With Just A Hint Of Mayhem

Music reviews, gig reviews, fun trivia and extra added random stuff!

“I need you and you need me, oh my darling can’t you see” November 19, 2011


Cliff's statement to Absolute Radio

I heard in the news this week that there is a radio station, Absolute Radio 60s, that is refusing to play anything by Cliff Richard as they don’t believe he is relevant. Is this a contemporary urban station or a specialist rock or punk station? No it’s a 60s station. Now I’m not a big fan of Cliff but to refuse to play him on a 60s radio station is frankly stupid! Click here to read the story on the BBC.

Cliff prepares for his version of another brick in the wall

In the late 50s Cliff Richard was quite a groundbreaker for British rock n roll. Try listening to “Move It” again, it’s a classic. As for the 60s Cliff had stacks of UK hits including a fair amount of number ones. Many of these were hits across Europe. He may have not had much success in the USA but it’s hard to deny how big he was elsewhere. “Summer Holiday”, “Bachelor Boy”, “Livin’ Doll” and “The Young Ones” to name but a few are classic 60s pop songs. You could also argue that Cliff’s Eurovision runner-up “Congratulations” is also a brilliant pop song, although personally I don’t like that one.

Cliff meets the young, vibrant management of Absolute 60s Radio

I really don’t like his schmaltzy Christmas songs and things like “Millennium Prayer” But that is no good reason to deny how strong his 60s output was. He may not have taken music forward in the way that perhaps his label mates at the time, the Beatles did. But he became a star before they did and perhaps without the likes of Cliff, Tommy Steele, Lonnie Donegan to pave the way the Beatles may not have had the same trajectory.

Cliff threatens to wear this outfit outside the Absolute Studios until they start playing his songs

As for that 60s station refusing to play Cliff Richard, surely if you run a 60s station you play 60s music, specifically 60s hits. Well that’s what I would do and a formulaic operation like that means that effectively your own taste doesn’t really come into it!

"OK Absolute I suggest that you play my songs or you won't like where this finger will be going!"

What do you folks think of this issue?

 

“There ain’t no room for the hopeless sinner” October 18, 2011


This hopeless sinner (or maybe I’m just a talented sinner) was listening to the radio at the weekend and a song that I really love came on. It was the beautiful “People Get Ready” by the Curtis Mayfield era Impressions. Now this is a very religious song and I am not a religious person. So my question to you is; should I be able to enjoy religious songs even if I am not religious myself? Well I’m talking conventional religion I suppose because in the last two census forms I completed I registered as a Jedi (hence the Star Wars elements of this post!)

I have quite a few songs of a religious nature in my collection including;

“I Want Jesus To Walk With Me” – Johnny Nash – But then I do have a rather extensive Johnny Nash Collection

“Forever Loving Jah” – Bob Marley – I love loads of Rasta but let’s face it I can never be one, I am now forever a “Crazy Baldhead”

“You Got The Love” – The Source featuring Candi Staton – Probably my favourite dance track, probably my favourite song of the 90s too! I am pretty sure this is a religious love song about the love of god rather than just a love song.

“People Get Ready” – The Impressions – A truly beautiful song whatever it’s sentiment in my opinion

Caravan Of Love” – Isley Jasper Isley – The biggest hit from this Isley Brothers offshoot and also superbly covered by those legends from Hull, the Housemartins

I’d like to know what you think about this potential dilemma. I don’t have a problem with this, but I wonder if there is anyone out there that does. On a similar vein I once worked with a guy who was a racist, I’d like to stress that he wasn’t a friend. He had lots of 60s soul music in his collection; Aretha Franklin, Otis Redding and plenty of Motown. Personally I find that hard to reconcile; he didn’t like black people and yet he had a large amount of black music in his collection. I’d love to hear your views on that too.

Incidentally I would like to state categorically that I do not own any of Cliff Richard‘s religious songs such as “The Lords Prayer ” and “Saviours Day” 🙂

 

“They think they’ll get to heaven through the universe” – Brit Awards 2011 February 15, 2011


So this years Brits have undergone yet another revamp and moved to the O2 Arena as well. It is now designed to build up to a finale of the announcement of the Best British Album, with each nominee introducing their album in little vignettes throughout the show. I guess it’s based around the Oscars where the whole spectacle concludes with the Best Film Awards. Even the actual award has had a makeover too, thanks to Vivienne Westwood. With Viv involved it seems weird that the Brits effectively started at the height of punk and it was all black ties and very formal and Cliff Richard was the winner of Best British Male Vocalist, oh how times have changed, well mostly anyway.

The show was kicked off by Take That with “Kidz”. I hate to say it but even with Robbie back in the ranks I quite like them. The performance was good and the boys were surrounded by riot police dancers who stripped at the end. Maybe there’s a lesson for the police the next time they are called out to student protests. But did anyone else think that a couple of the ‘That were wearing incontinence pants?

Hosted by James Corden, personally I’m not sure about that choice I have never really found him either funny or exciting. First award was for Best British Male presented by Dizzee Rascal, last years winner, to Plan B. Now that was a good choice, the ‘Defamation Of Strickland Banks’ is a killer album.

Another live performance came next, it was the abundantly talented Adele, boy that girl has got a superb voice. She sang “Someone Like You” accompanied just by a pianist. It’s hard to believe that she is so young. Now that’s what you call real singing, are you listening Cheryl Cole? It was a brilliant example of how talented a lone singer can be, but did they have to shower her with all that silver snow/ confetti?

Now that interlude of James Corden speaking to Justin Bieber was weird. James telling Justin how wonderful he smelled. Is that grooming? (Yes I know you could read that two ways!) It was left to Fearne Cotton presenting the Best British Breakthrough Artist award to take that awful scene out of my mind. The winner was Tinie Tempah, apparently Prince Harry and Prince William are fans!

International Album was presented by none other than German Musical Superstar………..errrr Boris Becker. Anyone for Tennis? It was justly won by Arcade Fire with ‘The Suburbs’. They gave a fantastic name check to British acts; Clash, Bowie, Culture Club, New Order, Depeche Mode.

And now we have Rihanna who started her medley set from behind what could have been a giant shower curtain or giant grass skirt. The hair matched the dress, but did the collar match the cuffs? 😉 We came close to finding out as she removed the dress pretty damned quickly! Maybe not everything but the kitchen sink, but Burundi style drummers and wait……. was that the Olympic flame? Oh and another thing, now that’s what you call real dancing, are you watching Cheryl Cole?

Mark Ronson was there to present the Critics Choice Award, was he dressed like an Accountant or was it just me? I don’t mean that I was dressed like an Accountant, obviously! Don’t you think his hair was like a ski slope? Well even more obviously no surprise that the winner was Jessie J, as this was one of the awards that was announced some while in advance of the ceremony itself. The fourth woman to win that award and she didn’t blub….. but only just!

One of the nominees for best album were the next band on stage, it was Mumford And Sons. It’s no wonder they’re so big in America is it? They look like hicks and hillbillies; mind you they were bloody good at the Reading Festival last year. Who wears cowboy hats or truckers caps in this country, which just puts my flat cap to shame really!

To present the International Male Award we had yet another musical superstar; Lewis Hamilton…..errrr how many albums has he had then? The award gave Cee Lo Green his first ever Brit. Now that’s a big “Fuck You” to all the previous voters, they won’t “Forget You” next time Cee Lo. A brilliant choice in my opinion. He gave a great shout to Boy George too. Nice to see all the Johnny Foreigners thanking the Brits this time around. I’m not xenophobic ok, I’m just an archetypal arrogant Brit! Well actually I’m not really, I am a Brit but I don’t think I’m arrogant or even archetypal, although I’m sure some might disagree!

What was the Best British Single then, it was presented by Alan Carr, is it me or does his voice really grate on you? It was also voted for by fans, so that should mean a good choice right? Well it was a good choice, it was Tinie Tempah with “Pass Out” It could have been so much worse with all those X Factor related nominees.

What the F*ck am I doing here?

Two blokes off of Duran Duran presented the Best International Group award to the magnificent Arcade Fire. What can one say? Flipping heck another good choice, this revamp has done wonders for giving the right people the awards too.

Plan B was the next live performer. Show stopping set and dancing, a tight band. It was like a modern version of the old Motown or Stax Revues. Were those Police left over from the Take That performance? Of course they were, the Riot Squad were there again. It’s one thing infiltrating eco-activists, but this level of police intrusion is so far beyond subtle it’s off the bloody scale! What about the dude that was set aflame? Was that a tribute to the recently deceased Johnny Storm aka the Human Torch off of the Fantastic Four? Check out issue number 587 of the World’s Greatest Comic magazine for more info on that one people!

Avril Lavigne and Will Young combined to present the next award, now that is a novel but strange pairing. It was International Breakthrough Act and was won by Justin Bieber, well I suppose it couldn’t all go my way could it. Still at least it wasn’t the Glee Cast was it? Still the boy done good bearing in mind he is not quite seventeen yet.

Best British Female Solo award was present by Georg O’Dowd aka Boy George, isn’t it about time he upgraded to Man George? Deservedly won by the beautiful talent that is Laura Marling. She was followed by a brilliant performance from Arcade Fire with “Ready To Start”. Are these guys one of the best bands on the planet right now? I think so and it always looks like they’re really enjoying themselves too.

Now that’s what I call presenting an award, are you watching Cheryl Cole? Ooops no you’re not, you’re actually presenting the damned thing for Best International Female. It went to Cheryl’s ‘Girl Crush’ (hmmmm interesting in a pervy kind of way); Rihanna in a big white dress with roses….. they grow on you!

Tinie Tempah took to the stage next and frankly he did it like he owned the thing. Great performance and bloody good laser show to boot. The stage was full of Tinie lookalikes, how about a spoofed version of Eminem, anyone for ‘The Real Tinie Tempah’? This dude is a really top bloke in my humble opinion. Move over Mr Rascal and make way for Mr Tempah. Are the organisers of the Reading Festival watching? How about Tinie Tempah on the afternoon bill on the Main Stage Saturday or Sunday, it’s worked well for Dizzee before hasn’t it?

Dermot O’Leary off of the X Factor (amongst Others) no less was on hand to present the Award for Best British Group. It went to Take That. It pains me to say that with their current album I actually like some music that Robbie is involved in. I must be ill in the head. Robbie was his usual nonsensical arse with just a couple of shouts of ‘Shabba’ thankfully leaving the other boys to do most of the talking and thanking.

So then came the grand finale the Best British Album Award, presented by Rock God Roger Daltrey off of the Who. He said that he thought that Plan B’s set had made him reminisce of the early days of the Who,(was he serious?) but sadly the award didn’t go to him, it went to Mumford And Sons, still not a bad choice.

The show was closed by the mighty, magnificent Cee Lo Green with “Forget You”. A great tune but I kind of wish he had done the original ‘naughty’ version! A great singer none the less. So that is as they say it for this years Brits. I will be back with other posts before the 2012 Brits so feel free to keep reading my blog now that you’ve found you’re way here. I bet you’re relieved that I have got to the end of a whole post with no mention of Lady Gaga……….DOH!

The good, the bad and the untalented!

 

“Then one night some men of higher standing set a trap, they’re not to blame” December 31, 2010


Bobby Farrell RIP

Some interesting news and a strange coincidence for you on this last day of 2010. Amy Winehouse recently pocketed £1 million for a private gig in Moscow for a Russian tycoon, not bad for someone who hasn’t played a gig in ages. There were two other acts on the bill; Boney M and Ke$ha, quite a strange combination in my opinion. What do you think? A few days after that gig singer and dancer Bobby Farrell off of Boney M died in a St Petersburg hotel room after a gig in the city. It is understood that he had a history of heart trouble. The strange coincidence is that Bobby died in the same city as Rasputin and on exactly the same date. Now that is the strange coincidence given that one of Bobby’s big hits with Boney M was “Rasputin” Click here to read the story of Bobby’s death on the BBC. Regular readers will know that Boney M were never my favourite band, in fact they were a long way from it, but it is always sad when someone dies so young, so RIP Bobby. Here he is with Boney M and that very song (followed by songs from Amy and Ke$ha:

Amy looks for a safe place to hide her million quid

Meanwhile in the New Years honours list Annie Lennox wins an OBE while Trevor Horn godlike producer wins a CBE, congratulations to them both. Although I am unlikely ever to be offered a Royal honour I have made it very clear to my family and friends that I would turn it down, I cannot support an institution like the Royal Family. I find it strange that there are now a number of Knights of the Realm among the rock and pop aristocracy; Sir Cliff Richard, Sir Paul McCartney, Sir Elton John and Sir Mick Jagger. Keith Richards has made it clear that he would never accept such and honour and David Bowie has already turned down the offer of royal honours a couple of times in the past. Watch Annie with the Eurythmics below along with a couple of classic videos for Trevor Horn productions.

Due to government budget cuts OBE winners were now awarded a cuddly toy rather than a medal

 

“And there won’t be snow in Africa, this Christmas time” December 23, 2010


Getting closer to the big day by the hour now and behind one of the few remaining perforated cardboard door flaps on my UK Christmas Number Ones Advent Calendar today, December 23rd, is a song that has been the Christmas number one on three separate occasions and technically by different acts each time. It was number one firstly in the Christmas of 1984, then in 1989 and most recently in 2004. It was the last UK Christmas number one before the X Factor winners had four years in a row, finally broken last year by Rage Against The Machine. You have probably guessed that the song is “Do They Know It’s Christmas” originally by Band Aid in 1984, then Band Aid II (1989) followed by Band Aid 20 (2004). Maybe it’ll be top again for the 30th anniversary in 2014.

It was number one fora total of 12 weeks; 5 weeks in 1984, 3 weeks in 1989 and 4 weeks in 2004. The song was written by Bob Geldof off of the Boomtown Rats and Midge Ure off of Ultravox after they had seen the news coverage of the 1984 famine in Ethiopia. They had aimed to raise money for famine relief and the single and subsequent Live Aid concert probably went way beyond their initial expectations. It sold more than a million copies in its first week alone and went on to sell 3.5 million copies. It remained the fastest and highest selling UK single until Elton John’s rerecording of “Candle In The Wind” following the death of Princess Diana in August 1997. The song was recorded on November 29th 1984 at SARM Studios in London after Geldof gathered the great and good of pop music at the time. The opening line was originally written for David Bowie, who was unfortunately unable to make it, so it was done by Paul Young. The single was released just 4 days after the recording on December 3rd 1984 and remember this was way before the days of downloads.

Midge Ure produced the original version, it was offered to Trevor Horn but he was not in the UK at the time. Stock, Aitken and Waterman produced the 1989 version. Some artists such as David Bowie and Paul McCartney were unable to be at the recording of the original so provided messages that appeared on the B-Side. Members of Bananarama appeared on the 1984 and 1989 version whilst Bono sang the same line in 1984 as he did in 2004; ‘Well, tonight, thank God it’s them, instead of you’. On the 2004 version Dizzee Rascal also added some new lyrics.

The artists that appeared on each version are listed below;

BAND AID (1984)


Bono, U2,   Phil Collins, Bob Geldof, Boomtown Rats,  Tony Hadley, Spandau Ballet, Midge Ure, Ultravox, Simon Le Bon, Duran Duran,  Paul Young,  Heaven 17,  Marilyn,  Bananarama,  Jody Watley,   Paul Weller, Kool & The Gang,  George Michael , Status Quo, Boy George, Culture Club,  Sting, Holly Johnson, Big Country

BAND AID II (1989)


Bananarama,  Big Fun, Bros, Cathy Dennis,  D Mob,  Jason Donovan,  Kevin Godley,  Glen Goldsmith,  Kylie Minogue,  Pasadenas,  Chris Rea,  Cliff Richard,  Jimmy Somerville,  Sonia, Lisa Stansfield,  Technotronic,  Wet Wet Wet

BAND AID 20 (2004)

Bono,  Daniel Bedingfield,  Natasha Bedingfield,  Vishal Das,  Busted,  Chris Martin, Dido, Dizzee Rascal, Ms Dynamite, Skye Edwards, Estelle,  Neil Hannon,  Justin Hawkins, Jamelia, Tom Chaplin, Tim Rice-Oxley, Beverley Knight, Lemar,  Shaznay Lewis, Katie Melua, Róisín Murphy,  Feeder,  Snow Patrol, Rachel Stevens,  Joss Stone,  Sugababes, Thrills,  Turin Brakes,  Robbie Williams, Will Young,  Francis Healy, Danny Goffey, Thom Yorke, Jonny Greenwood, Paul McCartney, Francis Healy, Andy Dunlop, Dougie Payne

If you would like to donate to Oxfam then click here

 

“Everyone knows one and one makes two, I’m the one and the other one’s you” December 21, 2010


Sir Cliff laughs in the face of the recent cold snap by keeping his shirt open

After a mammoth Beatles Advent Calendar post yesterday, today, December 21st, brings you another person who has so far had three UK Christmas Number Ones. So let’s open that little cardboard flap and see who it is. You’ll firstly be taken back to Christmas 1960 when I was fast approaching the milestone of two years old. It was the first of Cliff Richard’s UK Christmas Number Ones and on this one he was backed by the Shadows, it is called “I Love You”. Cliff is the only act to have achieved UK Christmas Number ones in three separate decades. The other two were “Mistletoe And Wine” in 1988 and “Saviours Day” in 1990. Thankfully the awful, in my opinion anyway, Cliff’s “Millennium Prayer” didn’t make it to the top at Christmas 1999, however it did get to number one for two weeks and was deposed by Westlife, with “I Have A Dream/ Seasons In The Sun“. Of the two I’m really not sure which was the worst, but a 2004 VH1 poll registered “Millennium Prayer” as the worst number one ever. I presume that makes it officially a pile of number twos!

Sir Cliff prepares to celebrate his first UK Christmas Number One

After Hank and the boys moved on Cliff struggled to play his guitar parts on air guitar

Anyway onto the three songs that made it to that coveted UK Christmas Number One spot for Cliff. Firstly with “I Love You” backed by the Shadows in 1960. The song was written by Bruce Welch off of the Shadows and stayed at the top for just two weeks. John Lennon once said that ‘before Cliff and the Shadows there was nothing worth listening to in British Music’ Whilst Cliff went on to massive success without the Shadows, they too were a very successful band. Cliff has had a total of 14 UK number ones, sadly that record is now equalled by Westlife, which puts him and them just behind the Beatles on 17 and Elvis on 21. The Shadows had three number ones in their own right, including the fabulous “Apache” from 1960, and a further seven backing Cliff.

Sir Cliff's cunning plan to disguise himself as Santa wasn't a great success

Cliff waited 28 years for his next UK Christmas Number One which arrived in 1988, it was called “Mistletoe And Wine”, certainly not one of my favourites, but then, to each their own as they say! The song comes from a 1976 musical adaptation of Han’s Christian Andersen’s ‘The Little Match Girl‘. It was Cliff’s 99th UK single, which whether you like him or not is an astonishing record (no pun intended!) It was also his 12th UK number one and the biggest selling single of 1998, it spent 4 weeks at number one. Like many Christmas themed songs it often returns to the UK charts in December.

And there was me thinking that only Freddie Mercury could get away with clothes like that!

The third and so far final UK Christmas UK Number One from Cliff was “Saviours Day” in 1990. The video for the song was filmed in Dorset. It is one of only three UK Christmas Number Ones to remain at the top for just one week. An honour it shares with “Goodbye” from the Spice Girls in 1998 and “Killing In The Name” from Rage Against The Machine in 2009. At the time of writing Matt Cardle’s “When We Collide” has been at the chart summit for less than a week, but I expect that it will remain for a bit longer yet. I find it pretty sad that once again the X Factor gets the Christmas Number One slot. We must do better next year people, let’s make sure it doesn’t happen. We need another Rage Against The Machine moment, let’s start a Facebook campaign now!

Madonna, Amy Winehouse and Sir Cliff Richard in Lego..... a strange trio if you ask me!

 

“Try to see it my way, only time will tell if I am right or I am wrong” December 20, 2010


It’s December 20th and now we’re at day 20 of my UK Christmas Number Ones Advent Calendar posts. Behind the cardboard door today there is a real treat in store for you. We’re going back to the 60s to take a look at the only act to have had four Christmas number ones in the UK. It’s not Cliff Richard, he’s only had three, the Spice Girls also had three in a row in the 90s. But so far no one has matched the UK Christmas Number One success of this UK band. They had the UK Christmas Number One in 1963, 1964, 1965 and again in 1967. I’m sure you will not be too surprised to hear that I’m talking about the Beatles.

As a special pre-Christmas treat I will be giving you all four of their Christmas Number ones later in this post. The songs that made the Yuletide top spot for the Fab Four were; “I Want To Hold Your Hand” (1963), “I Feel Fine” (1964), “Day Tripper/ We Can Work It Out” (1965) and “Hello Goodbye” (1967). At Christmas 1963 the Beatles also held the number two spot with “She Loves You“. Their sequence was broken in 1966 by Tom Jones with “Green, Green Grass Of Home“. In Christmas 1963, 1964 and 1965 the Mop Tops stayed at the top of the charts for five weeks each year and in 1967 it was seven weeks.

“I Want To Hold Your Hand” was also the Beatles first US number one where it stayed for 7 weeks. It  was also at number four in the US on April 4th 1964 when the Beatles had the whole of the Top 5. Up until 1964 the Beatles hadn’t had massive success in the US and manager Brian Epstein suggested to John Lennon and Paul McCartney that they should write a song that would appeal in the US. “I Want To Hold Your Hand” was the result of that request. It was also the first song the band recorded using the new technology of four track recording.

The bands second UK Christmas Number One, “I Feel Fine” was their eighth UK single. In 1964 it was the first US number one in a sequence of six Beatles songs in a row. It displaced the Rolling Stones “Little Red Rooster” at the top of the UK charts, possibly preventing the Stones from achieving what would have been their only UK Christmas Number One. Apparently Paul McCartney has said that the drum sound on the song was inspired by the Ray Charles song “What I’d Say“.

The third of the Beatles UK Christmas Number Ones was a double-A  side, something the CD and download era has made pretty much redundant. The two songs remain classics, for the price of one 7 inch single you got “Day Tripper” and “We Can Work It Out”. The songs were recorded during the ‘Rubber Soul’ sessions and were hurried along in order to provide the band with a Christmas release. Apparently Brian Epstein felt that a lack of releases or a lack of visibility would bring an end to the band’s success. When deciding which song to release John Lennon argued strongly for “Day Tripper” while the Paul, George and Ringo went for “We Can Work It Out”, hence it became the first commercial double-A side release. Noel Gallagher off of Oasis has referred to “We Can Work It Out” as the song that defines the Beatles (with the Beatles obviously being the band that defined Oasis!)

The last of the Beatles UK Christmas Number Ones, “Hello Goodbye” was at the top during Christmas 1967. It was also a US number one. The band filmed three promotional clips for the song, which were never aired in the UK at the time because of the Musicians Union embargo on miming. In an interview at the time of the songs release, Paul McCartney was quoted as saying the following when explaining the meaning of the song; “The answer to everything is simple. It’s a song about everything and nothing. If you have black you have to have white. That’s the amazing thing about life”.

So now go ahead and enjoy the five songs that make up the Beatles four UK Christmas Number Ones and at the end there is a special Beatle Christmas treat for you all! Enjoy!

 

“Silver Surfer and the ragged kid are all sad and rusted” October 29, 2010

Filed under: News,Trivia — justwilliam1959 @ 9:57 pm
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

An US Research Scientist recently claimed that science is not very far away from being able to record dreams. His name is Dr Moran Cerf which sounds made up to me. You can probably get some good anagrams from it, I tried and came up with DREAM FOR SNR which I interpreted as dream for senior, i.e. dream for older people, i.e. me!

I’m not sure it would be a good thing, it might reveal your innermost thoughts to everyone and frankly it could destroy the porn industry too, everyone could just record their own personal fantasies! It really does take science way into the realms of science fiction. He does however state that the first step is to visualise dreams by a combination of recollection and brain activity. The actual recording is quite some way off. I’m pleased about that, I’m not sure I’d want my dreams available to all! What do you folks think?

Read the story on the BBC site by clicking here.

On a bizarre footnote as I was typing this WordPress showed the following proposed tags based upon what I had written; Dream, BBC, Neuron, Science Fiction and Brain. All of which make logical sense, but it also added Marilyn Monroe and the Eiffel Tower. Is it reaching into my dreams? I have certainly dreamt about Marilyn before, mostly in my teens! Anyway I deliberately haven’t added them as tags to this post.

As always this is at heart a music blog so please enjoy the following dream related songs and feel free to add your own via the comments facility. I started out expecting to put a top 10 together and appear to have ended up with 20, not all of which I like incidentally, but I’m sure there is at least one person out there that likes them! There is also one hidden dream song, the first person to tell me what it is and where it is in the post via the comments facility may win a prize!

All I Have To Do Is Dream” – Everly Brothers. Written by famous husband and wife songwriting team Felice and Boudleaux Bryant in 1958, Don and Phil’s version is probably the most well known although it has been covered by many acts. It was most recently used in the 2010 remake of ‘A Nightmare On Elm Street‘ where of course all Freddie Krueger has to do is dream to be able to kill

“Dreaming” – Blondie – Taken from the ‘Eat To The Beat’ album and released in 1979 and reached number 2 in the UK. As with many of Blondie’s hits it was written by Deborah Harry and Chris Stein. It has been covered by the Smashing Pumpkins, the Posies, Yo  La Tengo and Jeff Tweedy off of Wilco amongst others.

Dreaming” – Cliff Richard – The same title as the Blondie song but definitely not the same song! Cliff was never massively succesful in the US. “Devil Woman was a big hit and “Dreaming” also made number 10. Cliff is the only artist to have had UK number one hits in every decade since the UK charts began (50s, 60s, 70s, 80s, 90s, 00s). None in the 10s yet though, but I reckon a Christmas team up with an X Factor winner would probably swing it.

Teenage Dream” – T Rex. Bolan’s chart success had started to wane by the time this was released in 1974, it still made UK number 2 though. It was also the first release that was credited to Marc Bolan and T Rex. It was taken from the wonderfully titled album ‘Zinc Alloy And The Hidden Riders Of Tomorrow

Dream Kid” – Sutherland Brothers and Quiver – Gavin and Ian Sutherland started life as a folk rock duo in the late 60s, they joined with Quiver in 1972 and sadly didn’t have massive chart success. But this song from 1973 remains one of my all time favourites.

“Don’t Dream It’s Over” – Crowded House – It was recorded in LA in 1986 and released in January 1987. The song was written by Neil Finn and was the first of the bands two US Top 40 hits. The song featured in the TV adaptation of Stephen King’s ‘The Stand’. It has been covered by quite a few artists. The Sixpence None The Richer version was very good, the Paul Young version was frankly…..crap!

Dreams” – Fleetwood Mac – This one’s a true classic from the  ‘Rumours’ album and was written by Stevie Nicks. The song was most famously covered by the Corrs and none other than Mick Fleetwood joined them to sing it at the Royal Albert Hall with them in 1998

Silver Dream Machine” – David Essex – This was recorded for David’s 1980 film ‘Silver Dream Racer‘. Not one of his better hits in my opinion. What do you folks think? (Especially you Ms Topsom!)

Boulevard Of Broken Dreams” – Green Day – This was taken from the bands excellent ‘American Idiot’ album. Billie Joe Armstrong wrote the song and was rather amusingly criticised by Noel Gallagher off of Oasis for ripping off one of his songs (the chord progression is very similar to “Wonderwall”)

Dreamer” – Supertramp. This was from the ‘Crime Of The Century’ album and was released in 1975. The B Side was another brilliant song; “Bloody Well Right” which was released as a single in its own right later that year.

In A Broken Dream” – Python Lee Jackson – Python Lee Jackson were an Australian band during the late 60s. They had a brief stay in the UK where they recorded this song with a then unknown vocalist, Rod Stewart. The single was a flop when it was released in 1968 but became a big success when it was rereleased in 1972.

I Had Too Much To Dream (Last Night) – Electric Prunes – Perhaps one of the most fondly remembered psychedelic bands from the 60s. They had a song, “Kyrie Eleison” included on the ‘Easy Rider’ soundtrack. The band reformed in 2001 and are still touring.

“Daydream Believer” – Monkees – The song was written by John Stewart and the lead vocal was sung by Davy Jones. It was an US number 1 but only managed number 5 in the UK. Despite being effectively a manufactured boy band all four members actually played or sang on this song.

In Dreams” – Roy Orbison – The song was written by Orbison himself and he was able to demonstrate his amazing vocal range, he sings across two octaves. Roy said that the song came to him while he was a sleep and presumably while he was dreaming. David Lynch used the song in his film, ‘Blue Velvet’

“Never Had A Dream Come True” – Stevie Wonder – The song was released in 1970 before Stevie was able to take control of his own career, so it was not one of his own compositions. It was however a co-composition written along with Motown staff writers Henry Cosby and Sylvia Moy. The song was covered by the Jackson 5 for their first album.

Island Of Dreams” – Springfields – The group formed in 1960 when Mary ‘Dusty’ O’Brien and her brother Dion O’Brien teamed up with Tim Field. They all took on the Springfield. And that dear readers is how Dusty Springfield came to be!

“Teenage Dream” – Katy Perry – The same title as the T Rex song, but not the same at all. It was the second single taken from her 2010 album of the same name, following the worldwide smash that was “California Gurls”. I wonder if she’ll use her married name in future? Actually Katy Brand doesn’t sound bad does it?

“Sweet Dreams (Are Made Of This) – Eurythmics – This gave the band their only US number one when it was released in 1983. Marilyn Manson recorded an excellent cover of the song in which he changed some of the lyrics, adding lines like “I wanna use you and abuse you/I wanna know what’s inside you.”

Any Dream Will Do” – Jason Donovan – The song was written by Tim Rice and Andrew Lloyd Webber for their 1968 musical ‘Joseph And The Amazing Technicolour Dreamcoat‘ which has gone on to massive success on stages all over the world. At various times it has been sung by everyone from Philip Schofield to Donny Osmond.

Dreaming Of Me” – Depeche Mode – This was the bands first single and was released in the UK in February 1981, strangely it was never commercially released in the US. It was written by Vince Clarke who went on to form Yazoo and Erasure.

 

“Cause only two of you had dinner, I found your credit card receipt” January 16, 2010


I was reading the Guardian newspaper earlier today and chanced upon a rather amusing article about the music tastes of what many might consider the more evil of our world leaders. The article itself can be found by clicking here.

I thought he might have been more of a Master Of Puppets period Metallica fan

In a nutshell here are the favourite artists of our favourite despots, or as one Guardian headline put it; The Axes Of Evil

Osama Bin Laden – Whitney Houston. So why don’t we send Whitney to the badlands between Afghanistan and Pakistan and just ask her to sing “Saving All My Love For You” especially for Osama. He’d be in her arms faster than a cruise missile

Where's Osama? Just send Whitney! It's not right but it's ok

Robert Mugabe – Cliff Richard. Now here’s the thing, apparently at the Zimbabwe Independence Concert in 1980 Mugabe was disappointed that Bob Marley was chosen to headline, he considered him somewhat scruffy and allegedly would have preferred the more wholesome Cliff Richard. Clearly Mugabe wasn’t aware of Bob Marley’s tireless efforts to gain justice for Africa. However I’m sure Mr Marley would be sickened by what Mugabe has done subsequently. Here is Bob Marley singing “Zimbabwe” in Zimbabwe in 1980

She said son you be a dictator boy and make your enemies paaaay! (to the tune of Sir Cliff's "Bachelor Boy")

Colonel Gaddafi – Lionel Richie. I can now imagine the Colonel rocking around his tent to Lionel’s “Dancing On The Ceiling” or perhaps “Machine Gun” by the Commodores might be more appropriate

Judging from his body guards you'd think he might have preferred the Supremes or the Three Degrees

Nick Griffin – Kate Rusby. Clearly a very, very, very long way from being a world leader, but definitely a bigoted racist arsehole who is not as bright as he thinks he is. It is interesting that his choice of British Folk Music is perhaps the whitest form of music in the UK. However even the folkies have a Folk Against Facism Movement. So once again the racist thugs of the BNP get it wrong. Maybe we should organise a Political Celebrity Death Match between Nick Griffin and Robert Mugabe, in the hope that both might pop their clogs

Nick was devastated when he realised he couldn't play his records because they were black, if only he'd bought the special edition white vinyl versions. Still he could now agree with the majority of people in Britain, that he is indeed a complete tosser

Kim Jong-Il – Eric Clapton. I wonder when we will hear them say Kim Jong-Well or will he always be sick? I can now only ever picture Kim as his puppet in the wonderful ‘Team America’ movie. I wonder what his favourite Clapton song is?

Kim always liked to listen to a bit of Slowhand when he took time for a little "Slow Hand" of his own 😉

Mahmoud Ahmadinejad – Chris De Burgh. A member of Dubya’s so called Axis Of Evil and potential owner of nuclear weapons. But frankly how can you take him seriously now you know he listens to that bloody awful “Lady In Red“?

Just one more dig at Lady In Red and I'll rip my wig off and shove it right where the nuclear reactors don't shine!

 

“Are you ready, are you ready for this, are you hanging on the edge of your seat?” July 18, 2009


Hello once again dear readers today is the 19th July and it is the 62nd birthday of one Brian Harold May off of Queen. Brian still uses his ‘Red Special’ guitar which he began building in the early sixties with his Dad Harold. It is principally made from an old 18th Century fireplace mantel. Also there are actually two wormholes in the neck of the guitar, at least according to Wikipedia. Presumably not the type of wormholes that Brian would know more about, being an astrophysicist! To learn more about those type of wormholes click here. If your interests are a little more down to earth and you’d like a guitar just like (well ok similar) to Brian’s, then click here.

Brian poses with the famouse fireplace :-)

Brian poses with the famouse fireplace 🙂

Brian auditions Anita Dobson as a lookalike for security purposes

Brian auditions Anita Dobson as a lookalike for security purposes

On this day in 1980 the very band that Brian found fame in, Queen racked up their third UK number one album with ‘The Game’. This album featured the single “Another One Bites The Dust” A great song in my opinion and this was apparently also the opinion of Michael Jackson who was a friend of Freddie Mercury. When Fred played the song to him Jacko insisted that the band release it as a single and the rest as they say is history! And just for fun here is the Weird Al Yankovic parody of the song “Another One Rides The Bus

Sadly both Michael and Freddie have now bitten the dust... RIP

Sadly both Michael and Freddie have now bitten the dust… RIP

Also on this day in 1958, whilst I was still in the womb, George Treadwell the then manager of the Drifters sacked the entire group. However he simply replaced them with another group, unkown at the time, Ben E King and the Five Crowns! If only someone would do that with the likes of Boyzone and Westlife. Oh I expect they probably have and no one has noticed! Here are Ben and the boys with “This Magic Moment” Incidentally fact fans did you know that the Shadows off of Cliff Richard and the Shadows were once called the Drifters? Well if you didn’t you do now!

By 1959 Ben E King clearly couldn't be bothered to tour. As for Dock Green is he anything to do with Dixon?

By 1959 Ben E King clearly couldn’t be bothered to tour. As for Dock Green is he anything to do with Dixon?

And the final ‘onthisday’ for 19th July is from 1989. Apparently when large amounts of money were found in the late great (those l & g’s are back!) James Brown’s prison cell he was moved from a minimum security prison to a medium security prison. What the hell is the difference between minimum and medium and then presumably maximum security prisons. “Get Up Offa That Thing” indeed! If that had happened these days it would have been the hidden stash of some jailed banker, but wait a minute none of them went to jail did they? They all recieved performance bonuses, how the hell does that work then? Here is James with the late great (back with a vengeance those ‘l & g’s’) Robert Palmer singing “I Feel Good

James moves from minimum to medium security with his personal banker!

James moves from minimum to medium security with his personal banker!