Troubled By Love” where Lucas shares vocals with Edwina Hayes.

The words on “Where Good Things Go To Die” seem to be a reflection on life and experience and maybe how you have found your way in your life. It certainly stirred up some sadly nostalgic feelings of my youth. If choosing my favourite track from the whole album was a life or death issue then I would definitely opt for “Lonesome Crow” which builds up slowly, adding layers of instrumentation and orchestration on its journey to a sanguine and deeply hopeful crescendo-like close. At times Dan Lucas’ bass-like gravelly vocals bring memories of Johnny Cash and on “Better Ways To Get Free” maybe even Tom Waits. In fact I can imagine an on-form Rod Stewart recording a brilliant version of this song. All the songs in this collection were written by Daniel Lucas apart from the jaunty and happy “Bright Young Star” which was written especially for Boss Caine by the Temperance Movement‘s Phil Campbell. Melancholy album closer “Smoking In My Backyard” is perhaps one of the finest songs ever written about smoking. I have never smoked, but I can picture myself smoking a fat one while chilling to this!

After a couple of listens this feels like a greatest hits package that is made up of entirely new songs. The album was recorded, mixed, and mastered by Isaac McInnis at his Crooked Room Studio just outside of York. The record was produced by Isaac McInnis, Bradley Blackwell, and Daniel Lucas. It is already available on-line and the physical copies will be available very soon. Click here to get your hands on a copy, I have ordered mine! So tell me; Do you like Americana? Do you like Dr John? Do you like great British music? You do? In that case you will bloody love the new Boss Caine album!